NCFlorival Week 4 Presentation

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    I have chosen this Research question. It may change a little but that's the main idea.

    To detail it more, this is about understanding how art feeds graphic design. In a working context we rarely produce graphic design work

    without using artwork and since most of the time we produce artwork for commercial purposes and to convey a message, it is quite

    important to know about art theory and the meaning of art, if there is any.

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    I have started reading books on the philosophy of art and art in general. There is a lot to read but I am really pleased as I had not really

    read anything too theoretical about art before and it is truly interesting. These are the different views and theories developed

    throughout time - some philosophers and artists saw art as representation, others as expression, or narrative, or purely form. They are

    the common theories found in books but I watched a documentary called 'Bomb it' a few days ago and got very interesting insights

    into what art may mean to people. The documentary is about graffiti and street art and, those who do it described their art or action in

    many different ways - here are just a few examples:

    - as a way of life

    - as a reflection of what is happening in your life

    - as a reflection of the world you live in

    - as identity

    - as therapy- as survival

    - as excitement

    - as performance

    - as addiction

    - as power

    - as urban interaction, war against advertising and its visual pollution

    - as a statement

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    This is an installation made in the

    drawing studio by Amy and Catriona.

    We were supposed to draw or paintit. There was no way I was going to

    represent all these shapes and folds

    faithfully from the distance so I

    decided to do this.

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    I believe this illustrates 'art

    as expression'.

    I thought I would do a rough

    sketch of the installation

    then let my imagination do

    the rest. Throughout the

    process I wrote my

    thoughts next to the

    drawing, which I really

    enjoyed.

    So, technically this is

    rubbish (lol) but I enjoyed

    myself and I like the result,

    visually speaking.

    So is there a question here?

    When Francis Bacon (for

    example) painted, was he

    concerned with the 'looks'

    of his artwork or was there

    just a lot going on in hishead and on the canvas?

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    Coming to the work I'm doing for my Honours Project

    It's simple, I've decided to brand an artist, more precisely to brand his teaching.

    This is my friend Benoist Chapel who specialises in porcelain painting.

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    This is him teaching. He's very popular with his students, because of his talent

    but also because of the kind of person he is and the way he teaches.

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    That's him doing ball-pen drawing.

    He's been doing this for about five years now and I personally love it.

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    Some of the paintings I did with him.

    Sorry about the picture quality - these were taken with a non-smart phone!

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    This was his signature/symbol a few years ago.

    This particular one is done with ink so it looks quite sharp.

    Lately we worked on making his symbol a logo then

    he drew a loser version of it and I produced this,

    which we have been using on business cards, flyers and posters.

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    name & logo

    branding / promoton / etc

    commercial website

    further developmentsthree languages

    four culturesbroad audience

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    SLIDE10

    MyaimthisyearistodoacompleteexerciseofBranding,startingfromscratchasit'snotexactlyhimwe'retalkingofpromoting,

    buthisteaching.

    Obviouslytherewillbeanameandlogo(wehavethenamebutnotthelogoyet),promotionalthings,butatthecentreofthisis

    acommercialwebsite.

    I'mgoingtodesignit,hopefullyinHTML5withgoodUXetc,butwe'llbehiringadeveloperaswewantsomethingvery

    professional.

    Furtherdevelopmentswillbeconsideredbutthebigchallengeonthisprojectisthefactthattheaudienceisbroad(allages,

    mainlyfemininesofarbutwe'lltrytoappealtomenforthingslikeoilpaintingandball-pendrawing)and we'llbeworkingwith

    threelanguagesandfourcultures.WeknowthreeofthemwellbutfortheAmerican'market'thereisaconsiderableamountof

    researchtodo.

    CONCLUSIONIdorealisethatallthismeansahugeamountofworkifwewantthingsdoneprofessionally,

    butitisactuallyalong-termprojectsowhatwillprobablyhappenisthatIwillnarrowdown

    thescopealittle,forexampledevelopinginEnglishonlyandkeepingotherlanguagesforlater.

    Thisprojecthasahugemeaningforme.ItispartlythankstothisfriendthatIfoundmytruevocationandcametographic

    design,soformethisislike:

    Hisartandhis'mindstate'havebeen'feeding'meandhelpingmeinrecentyears,socanIhelphiminreturn?

    Usingbothtraditionalgraphicdesignandnewmedia,willImanagetoreflecthistalent,tonotbetrayit,andtogivehimabitof

    'electronicaura'??

    THANKYOU.