Bibliograf- ¦ía danza e identidades
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Transcript of Bibliograf- ¦ía danza e identidades
Bibliografía en Identidades Nacionales
Benza, Silvia. 2005. Transmisión de géneros dancísticos en la migración: nuevos criterios de demarcación identitaria frente a la dilución del contexto territorial nacional peruano. En Cuadernos de Antropología Social Nº 22, pp. 189–199.
Brandes, Stanley, 1990. The Sardana: Catalan Dance and Catalan National Identity. En The Journal of American Folklore, Vol. 103, No. 407 (Jan. - Mar.), pp. 24-41.
Díaz Barrero, Gloria Patricia. Stripers, bailarinas exóticas, eróticas: identidad e inmigración en la construcción del Estado canadiense*No encuentor más datos129-152
Grau, Andrée. 2005. Boundaries with Special Reference to Tiwi Dance and Western Classical Ballet. When the Landscape becomes Flesh: An Investigation into Body. En Body Society. Vol. 11(4), pp. 141–163.
Donncha Kavanagh, Carmen Kuhling and Kieran Keohane. 2008. Dance-work: Images of Organization in Irish Dance. En Organization. 15; 725.
Perry, Mark E. 2006. Latin American Music and Dance: The Construction and Interpretation of Social Processes. En LATIN AMERICAN PERSPECTIVES, Issue 151, Vol. 33 No. 6, November 2006 pp. 200-201
Martin, Randy. 2006. Productive Pleasures: Episodes of a Critical Public in Cuban Dance. EnSpace and Culture. Vol. 9, no. 3, august, pp. 254-260.
Iveris Luz Martínez. 2002. Danzas Nacionalistas: The representation of history through folkloric dance in Venezuela. En History, Memory and Identity in the Americas. Vol 22(3), pp. 257–282.
David Mario Matsinhe. 2009. The Dance Floor: Nightlife, Civilizing Process, and Multiculturalism in Canada. En Space and Culture, vol. 12, no. 1, february 2009, pp. 116-135.
McCormack, Derek P. 2007. Review Essay: Politics and Moving Bodies: Social Choreography: Ideology and Performance in Dance and Everyday Movement, by Andrew Hewitt. Durham, NC: Duke University Press, 2005. 254 pp. $22.95 (paper). Bodies in Code: Interfaces with Digital Media, by Mark B. N. Hansen. New York: Routledge, 2006. 327 pp. $24.95 (paper). Politics of Touch: Sense, Movement, Sovereignty, by Erin Manning. Minneapolis: University of Minnesota Press, 2007. 195 pp. $22.50 (paper). En Political Theory, Volume 35, Nmber 6, December 2007, pp. 816-824
Zoila S. Mendoza. 1998. Defining Folklore: Mestizo and Indigenous Identities on the Move. En Bulletin of Latin American Research, Vol. 17, No. 2 (May), pp. 165-183.
Perez Montfort, Ricardo. 2005. Reseña de: Parga, Pablo. 2004. Cuerpo vestido de nación. Danza folclórica y nacionalismo mexicano (1921-1939). México: Consejo Nacional para la Cultura y las Artes – Fondo para la Cultura y las Artes. En Desacatos, num. 19, septiembre-diciembre 2005, pp. 189-192
Nahachewsky, Andriy. 2002. New Ethnicity and Ukrainian Canadian Social Dances. En The Journal of American Folklore, Vol. 115, No. 456, Special Issue: Folklore in Canada (Spring, 2002), pp. 175-190.
Perry, Mark E. 2006. Latin American Music and Dance: The Construction and Interpretatoin of Social Processes. En LATIN AMERICAN PERSPECTIVES, Issue 151, Vol. 33 No. 6, November 2006, pp. 200-201.
Peterson Royce, Anya. 2001. Dancing the Nation. En AMERICAN ANTHROPOLOGIST .• VOL. 103, No. 2 • JUNE 2001. Es un "Book review essay" Revisión de los libros: Paper Tangos. Julie Taylor. Durham, NC: Duke University Press, 1998. 121pp. y The Mystery of Samba: Popular Music and National Identity in Brazil. Hermano Vianna. John Charles Chasteen, ed. and trans. Chapel Hill: University of North. Carolina Press, 1999. 147 pp.
Rodriguez, Sylvya. 1994. Defended Boundaries, Precarious Elites: The Arroyo Seco Matachines Dance En: The Journal of American Folklore, Vol. 107, No. 424 (Spring, 1994), pp. 248-267
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