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Pride and Prejudice

In 2005 he made the transition to feature films with the critically acclaimed Pride and

Prejudice starring Keira Knightley and Matthew Macfadyen. The film received numerous accolades

including 4 Academy Award nominations (including best actress), 6 BAFTA nominations (Wright won

the BAFTA for most promising newcomer) and a host of other nominations and wins.

Atonement

Wright's next feature was an adaptation of Ian McEwan's Booker Prize shortlisted

novelAtonementwhich was released in 2007, reuniting Wright with Keira Knightley and also

stars James McAvoy. On December 13, 2007, the film was nominated for 7 Golden Globe Awards,

more than any other film that year. Though Wright himself was not nominated for Director, the film

received six Academy Award nominations, winning only for Best Original Score. At the BAFTA Awards

it received 14 nominations and went on to win for Best Production Design and Best Film.

The Soloist

His next film was The Soloistwhich stars Jamie Foxx and Robert Downey Jr. It is about the "true story

of musical prodigy Nathaniel Ayers, who developed schizophrenia in his second year at Juilliard and

ended up homeless on the streets of downtown L.A. where he performs the violin and cello." [6] It was

to be released on November 21, 2008; however the release date was pushed back to April 24, 2009.

Hanna

Wright reunited withAtonementstar Saoirse Ronan for the action thrillerHanna. The title character is

a 17 year old girl trained since birth to be an assassin by her father (Eric Bana), a rogue CIA asset.

The movie received mostly positive reviews withRoger Ebertcalling it a "first rate thriller" in his

review. The film received an aggregate score of 65 from Metacritic, meaning it received generally

positive reviews

Anna Karenina

Wright is directing a screen adaptation of Leo Tolstoys classic novel Anna Karenina. Current cast

includes Keira Knightley as Anna, Jude Law as her husband, Aaron Johnson as her young love, and

Irish actor Domhnall Gleeson as Konstantin Levin, as well as Saoirse Ronan, Kelly Macdonald, Olivia

Williams, Matthew Macfadyen, Andrea Riseborough, and Michelle Dockery.[9][10][11] As of July 2011,

Keira Knightley has begun rehearsing,[12] in preparation for principle filming expected to begin later in

2011. The film also has indian actressTannishtha Chatterjee play a part in it.[14]

Directorial trademarks

After only three full-length features, Wright has distinguished himself as a director, winning a BAFTA

award for best newcomer forPride and Prejudice and becoming the youngest director ever to have a

film open the Venice Film Festival withAtonement. According to the director's commentary on Pride

and Prejudice, Wright is influenced by the work of British film director David Lean, and possessing a

certain knowledge of art history, tries sometimes to compose his shots after classical paintings. In

2011, he directed the Chanel advert for the new 'Mademoiselle' perfume, and admitted in an interview

with Tatler magazine that his opening shot of Keira Knightley's behind was directly influenced by

'Michael Bay and early Hollyoaks episodes' and went on to assert that 'women are objects, honest-to-

goodness objects, and that's what I was trying to show in this film (it's not a film)'.
http://en.wikipedia.org/wiki/Golden_Globehttp://en.wikipedia.org/wiki/Joe_Wright#cite_note-5http://en.wikipedia.org/wiki/Roger_Eberthttp://en.wikipedia.org/wiki/Roger_Eberthttp://en.wikipedia.org/wiki/Roger_Eberthttp://en.wikipedia.org/wiki/Saoirse_Ronanhttp://en.wikipedia.org/wiki/Saoirse_Ronanhttp://en.wikipedia.org/wiki/Michelle_Dockeryhttp://en.wikipedia.org/wiki/Joe_Wright#cite_note-Slashfilm-8http://en.wikipedia.org/wiki/Joe_Wright#cite_note-Slashfilm-8http://en.wikipedia.org/wiki/Joe_Wright#cite_note-Daily_Mail-9http://en.wikipedia.org/wiki/Joe_Wright#cite_note-Anna_Karenina-10http://en.wikipedia.org/wiki/Joe_Wright#cite_note-The_Guardian-11http://en.wikipedia.org/wiki/Joe_Wright#cite_note-The_Guardian-11http://en.wikipedia.org/wiki/Tannishtha_Chatterjeehttp://en.wikipedia.org/wiki/Joe_Wright#cite_note-13http://en.wikipedia.org/wiki/Joe_Wright#cite_note-13http://en.wikipedia.org/wiki/Joe_Wright#cite_note-5http://en.wikipedia.org/wiki/Roger_Eberthttp://en.wikipedia.org/wiki/Saoirse_Ronanhttp://en.wikipedia.org/wiki/Michelle_Dockeryhttp://en.wikipedia.org/wiki/Joe_Wright#cite_note-Slashfilm-8http://en.wikipedia.org/wiki/Joe_Wright#cite_note-Daily_Mail-9http://en.wikipedia.org/wiki/Joe_Wright#cite_note-Anna_Karenina-10http://en.wikipedia.org/wiki/Joe_Wright#cite_note-The_Guardian-11http://en.wikipedia.org/wiki/Tannishtha_Chatterjeehttp://en.wikipedia.org/wiki/Joe_Wright#cite_note-13http://en.wikipedia.org/wiki/Golden_Globe


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Charles II: The Power and The Passion, Pride and Prejudice,Atonementand Hanna all have

long tracking shots in them.Atonementhas a continuous 5 minute and 5 second shot of

theDunkirk evacuation. "Basically, I just like showing off," Wright told the audience at the Hay

Festival.

PRIDE AND PREJUDICE

Pride & Prejudice is a 2005 British romance film directed by Joe Wright. It is a film adaptation ofthe 1813 novel of the same name by Jane Austen and the second adaption produced by WorkingTitle Films. It was released on September 16, 2005, in the UK and on November 11, 2005, in theUS.

ADAPTATION OF THE NOVEL

Most works of literature undergo significant cuts when adapted for film; in this production, the

story was compressed into 2 hours and 9 minutes of screen time. Some of the most notable

changes from the original book include:

Heavy time compression of several major sequences, including Elizabeth's visit to Rosings

Park and Hunsford Parsonage, Elizabeth's visit to Pemberley, and Lydia's elopement and its

subsequent crisis.

The elimination of several supporting characters, including Louisa Hurst, Mr. Hurst, Lady and

Maria Lucas, Mr. and Mrs. Phillips, the Gardiners' children, Mrs. Annesley, Mrs. Younge

(Georgiana Darcy's governess), several of Lydia's friends (including Colonel and Mrs. Forster),

and various military officers and townspeople.

The elimination of several sections in which characters reflect or converse on events that

have recently occurred - for example, Elizabeth's chapter-long change of mind after reading

Darcy's letter.

Director Joe Wright and screenwriter Deborah Moggach opted for a "muddy hem version" of

Longbourn, presenting a more rural setting than in previous adaptations. The filmmakers changed

several scenes to more romantic locales than the ones in the book. For instance, in the film, Darcy

first proposes outdoors in a rainstorm near a beautiful lake (Stourhead) in Wiltshire; in the book, this

scene takes place inside a parsonage. In the film, his second proposal occurs on the misty moors as

dawn breaks; in the book, he and Elizabeth are walking down a country lane in broad daylight.

The North American release version included a final scene (not in the novel) of the married Darcys

enjoying a romantic evening at Pemberley. This ending did not test well with British audiences, so it

was cut for UK and international release. The British version ends with Mr. Bennet's blessing upon

Elizabeth and Mr. Darcy's union, thus circumventing the last chapter in the novel, which summarizes

the lives of the Darcys and the other main characters over the next several years.

Filming

It was filmed entirely on location within Englandin the summer of 2004 and used several stately

homes, including Chatsworth House in Derbyshire and Wilton House in Salisbury (as

Pemberley), Groombridge Place in Kent (as Longbourn), Basildon Park in Berkshire (as

Netherfield Park) and Burghley House in Cambridgeshire (as Rosings - the adjacent town of

Stamford served as Meryton). The Temple of Apollo and Palladian Bridge of Stourhead also

appeared (as set in the Gardens of Rosings).

Critical reception


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The 2005 film was only the second faithful film version after "the famed, but oddly flawed, black-and-

white 1940 adaptation, starring Greer Garson and Laurence Olivier," and until 2005, The

Times considered the 1995 television adaptation starring Jennifer Ehle and Colin Firth "so dominant,

so universally adored, [that] it has lingered in the public consciousness as a cinematic standard."

Comparing six major adaptations ofPride and Prejudice in 2005, the Daily Mirrorgave the only topmarks of 9/10 to the 1995 serial and the 2005 film, leaving the other adaptations behind with six and

fewer points. The 2005 film is rated 85% fresh by Rotten Tomatoes. Metacritic reported Pride &

Prejudice had an average score of 82 out of 100, based on 37 reviews, and classified the film as a

universal acclaim.

Some critics noted the 2005 film's time constraints do not capture the depth and complexity of the

television serial and called the film "obviously [not as] daring or revisionist" as the 1995 TV serial.

Joan Klingel Ray, president of the Jane Austen Society of North America, preferred the young age of

Knightley and Macfadyen, saying that Jennifer Ehle had formerly been "a little too 'heavy' for the role,"

while Peter Bradshaw ofThe Guardian, while heavily praising Keira Knightley for having given an

outstanding performance as Lizzy Bennet "which lifts the whole movie," considered the casting of the2005 leads "arguably a little more callow than Firth and Ehle." He does add that "Only a snob, a

curmudgeon, or someone with necrophiliac loyalty to the 1995 BBC version with Colin Firth and

Jennifer Ehle could fail to enjoy her performance." Critics were divided about Matthew Macfadyen's

portrayal of Darcy, expressing pleasant surprise, dislike for his lack of gradual emotional shift as in the

novel, and praise for his matching the insecure and sensitive personality of the book character better

than Firth.

Box office

The movie took the number one spot in the UK its first week, earning 2.5 million ($4.5 million) while

playing on 400 screens. It stayed on the top spot for two more weeks, earning a total of over 14

million at the UK box office at that time and was featured on 1,335 screens at its widest domestic

release.

The film debuted with an opening weekend of US$2.9 million on 215 screens. Two weeks later,

this was increased to 1,299 screens, and box office returns increased to $7.2 million. The film has

grossed over $121,147,947 worldwide at the cinema box office.