Orgullo y Prejuicio Psicologia Del Arte
Transcript of Orgullo y Prejuicio Psicologia Del Arte
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Pride and Prejudice
In 2005 he made the transition to feature films with the critically acclaimed Pride and
Prejudice starring Keira Knightley and Matthew Macfadyen. The film received numerous accolades
including 4 Academy Award nominations (including best actress), 6 BAFTA nominations (Wright won
the BAFTA for most promising newcomer) and a host of other nominations and wins.
Atonement
Wright's next feature was an adaptation of Ian McEwan's Booker Prize shortlisted
novelAtonementwhich was released in 2007, reuniting Wright with Keira Knightley and also
stars James McAvoy. On December 13, 2007, the film was nominated for 7 Golden Globe Awards,
more than any other film that year. Though Wright himself was not nominated for Director, the film
received six Academy Award nominations, winning only for Best Original Score. At the BAFTA Awards
it received 14 nominations and went on to win for Best Production Design and Best Film.
The Soloist
His next film was The Soloistwhich stars Jamie Foxx and Robert Downey Jr. It is about the "true story
of musical prodigy Nathaniel Ayers, who developed schizophrenia in his second year at Juilliard and
ended up homeless on the streets of downtown L.A. where he performs the violin and cello." [6] It was
to be released on November 21, 2008; however the release date was pushed back to April 24, 2009.
Hanna
Wright reunited withAtonementstar Saoirse Ronan for the action thrillerHanna. The title character is
a 17 year old girl trained since birth to be an assassin by her father (Eric Bana), a rogue CIA asset.
The movie received mostly positive reviews withRoger Ebertcalling it a "first rate thriller" in his
review. The film received an aggregate score of 65 from Metacritic, meaning it received generally
positive reviews
Anna Karenina
Wright is directing a screen adaptation of Leo Tolstoys classic novel Anna Karenina. Current cast
includes Keira Knightley as Anna, Jude Law as her husband, Aaron Johnson as her young love, and
Irish actor Domhnall Gleeson as Konstantin Levin, as well as Saoirse Ronan, Kelly Macdonald, Olivia
Williams, Matthew Macfadyen, Andrea Riseborough, and Michelle Dockery.[9][10][11] As of July 2011,
Keira Knightley has begun rehearsing,[12] in preparation for principle filming expected to begin later in
2011. The film also has indian actressTannishtha Chatterjee play a part in it.[14]
Directorial trademarks
After only three full-length features, Wright has distinguished himself as a director, winning a BAFTA
award for best newcomer forPride and Prejudice and becoming the youngest director ever to have a
film open the Venice Film Festival withAtonement. According to the director's commentary on Pride
and Prejudice, Wright is influenced by the work of British film director David Lean, and possessing a
certain knowledge of art history, tries sometimes to compose his shots after classical paintings. In
2011, he directed the Chanel advert for the new 'Mademoiselle' perfume, and admitted in an interview
with Tatler magazine that his opening shot of Keira Knightley's behind was directly influenced by
'Michael Bay and early Hollyoaks episodes' and went on to assert that 'women are objects, honest-to-
goodness objects, and that's what I was trying to show in this film (it's not a film)'.
http://en.wikipedia.org/wiki/Golden_Globehttp://en.wikipedia.org/wiki/Joe_Wright#cite_note-5http://en.wikipedia.org/wiki/Roger_Eberthttp://en.wikipedia.org/wiki/Roger_Eberthttp://en.wikipedia.org/wiki/Roger_Eberthttp://en.wikipedia.org/wiki/Saoirse_Ronanhttp://en.wikipedia.org/wiki/Saoirse_Ronanhttp://en.wikipedia.org/wiki/Michelle_Dockeryhttp://en.wikipedia.org/wiki/Joe_Wright#cite_note-Slashfilm-8http://en.wikipedia.org/wiki/Joe_Wright#cite_note-Slashfilm-8http://en.wikipedia.org/wiki/Joe_Wright#cite_note-Daily_Mail-9http://en.wikipedia.org/wiki/Joe_Wright#cite_note-Anna_Karenina-10http://en.wikipedia.org/wiki/Joe_Wright#cite_note-The_Guardian-11http://en.wikipedia.org/wiki/Joe_Wright#cite_note-The_Guardian-11http://en.wikipedia.org/wiki/Tannishtha_Chatterjeehttp://en.wikipedia.org/wiki/Joe_Wright#cite_note-13http://en.wikipedia.org/wiki/Joe_Wright#cite_note-13http://en.wikipedia.org/wiki/Joe_Wright#cite_note-5http://en.wikipedia.org/wiki/Roger_Eberthttp://en.wikipedia.org/wiki/Saoirse_Ronanhttp://en.wikipedia.org/wiki/Michelle_Dockeryhttp://en.wikipedia.org/wiki/Joe_Wright#cite_note-Slashfilm-8http://en.wikipedia.org/wiki/Joe_Wright#cite_note-Daily_Mail-9http://en.wikipedia.org/wiki/Joe_Wright#cite_note-Anna_Karenina-10http://en.wikipedia.org/wiki/Joe_Wright#cite_note-The_Guardian-11http://en.wikipedia.org/wiki/Tannishtha_Chatterjeehttp://en.wikipedia.org/wiki/Joe_Wright#cite_note-13http://en.wikipedia.org/wiki/Golden_Globe -
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Charles II: The Power and The Passion, Pride and Prejudice,Atonementand Hanna all have
long tracking shots in them.Atonementhas a continuous 5 minute and 5 second shot of
theDunkirk evacuation. "Basically, I just like showing off," Wright told the audience at the Hay
Festival.
PRIDE AND PREJUDICE
Pride & Prejudice is a 2005 British romance film directed by Joe Wright. It is a film adaptation ofthe 1813 novel of the same name by Jane Austen and the second adaption produced by WorkingTitle Films. It was released on September 16, 2005, in the UK and on November 11, 2005, in theUS.
ADAPTATION OF THE NOVEL
Most works of literature undergo significant cuts when adapted for film; in this production, the
story was compressed into 2 hours and 9 minutes of screen time. Some of the most notable
changes from the original book include:
Heavy time compression of several major sequences, including Elizabeth's visit to Rosings
Park and Hunsford Parsonage, Elizabeth's visit to Pemberley, and Lydia's elopement and its
subsequent crisis.
The elimination of several supporting characters, including Louisa Hurst, Mr. Hurst, Lady and
Maria Lucas, Mr. and Mrs. Phillips, the Gardiners' children, Mrs. Annesley, Mrs. Younge
(Georgiana Darcy's governess), several of Lydia's friends (including Colonel and Mrs. Forster),
and various military officers and townspeople.
The elimination of several sections in which characters reflect or converse on events that
have recently occurred - for example, Elizabeth's chapter-long change of mind after reading
Darcy's letter.
Director Joe Wright and screenwriter Deborah Moggach opted for a "muddy hem version" of
Longbourn, presenting a more rural setting than in previous adaptations. The filmmakers changed
several scenes to more romantic locales than the ones in the book. For instance, in the film, Darcy
first proposes outdoors in a rainstorm near a beautiful lake (Stourhead) in Wiltshire; in the book, this
scene takes place inside a parsonage. In the film, his second proposal occurs on the misty moors as
dawn breaks; in the book, he and Elizabeth are walking down a country lane in broad daylight.
The North American release version included a final scene (not in the novel) of the married Darcys
enjoying a romantic evening at Pemberley. This ending did not test well with British audiences, so it
was cut for UK and international release. The British version ends with Mr. Bennet's blessing upon
Elizabeth and Mr. Darcy's union, thus circumventing the last chapter in the novel, which summarizes
the lives of the Darcys and the other main characters over the next several years.
Filming
It was filmed entirely on location within Englandin the summer of 2004 and used several stately
homes, including Chatsworth House in Derbyshire and Wilton House in Salisbury (as
Pemberley), Groombridge Place in Kent (as Longbourn), Basildon Park in Berkshire (as
Netherfield Park) and Burghley House in Cambridgeshire (as Rosings - the adjacent town of
Stamford served as Meryton). The Temple of Apollo and Palladian Bridge of Stourhead also
appeared (as set in the Gardens of Rosings).
Critical reception
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The 2005 film was only the second faithful film version after "the famed, but oddly flawed, black-and-
white 1940 adaptation, starring Greer Garson and Laurence Olivier," and until 2005, The
Times considered the 1995 television adaptation starring Jennifer Ehle and Colin Firth "so dominant,
so universally adored, [that] it has lingered in the public consciousness as a cinematic standard."
Comparing six major adaptations ofPride and Prejudice in 2005, the Daily Mirrorgave the only topmarks of 9/10 to the 1995 serial and the 2005 film, leaving the other adaptations behind with six and
fewer points. The 2005 film is rated 85% fresh by Rotten Tomatoes. Metacritic reported Pride &
Prejudice had an average score of 82 out of 100, based on 37 reviews, and classified the film as a
universal acclaim.
Some critics noted the 2005 film's time constraints do not capture the depth and complexity of the
television serial and called the film "obviously [not as] daring or revisionist" as the 1995 TV serial.
Joan Klingel Ray, president of the Jane Austen Society of North America, preferred the young age of
Knightley and Macfadyen, saying that Jennifer Ehle had formerly been "a little too 'heavy' for the role,"
while Peter Bradshaw ofThe Guardian, while heavily praising Keira Knightley for having given an
outstanding performance as Lizzy Bennet "which lifts the whole movie," considered the casting of the2005 leads "arguably a little more callow than Firth and Ehle." He does add that "Only a snob, a
curmudgeon, or someone with necrophiliac loyalty to the 1995 BBC version with Colin Firth and
Jennifer Ehle could fail to enjoy her performance." Critics were divided about Matthew Macfadyen's
portrayal of Darcy, expressing pleasant surprise, dislike for his lack of gradual emotional shift as in the
novel, and praise for his matching the insecure and sensitive personality of the book character better
than Firth.
Box office
The movie took the number one spot in the UK its first week, earning 2.5 million ($4.5 million) while
playing on 400 screens. It stayed on the top spot for two more weeks, earning a total of over 14
million at the UK box office at that time and was featured on 1,335 screens at its widest domestic
release.
The film debuted with an opening weekend of US$2.9 million on 215 screens. Two weeks later,
this was increased to 1,299 screens, and box office returns increased to $7.2 million. The film has
grossed over $121,147,947 worldwide at the cinema box office.