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X-Men: Primera Generacin (2) crtica

Inteligente. Esa es la primera palabra que me viene a

la mente a la hora de calificar la cuarta adaptacin

del grupo de mutantes ms exitoso de la editorial

Marvel. Una magnfica pelcula que probablemente

dejar satisfechos a casi todos.

6 de junio de 2011 / Javier LacombaTamarit

Desde siempre, la quimera que se ha venido persiguiendo a la hora de convertir en celuloide

las vietas, y concretamente el gnero de superhroes es la llamada "fidelidad". "Fidelidad alcmic", "Fidelidad a los personajes", "Fidelidad al espritu". Nos hemos cansado una y otra

vez de or esas expresiones en contraposicin a la temida "traicin" ante los que losaficionados estn (estamos) siempre vigilantes y en guardia.

Pues bien, "X Men: Primera Generacin" es una de las adaptaciones ms fieles jams

realizadas.

Y eso no quiere decir que sea igual, siquiera parecida, a los acontecimientos originales del

cmic, sino que utiliza las mismas armas y los mismos recursos que hicieron a la Patrulla X

una de las joyas del cmic norteamericano contemporneo.

El temor del mutante al rechazo, muy bien engarzado en el libreto a la paranoianorteamericana durante la Guerra Fra; la buena construccin de los personajes, con grancuidado en la creacin de una coherencia interna de los mismos, an en sus contradicciones;

y, sobre todo, algo que ya saban los clsicos, algo que es imprescindible, y una receta para

el xito de la historia.

Un gran villano, y un gran actor que lo interprete.

El villano se llama Magneto, y es un personaje complejo, el autntico protagonista de lapelcula, como DarthVader lo es de la saga "StarWars". Un personaje que huye del mero

estereotipo, para tener una solidez envidiable, especialmente en su relacin de amistad con elque luego ser su antagonista, el profesor Xavier. Un personaje con motivaciones humanas,aunque sean condenables sus acciones desde el punto de vista del bien; con sus ideales y sus

emociones, con su viaje personal movido por la ira.

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Un gran personaje, llenado por un gran intrprete, Michael Fassbender, que otorga el porte,

majestuosidad y rabia contenida que requiere el futuro villano. El actor llena absolutamente

la pantalla, y eclipsa a su compaero de reparto James McAvoy, que realiza una correctalabor, e incluso roba los planos de un siempre eficaz y dotado aparentemente de la eterna

juventud Kevin Bacon.

Una vez ms, hay que destacar los aciertos de Casting en la mayora de secundarios, ascomo en el aspecto, en el diseo de produccin de la pelcula. Vistosa a ms no poder,

fluida, con magnficos efectos especiales y de sonido, la pelcula va acumulando mritossegn pasan los minutos, con un aspecto en ocasiones "retro" que se subraya hbilmente porMatthew Vaughn con detalles como la pantalla partida, o incluso el vestuario de la bella pero

algo anodina January Jones, que nos harn rememorar al mismsimo Bond de Sean Connery

en ciertos momentos.

Ingredientes realistas, histricos, clsicos, cotidianos, humanos, para conformar y hacer an

ms grande una brillante fantasa.

Eso es inteligencia a la hora de afrontar una adaptacin, que adems conecta con lo ya

contado en las tres pelculas precedentes de una manera que dejar boquiabierto alaficionado y que (por supuesto) no voy a revelar.

Y no olvidemos al que hizo los mimbres de papel para tan magnfica cesta, alguien al que

esta adaptacin le debe muchsimo.

Alguienllamado Chris Claremont.

Traductor

X-Men: The First Generation (2) critical

Intelligent. This it is the first word that me comes to the mind at the moment of qualifying the

fourth adjustment of the most successful group of mutants of the publishing house Marvel. A

magnificent movie that probably will make all satisfied to almost.

From always, the chimera that one has come chasing at the moment of turning into celluloid the

emblems, and concretely the superheroes' kind is the so called "loyalty". " Loyalty to the cmic ", "

Loyalty to the prominent figures ", " Loyalty to the spirit ". We have got tired again and again of

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hearing these expressions in contraposition to the been afraid "perfidy" before that the fans are

(are) always vigilant and in police officer.

Well then, " X Men: The First Generation " is never one of the most faithful realized adjustments.

And it it does not want to say that it should be equal, at least seemed, to the original events of the

cmic, but it uses the same weapon and the same resources that did one of the jewels to the

Patrol X of the North American contemporary cmic.

The fear of the mutant of the rejection very well connected in the libretto to the North American

paranoia during the Cold War; the good construction of the prominent figures, with great care in

the creation of an internal coherence of the same ones, still in his contradictions; and, especially,

something that already the classic ones knew, something that is indispensable, and a recipe for the

success of the history.

A great villain, and a great actor who interprets it.

The villain is called A Magneto, and is a complex personage, the authentic protagonist of the

movie, since Darth Vader it is of the saga "Star Wars". A personage who flees of the mere

stereotype, to have an enviable solidity, specially in his relation of friendship with the one that

then will be his antagonist, the teacher Xavier. A personage with human motivations, though his

actions are condemnable from the point of view of the good; with his ideal ones and his emotions,

with his personal trip moved by the ire.

A great personage filled by a great interpreter, Michael Fassbender, who grants the freightage,

majesty and contained anger that the future villain needs. The actor fills absolutely the screen, and

eclipses his companion of distribution James McAvoy, who realizes a correct labor, and even Kevin

steals the planes of one always effective and endowed seemingly of the eternal youth

Once again, it is necessary to emphasize the successes of Casting in the majority of secondary, as

well as in the aspect, in the design of production of the movie. Showy to any more not being able,

fluid, with magnificent special effects and of sound, the movie is accumulating merits as the

minutes spend, with an aspect in occasions "retro" that is underlined skilfully by Matthew Vaughn

by details as the divided screen, or even the wardrobe of the beautiful one but slightly bland

January Jones, which they will make us recall to Sean Connery's very same Bond in certain

moments.

Realistic, historical, classic, daily, human ingredients, to agree and to make furthermore a brilliant

fantasy big

It is an intelligence at the moment of confronts an adjustment, which in addition connects with

the already counted in three previous movies in such a way that it will make the fan open-

mouthed and that (certainly) I am not going to reveal.

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And let's not forget the one that did the wickers of paper for so magnificent basket, anybody

whom this adjustment owes very much.

Someone so called Chris Claremont.