!López- La historia de los noticieros de televisión en Colombia y la construcción de una memoria... (pp.51-79)

LA HISTORIA DE LOS NOTICIEROS DE TELEVISIÓN EN COLOMBIA Y LA CONSTRUCCIÓN DE UNA

MEMORIA CRÍTICA DE LA SOCIEDAD Y DEL OFICIO PERIODÍSTICO 1954-1984 *

"#$%&'()*+,%*-%"$.$/'('*0%1$2(%'0%3*.*45'6%607%)#$%3*0()+89)'*0*-%6%3+')'96.%:$4*+,%*-%;*9'$),%607%<*8+06.'(4%!= >?!=@>

Fabio López de la RocheA#BCB% $0% D')$+6)8+6% ,% E()87'*(% 38.)8+6.$(F% G0'/$+('),% *-% A'))(58+H#F%A$00(,./60'6F% :I()$+% $0% J0I.'('(% 7$% A+*5.$46(% A*.K)'9*(F% &'()*+'67*+F%Analista Cultural y de Medios de Comunicación. Profesor Asociado del Instituto de Estudios Políticos y Relaciones Internacionales -IEPRI- de la G0'/$+('767%169'*06.%7$%3*.*45'6B%C'+$9)*+%7$% .6%:6$()+K6%$0%E()87'*(%38.)8+6.$(%7$%.6%G0'/$+('767%169'*06.%7$%3*.*45'6B

3*++$(L*07$09'6M% N0()')8)*% 7$% E()87'*(% A*.K)'9*(% ,% O$.69'*0$(%N0)$+069'*06.$(%?%NEAONF%36++$+6%PQ%1*B%> ?QP%E7'R9'*%S:608$.%J09KT6+U%A'(*%PF%VR9'06%PQ?PQB%G0'/$+('767%169'*06.F%W*H*)IF%3*.*45'6B

X6+*9#$ @Y#*)46'.B9*4

RESUMEN

E.%6+)K98.*%$ZL.*+6%6.H80*(%7$% .*(%L+*9$(*(%(*9'6.$(%,%98.)8+6.$(%[8$%69*4L6\6+*0%$.%069'4'$0)*%,%$ZL60(']0%7$.%08$/*%4$7'*%S)$.$/'(']0U%$0)+$% != >% ,% !=@>M% '0)$+069'*06.'T69']0F% 0*+)$64$+'960'T69']0F%9*0()+899']0%7$%069']0B%C676%.6%'0$Z'()$09'6%7$%#'()*+'6(%4*7$+06(%^0*%60$97])'96(%*%0*%9$0)+676(%$Z9.8('/64$0)$%$0%.*(%SH+607$(%#*45+$(U%*%SL'*0$+*(U%7$.%4$7'*%*%.6%'078()+'6%)$.$/'('/6_F%%.6%68($09'6%7$%#'()*+'6(%7$%.6%)$.$/'(']0%$(9+')6(%7$(7$%$.%6L6+6)*%9*09$L)86.%,%4$)*7*.]H'9*%7$%.6(%4*7$+06(%9'$09'6(%(*9'6.$(F%$.%L+$($0)$%6+)K98.*%'0)$0)6%(8L.'+%$0%L6+)$%$($%/69K*%9*0%806%L+*L8$()6%'0)$+L+$)6)'/6%6%4$7'*%964'0*%$0)+$%806%#'()*+'6% 7$% .6% )$.$/'(']0% $0%3*.*45'6% ,% .6% #'()*+'6%4I(% $(L$9KR96%7$.% H`0$+*% 0*)'9'*(*% )$.$/'('/*B% E.% 4*0*L*.'*% 5'L6+)'7'()6% 7$% .6%

* E.%L+$($0)$%)+656a*%7$(6++*..6%6.H806(%7$%.6(%'7$6(%9$0)+6.$(%7$%.6%'0/$()'H69']0%“Historia de

los noticieros televisivos en Colombia 1954-1980UF%7'+'H'76%L*+%$.%68)*+%9*0%.6%R0609'69']0%7$%3VD3NE13NJ;%$0)+$%bQQ %,%bQQcF%9*0% .6%6($(*+K6%7$.%L+*-$(*+%:'.9K67$(%d'T96K0*F%9*0% .6%L6+)'9'L69']0%7$%C'606%D*45606F%a*/$0%'0/$()'H67*+6%7$%.6%G0'/$+('767%7$%:$7$..K0F%J7+'606%36++'..*%,%J06%:6+K6%:*0)6\6F%9*4*%6('()$0)$(%7$%'0/$()'H69']0B%D6%'0/$()'H69']0%($%'0(9+'5$%$0%$.%46+9*%7$%.6(%69)'/'767$(%7$.%H+8L*%7$%'0/$()'H69']0%S3*480'969']0F%98.)8+6%,%9'876760K6U%7$.%N0()')8)*%7$%E()87'*(%A*.K)'9*(%,%O$.69'*0$(%N0)$+069'*06.$(%NEAON%7$%.6%G0'/$+('767%169'*06.%7$%Colombia.

folios 24, 2010, Facultad de Comunicaciones, Universidad de Antioquia b

'0-*+469']0%)$.$/'('/6F%$.%*R9'6.'(4*%,%$.%9$0)+6.'(4*%S5*H*)60'T60)$U%de los telenoticieros (de acuerdo con el análisis crítico de Luis Carlos e6.I0% 7$%4$7'67*(% 7$% .*(% 6\*(% cQ_% 6L6+$9$0% 9*4*% $.% 9*++$.6)*% 7$.%+`H'4$0% 7$% .6% L6+'767% ,% 7$.% 4*0*L*.'*% .'5$+6.?9*0($+/67*+% 7$% .6(%'0()')89'*0$(F% 96+69)$+K()'9*(% 7$.% ('()$46%L*.K)'9*%7$.%f+$0)$%169'*06.% %^!= @?!=c>_B% J.H806(% )+60(-*+469'*0$(% 98.)8+6.$(% ,% L*.K)'96(% [8$%($%#65+K60%L+*789'7*%7$(7$%.6(%L+I9)'96(%'0-*+46)'/6(%7$%)$.$/'(']0%,%7$(7$%.6%L+*-$(']0%L$+'*7K()'96F%+$.69'*0676(%9*0%806%46,*+%6L$+)8+6%6%.6%'0-*+469']0%+$H'*06.%,%9*0%806%9'$+)6%6L$+)8+6%L*.K)'9*?'0-*+46)'/6%$0%.6%9*,80)8+6%7$%.*(%7'I.*H*(%7$%L6T%7$.%L+$('7$0)$%W$.'(6+'*%W$)6098+%^!=@b?!=@g_%9*0%$.%:?!=F%($%$ZL.*+60%)645'`0%$0%$()$%)+656a*B

Palabras clave: Telenoticieros, Identidad Nacional, Cultura Política, Frente Nacional.

ABSTRACT

"#$% L6L$+% $ZL.*+$(% (*4$% *-% )#$% (*9'6.% 607% 98.)8+6.% L+*9$(($(% 2#'9#%699*4L60'$7%)#$%5'+)#%607%$ZL60('*0%*-% )#$%0$2%4$7'84%S)$.$/'('*0U%-+*4% != >% )*% !=@>M% '0)$+06)'*06.'T6)'*0F% J4$+'960'T6)'*0F% 06)'*0?58'.7'0HB%e'/$0% )#$% .69h%*-%6%4*7$+0% )$.$/'('*0%#'()*+,% '0%3*.*45'60%#'()*+'*H+6L#,%^0*)%60$97*)6.%*+%0*)% -*98($7%$Z9.8('/$.,%*0% )#$%SH+$6)%4$0U%*+% SL'*0$$+(U%*-% )#$%4$7'6%*+% )#$%"d% '078()+,_F% )#$% 65($09$%*-%)$.$/'('*0% #'()*+'$(% 2+'))$0% -+*4% )#$% 9*09$L)86.% 607% 4$)#*7*.*H'96.%6LL6+6)8(%*-%)#$%4*7$+0%(*9'6.%(9'$09$(F%)#'(%6+)'9.$%6))$4L)(%)*%L6+)'6..,%R..%)#6)%H6L%2')#%60%'0)$+L+$)6)'/$%L+*L*(6.%5$)2$$0%6%#'()*+,%*-%)$.$/'('*0%'0%3*.*45'6%607%)#$%4*+$%(L$9'R9%#'()*+,%*-%)$.$/'('*0%0$2(%H$0+$B%"#$%)2*?L6+),% ^D'5$+6.?3*0($+/6)'/$_% 4*0*L*.,% *-% )$.$/'('*0% '0-*+46)'*0F%H*/$+04$0)%607%9$0)+6.'(4%S5*H*)60'T60)$U%̂ W*H*)6?+$.6)$7_%*-%"d%0$2(%^699*+7'0H%)*%)#$%9+')'96.%606.,('(%*-%D8'(%36+.*(%e6.60%'0%)#$%4'7?cQ(_%6LL$6+(%6(%)#$%9*80)$+L6+)%()*+,%*-%)#$%L6+'),%+$H'4$%607%*-%)#$%.'5$+6.?9*0($+/6)'/$%4*0*L*.,%*-%'0()')8)'*0(F%46'0%9#6+69)$+'()'9(%*-%)#$%L*.')'96.%(,()$4%*-%)#$%Sf+$0)$%169'*06.U%̂ != @?!=c>_B%;*4$%98.)8+6.%607%L*.')'96.%)+60(-*+46)'*0(% )#6)% #6/$% $4$+H$7% -+*4% )#$% )$.$/'('*0% '0-*+46)'*0%L+69)'9$(% 607% -+*4% a*8+06.'(4% ')($.-F% +$.6)$7% )*% 6% H+$6)$+% *L$00$((% )*%+$H'*06.%'0-*+46)'*0%607%2')#%(*4$%L*.')'96.?'0-*+46)'/$%*L$0$((%'0%)#$%4'7()%*-%)#$%L$69$%)6.h(%*-%A+$('7$0)%W$.'(6+'*%W$)6098+%̂ !=@b?!=@g_%2')#%)#$%:?!=F%6+$%6.(*%$ZL.*+$7%'0%)#'(%L6L$+B

Key words: "$.$/'('*0% 1$2(F% 16)'*06.% N7$0)'),F% A*.')'96.% 38.)8+$F%Frente Nacional.

Recibido: 20 de noviembre de 2010Aprobado: 28 de noviembre de 2010

PLópez- La historia de los noticieros de televisión en Colombia y la construcción de una memoria... (pp.51-79)

INTRODUCCIÓN

Durante la F$+'6%7$.%D'5+*%+$6.'T676%$0%W*H*)I%$0%$.%4$(%7$%65+'.%7$%bQQgF%$.% L+*H+646% L$+'*7K()'9*% S&65.607*% 9.6+*% 9*0% .6% L+$0(6U% 9*0789'7*% L*+%Darío Fernando Patiño en el canal Caracol, dedicó una de sus emisiones a 9*0/$+(6+%9*0%)+$(%$(9+')*+$(%a]/$0$(%9*.*45'60*(%6.+$7$7*+%7$%(8(%+$9'$0)$(%L+*7899'*0$(%.')$+6+'6(B%E0%$(6%9*0/$+(69']0F%<*+H$%f+609*F%60)$%.6%L+$H80)6%7$.% $0)+$/'()67*+% (*5+$% $.% '0)$+`(%46('/*% #69'6% (8(% 0*/$.6(% ,% $0% L6+)'98.6+%hacia Rosario Tijeras%9*4$0)656%[8$%`.%L$+)$0$9K6%6%806%H$0$+69']0%[8$%#65K6%9+$9'7*% 56a*% $.% '0X8a*% 7$% .6% )$.$/'(']0% ,% [8$% ($H8+64$0)$% (8% *5+6% .')$+6+'6%$+6%$0%$($%($0)'7*%48,%)$.$/'('/6%$%'09*+L*+656%$.$4$0)*(%7$%$0H609#$%9*0%.*(%08$/*(%Li5.'9*(% .$9)*+$(%9+$9'7*(%$0%9*0)$Z)*(%7$%L+$7*4'0'*%7$%7'9#*%medio.

E.% 9*4$0)6+'*% 7$% <*+H$% f+609*% $ZL+$(6% 80*% 7$% .*(% L+*9$(*(% H$0$+6.$(% [8$%65*+764*(% $0% $.% L+$($0)$% )$Z)*% ,% $(% $.% 7$% .6% L+*H+$('/6% $ZL60(']0% (*9'6.%,% 98.)8+6.% 7$.% 4$7'*% S)$.$/'(']0U% $0% 08$()+6% #'()*+'6% +$9'$0)$F% ,% $.% 7$% (8%6L+*L'69']0%*%6('4'.69']0%(*9'6.%L*+%L6+)$%7$%.6(%687'$09'6(B%E0%$()$%96(*F%$.%7$%9]4*%.*(%L+*L'*(%$(9+')*+$(F%.$/60)67*(%$0%80%645'$0)$%#'()]+'9*?98.)8+6.%ya !"#$%$&'(!#%!%46+967*%L*+%$.%7$(L$H8$% tecno-cultural%7$% .6% )$.$/'(']0F%#60% '0)$+'*+'T67*% $()`)'96(F% .$0H86a$(F% $.$4$0)*(% 06++6)'/*(% ,% +$98+(*(%$ZL+$('/*(% .'H67*(% 6% $()$%4$7'*B%J80[8$% 0*%4$% L+*L*0H*% $0% $()$% $(9+')*F%606.'T6+%$.%'4L69)*%7$%.6%)$.$/'(']0%,%7$%.6%98.)8+6%7$%46(6(%)$.$/'('/6%$0%.*(%$(9+')*+$(%,%.6%.')$+6)8+6F%4$%L6+$9$%'4L*+)60)$%4$09'*06+.*B%V)+*(%$(9+')*+$(%9*4*%f$+0607*%d6..$a*%$0%SD6%d'+H$0%7$%.*(%;'96+'*(U%$.65*+60%.')$+6+'64$0)$%(')869'*0$(% +$.69'*0676(% 9*0% $.% '4L69)*% 98.)8+6.F% `)'9*% ,% L*.K)'9*% 7$% .6%)$.$/'(']0F% .'H67*%6% .6% '0X8$09'6%7$.%06+9*)+IR9*F%$0% .*(%/6.*+$(%,%69)')87$(%7$%.*(%a]/$0$(%7$%.6(%56++'676(%L*L8.6+$(%7$%:$7$..K0%78+60)$%.6(%7`9676(%7$%.*(%@Q%,%=QF%6(K%9*4*%.6%'0X8$09'6%7$%.*(%4$7'*(%$0%.6%9*0RH8+69']0%7$%*)+*(%)'L*(%7$%$ZL$+'$09'6%98.)8+6.%,%7$%4$4*+'6%H$0$+69'*06.%7'()'0)*(%7$%.*(%7$%.6(%H$0$+69'*0$(%L+$9$7$0)$(B

V)+6(% '0)$++$.69'*0$(% $0)+$% )$.$/'(']0% ,% .')$+6)8+6% $0% $.% L$+K*7*% 65*+767*%L*7+K60% )645'`0%$ZL.*+6+($B%G06%7$%$..6(%$(% .6% ('H0'R969']0%,% .*(%L+*9$(*(%9*09+$)*(% 7$% -*+469']0% ,% 7$% 6L+$07'T6a$% 7$(6++*..67*(% 7$(7$% $.% )+656a*%de dirección teatral de Bernardo Romero Lozano, Fausto Cabrera y otros 7'+$9)*+$(% L'*0$+*(% $0% .*(% 6\*(% Q% ,% gQ% ^6[8K% )+6(9$07$4*(% .6% .')$+6)8+6%L6+6%'098+('*06+%$0%$.%)$6)+*%0*%(*.*%9*4*%L+*7899']0%.')$+6+'6%('0*%)645'`0%en tanto medio de comunicación% $0% 80% ($0)'7*% 64L.'*% 7$.% )`+4'0*_F% ,% .6%'4L*+)609'6%[8$%$(*(%L+*9$(*(%-*+46)'/*(%)8/'$+*0%$0%$.%7$(6++*..*%L*()$+'*+%7$% .6% L+*7899']0% 7$%R99']0% )$.$/'('/6% ^)$.$0*/$.6% ,% 7+646)'T67*_% H+69'6(% 6%.*(%.6+H*(%6\*(%7$%)+656a*%,%69)'/'767%9+$6)'/6%L6+6%..$/6+%6%.6%L60)6..6%9#'96%.6(%*5+6(%,%$.%.$0H86a$%)$6)+6.$(F%L6+6%7$(6++*..6+%806%7+646)8+H'6%676L)676%6.%

folios 24, 2010, Facultad de Comunicaciones, Universidad de Antioquia >

08$/*%4$7'*%,%806(%L68)6(%7$%7'+$99']0%69)*+6.%,%7$%69)869']0%L6+6%)$.$/'(']0%^:6+)K0?W6+5$+*%,%O$,F%!=@=_B

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López- La historia de los noticieros de televisión en Colombia y la construcción de una memoria... (pp.51-79)

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LOS NOTICIEROS CINEMATOGRÁFICOS COMOANTECEDENTE HISTÓRICO Y COMO GÉNESIS DEL

GÉNERO “NOTICIERO TELEVISIVO”

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cLópez- La historia de los noticieros de televisión en Colombia y la construcción de una memoria... (pp.51-79)

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TELEVISIÓN, INTERNACIONALIZACIÓN Y NORTEAMERICANIZACIÓN CULTURAL

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=López- La historia de los noticieros de televisión en Colombia y la construcción de una memoria... (pp.51-79)

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g!López- La historia de los noticieros de televisión en Colombia y la construcción de una memoria... (pp.51-79)

TEJIENDO NACIÓN: INGENIEROS Y TÉCNICOSARTICULANDO ELECTRÓNICA Y VISUALMENTE REGIONES,

PUEBLOS Y CIUDADES

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LA EXPANSIÓN LENTA DE LA RED Y DEL NÚMERO DE TELEVISORES Y EL DESPEGUE LENTO DE UN LENGUAJE

AUDIOVISUAL HACIA FINALES DE LOS 70

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folios 24, 2010, Facultad de Comunicaciones, Universidad de Antioquiagb

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TELEVISIÓN E IDENTIDAD NACIONAL

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gPLópez- La historia de los noticieros de televisión en Colombia y la construcción de una memoria... (pp.51-79)

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EL MONOPOLIO POLÍTICO BIPARTIDISTA DELA INFORMACIÓN Y EL OFICIALISMO DE LOS

NOTICIEROS DE TELEVISIÓN

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folios 24, 2010, Facultad de Comunicaciones, Universidad de Antioquiag>

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g López- La historia de los noticieros de televisión en Colombia y la construcción de una memoria... (pp.51-79)

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folios 24, 2010, Facultad de Comunicaciones, Universidad de Antioquiagg

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gcLópez- La historia de los noticieros de televisión en Colombia y la construcción de una memoria... (pp.51-79)

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.6% #'()*+'*H+6-K6% $Z'()$0)$% ,% 7$% .6% )$07$09'6% H$0$+6.% [8$% *5($+/64*(B% E..*%0*% 0*(% '4L'7$% +$9*0*9$+% [8$% $0% 4$7'*% 7$% $(6% 7'+$99'*06.'767% L*.K)'96%hacia el mantenimiento del status quoF%$(%L*('5.$%#6..6+F%L*+%$a$4L.*F%0*)6(%'0-*+46)'/6(% /6.'*(6(F% '0-*+469'*0$(% ('H0'R96)'/6(% 7$(7$% $.% L80)*% 7$% /'()6%(*9'6.%,%98.)8+6.%*%)+6,$9)*+'6(%L$+(*06.$(%7$%L+*-$('*06.'(4*%,%$a$+9'9'*%`)'9*%7$.%L$+'*7'(4*B20

ENTRE LA CORRECCIÓN GRAMATICAL Y LA EMPRESA PERIODÍSTICA COMERCIAL: DOS ESTILOS DE NOTICIEROS

EXPRESANDO LAS TENSIONES DEL CAMBIO CULTURAL

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g=López- La historia de los noticieros de televisión en Colombia y la construcción de una memoria... (pp.51-79)

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E0%$()$%L80)*%[8'('$+6% '0/*96+% .6%L$+)'0$09'6%L6+6%08$()+6% '0/$()'H69']0%7$.%)+656a*%7$%E.'($*%d$+]0%E.%98$+L*%7$%.6(%'4IH$0$(%^b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a$+*0%7$%.*(%)'$4L*(%7$.%L+$($0)67*+%S/$0)+K.*98*U%7$% .*(% L+'4$+*(% 6\*(F% ?+$98`+7$($% .6% (*5+'$767% ,% $9*0*4K6% $ZL+$('/6% 7$%&$+0I0%36()+'..]0%O$()+$L*%$0%$.%1*)'9'$+*%S;8+64$+'9606U?F%L6(607*%L*+%.6%H$()86.'767%,%$.%460$a*%7$%.6(%460*(%[8$%'0)$+L$.60%$%'0/*.89+60%%6.%$(L$9)67*+%^<860% e8'..$+4*% OK*(% 60)$(% ,% 78+60)$% .*(% 7'I.*H*(% 7$% L6T% 7$% !=@>?!=@ _F%#6()6%.6%'0)+*7899']0%7$%.6(%#$+4*(6(%L'$+06(%,%.6%RH8+6%($0(86.%7$%d'+H'0'6%d6..$a*F%489#*%60)$(%7$%.6(%*)+6(%L'$+06(%.6+H6(%,%$(5$.)6(%7$%d'$06%O8'T%%9*0%(8(%L+'4'9'6(%,%S9#'(4$9')*(U%'0-*+46)'/*(F%,%%)*7*%.*%[8$%6%L6+)'+%7$%6..K%,%#6()6%08$()+*(%7K6(%($%7$($0/8$./$%$0%)`+4'0*(%7$%-+'/*.'767%,%$(L$9)I98.*%$0%.*(%0*)'9'$+*(%7$%)$.$/'(']0B

c!López- La historia de los noticieros de televisión en Colombia y la construcción de una memoria... (pp.51-79)

TELEVISIÓN Y MEMORIA VISUAL DEL PAÍS

D6% '0/$()'H69']0% [8$% /$0'4*(% 7$(6++*..607*% L*0$% $0% $/'7$09'6% .6% 8+H$0)$%0$9$('767%7$%9*0()')8'+%80%6+9#'/*%7$%-8$0)$(%687'*/'(86.$(%L6+6%+$9*0()+8'+%0*%(].*%.6%#'()*+'6%7$%.*(%0*)'9'$+*(%7$%)$.$/'(']0%('0*%)645'`0%.6%#'()*+'6%7$%08$()+6%(*9'$767B%D*(%0*)'9'$+*(%)$.$/'('/*(%$0%L6+)'98.6+%L8$7$0%6L*+)6+%80%9*0a80)*%$(L$9KR9*%7$%'4IH$0$(%,%)$Z)*(F%L*+)67*+$(%7$%06++6)'/6(F%$()'.*(%,%$()`)'96(%(*9'6.$(F%9.6/$(%L6+6%.6%9*4L+$0(']0%7$%7'()'0)6(%`L*96(%,%L$+K*7*(%7$%.6%#'()*+'6%9*0)$4L*+I0$6%7$%3*.*45'6B%

D6(% 0*)6(% '0-*+46)'/6(% 7$% .*(% 0*)'9'$+*(% 7$% )$.$/'(']0F% L$($% 6% ($+% $()*(%460$a67*(%9*0%80%9+')$+'*%7$%7'()+'589']0%7$%98*)6(%L*.K)'9*?'0-*+46)'/6(F%0*%$()I0%7$7'9676(%(].64$0)$%6% .6%L*.K)'96B%E..6(%$ZL+$(60% .6(% )$07$09'6(%7$% .6%4*76F%.*(%9#*[8$(%H$0$+69'*06.$(%7$%L67+$(%,%658$.*(%9*0%.6(%S9*969*.6(U%,%.*(%S9*969*.*(UF%9*0%.*(%9#'9*(%,%9#'96(%SH*H]U%,%S,$,`UF%9*0%.6%$()+'7$09'6%7$.% +*9h% % ,% 9*0% .6% LK.7*+6F% $.% 8(*% 7$% .6% 46+'#8606% ,% .6% .'5$+69']0% ($Z86.B%Algunas notas del corpus de noticieros analizado muestran la difusión de .6%4'0'-6.76F%'4IH$0$(%7$%.6(%a]/$0$(%-84607*F%%.*(%L6+)'98.6+$(%L$'067*(%,%9*+)$(%7$%965$..*%[8$%8(6560%.6(%a]/$0$(%7$%.*(%gQ%,%$0%4$7'*%7$%)*7*%$()*%.6%67[8'('9']0%L*+%.6%48a$+%96L')6.'06%7$%6[8$..*(%7K6(%7$%80%9'$+)*%7$(L6+L6a*%,%7$%806%9'$+)6%68)*0*4K6%-+$0)$%6%.6%)+67'9']0%L6)+'6+96.B23

E.%4'(4*% 7'(98+(*% /$+56.% 7$% .*(% L*.K)'9*(% )+67'9'*06.$(% $0% .6% )$.$/'(']0% 7$%.*(% gQ% ,% cQ% )645'`0% 7$a6% /$+% 806(% +$)]+'96(% 7$.% L*7$+% 609.676(% $0% $()'.*(%696+)*067*(% ,% -*+46.'()6(% 6(*9'67*(% 6.% 8(*% +$98++$0)$% 7$% $ZL+$('*0$(% ,%%L6.65+6(%9*4*%S9*L6+)'76+'*(UF%SL6)+'9'*(UF%S'.8()+$%64'H*UF%S7'.$9)*%64'H*UF%S+$/$+$07K('4*UF% S4$% L.69$vUF% .'H67*(% 6% 806% /'$a6% +$)]+'96% -*+46.'()6%,% L6)+'6+96.% [8$% L+*565.$4$0)$% $()656% ,6% #69'$07*% 6H86% % $0% 4$7'*% 7$% .6%4*7$+0'T69']0% 7$% .6% (*9'$767F% 7$% .*(% '++$4$7'65.$(% +$.$/*(% H$0$+69'*06.$(%,% 7$% .6% L+*L'6% 9+'('(% 7$.% ('()$46% L*.K)'9*% 7$.% f+$0)$% 169'*06.% [8$% 680[8$%9+*0*.]H'964$0)$% 7$5K6% 9*09.8'+% $0% !=c>F% ($H8K6% 0$H607*($% 6% 7$(6L6+$9$+%9*4*%L+I9)'96%4*0*L*.'T67*+6%7$%.6%/'76%L*.K)'96%,%7$%.6%$ZL+$('*0%Li5.'96%desde los medios de comunicacion.

E(% '078765.$% $0)*09$(%[8$% .6% 7*984$0)69']0% 687'*/'(86.% 6L*+)6%80%L.8(%[8$%9*45'067*%9*0%.*(%+$98+(*(%)+67'9'*06.$(%7$%.6%'0/$()'H69']0%#'()]+'96%,% 9*0% .6% #'()*+'6% *+6.F% L8$7$% 9*0)+'58'+% 6% 806% +$9*0()+899']0% 489#*%46(% '0)$H+6.% 7$% .*(% L+*9$(*(% L*.K)'9*?98.)8+6.$(B% &69'6% $.% 7$(6++*..*% 7$%806% #'()*+'6% 7$% .6% 98.)8+6% 9*.*45'606% 9*0)$4L*+I0$6F% 7$% .*(% 7'()'0)*(%$0)+$9+8T64'$0)*(% H$0$+69'*06.$(% 7$% 06++6)'/6(F% 4$7'*(% ,% .$0H86a$(%mediáticos, de las trayectorias de la identidad nacional, así como de 08$()+6(% 98.)8+6(% L*.K)'96(F% +$(8.)6% 9.6/$% .6% 9*0()')89']0% 7$% $($% 69$+/*%7*984$0)6.%)$.$/'('/*B24

folios 24, 2010, Facultad de Comunicaciones, Universidad de Antioquiacb

CONCLUSIONES

E.%069'4'$0)*%,%7$(6++*..*%7$%.6%)$.$/'(']0%$0%3*.*45'6%9*0()')8,$%80%L+*9$(*%9$0)+6.%$0%.6%4*7$+0'T69']0%7$.%L6K(F%$0%$.%7$(6++*..*%7$.%96L')6.'(4*%L$+'-`+'9*%9*.*45'60*F% 6(K% 9*4*% $0% .*(% L+*9$(*(% 7$% '0)$+069'*06.'T69']0% ,% )+60('9']0%social y cultural de la sociedad.

E0% .6% ($H8076% 4')67% 7$% .*(% 6\*(% cQ% .6% )$.$/'(']0% 9*.*45'606% % $4L'$T6% 6%4*()+6+%806%9'$+)6%4678+$T%9*4*%.$0H86a$F%$()`)'96%,%06++6)'/6%4$7'I)'96%[8$%($%$ZL+$(6%L+'09'L6.4$0)$%$0%.6%L+*7899']0%7$%R99']0B

D*(% 0*)'9'$+*(F% ('% 5'$0% 6/60T60% 78+60)$% .*(% ($)$0)6% $0% )`+4'0*(% 7$% (8%9*0()+899']0%$(9$0*H+IR96%,%#69'6%.6%9*0-*+469']0%7$%806%$()+89)8+6%5I('96%como género (organización de sus sets, determinación de secciones, roles 7$%.*(%L$+'*7'()6(F%$)9_F%,%('%67$4I(F%7$0)+*%7$.%-*+46)*%7$%!g%44%6/60T60%$0% .6% $ZL$+'4$0)69']0% /'(86.F% $()I0% 9*0()+$\'7*(% 7$% )*76(% -*+46(% L*+% (8%7$L$07$09'6%7$%7'9#*%-*+46)*%9'0$46)*H+IR9*F%,%L*+%$.%+$)+6(*%)$90*.]H'9*%H$0$+6.%%[8$%$ZL$+'4$0)60B

1*% *5()60)$% (8(% .'4')69'*0$(% )$90*.]H'96(% ,% 06++6)'/6(F% .*(% 0*)'9'$+*(% 7$%)$.$/'(']0% 9*0$9)6+*0% +$H'*0$(F% 7'-807'$+*0% '0-*+469'*0$(F% (K45*.*(% ,%)+67'9'*0$(F%L*L8.6+'T6+*0%6+)'()6(%,%L$+(*06a$(%('H0'R96)'/*(%$0%*)+6(%$(-$+6(%7$% .6% /'76% 069'*06.F% 9$.$5+6+*0% .*(% )+'80-*(% ,% +$6.'T69'*0$(% 7$% 08$()+*(%7$L*+)'()6(F%6L*+)607*%$.$4$0)*(%7$%'0)$H+69']0%,%7$%9*#$(']0%069'*06.B

&69'6% R06.$(% 7$% .*(% cQF% L$+*% (*5+$% )*7*% 78+60)$% .*(% @QF% .*(% 0*)'9'$+*(% 7$%)$.$/'(']0%$/*.89'*060%#69'6%-*+46(%7$%L+*7899']0%,%7$%+$L+$($0)69']0%7$%.6%+$6.'767%069'*06.%4$0*(%9$0)+6.'()6(F%7$(6++*..60%('()$46(%7$%9*++$(L*0(6.K6(%L$+460$0)$(% $0% .6(%L+'09'L6.$(% 9'8767$(%,% 9*4'$0T60%6% ($+%80%L*9*%4$0*(%0*)'9'$+*(%5*H*)60*(%,%96L')6.'0*(B

El acercamiento a las regiones y el desarrollo desde los noticieros de informes $(L$9'6.$(% 9*0)+'58,$+*0% 6% 9*0*9$+%4$a*+% $.% L6K(% ^0*% (].*% L*+% L6+)$% 7$% .*(%)$.$/'7$0)$(%('0*%)645'`0%L*+%L6+)$%7$%.*(%L+*L'*(%L$+'*7'()6(_F%6%76+.$%/*T%6%9'876760*(%60]0'4*(%,%$0%*96('*0$(%6%6.H80*(%6967`4'9*(%,%$ZL$+)*(%L6+6%64L.'6+%.6%'0)$+L+$)69']0%7$%.6%0*)'9'6B

E0% $.% L.60*% 7$% (8(% 6+)'98.69'*0$(% 9*0% $.% L*7$+% L*.K)'9*F% .*(% 0*)'9'$+*(%7$% )$.$/'(']0% 78+60)$% .*(% 6\*(% QF% gQ% ,% .6% 46,*+% L6+)$% 7$% .*(% cQ% -8$+*0%L+$7*4'060)$4$0)$%H*5'$+0'()6(F%*%L*+%.*%4$0*(%*R9'6.'()6(F%$0%)`+4'0*(%7$%su adhesión al Frente Nacional, y en la orientación general de su cubrimiento '0-*+46)'/*F%)$07'$+*0%6%($+%9*0-*+4'()6(%9*0%$.%()6)8([8*%,%6%L+'/'.$H'6+%.6(%-8$0)$(%,%/*9$(%*R9'6.$(B

cPLópez- La historia de los noticieros de televisión en Colombia y la construcción de una memoria... (pp.51-79)

D*(% 0*)'9'$+*(% 9*0()')8,$+*0% L*+% .*% )60)*F% 80% $(L69'*% $()+6)`H'9*% 7$%6L+*L'69']0%4*0*L].'96%%L*+%L6+)$%7$%.*(%L6+)'7*(%D'5$+6.%,%3*0($+/67*+F%7$%.6%9*0()+899']0%7$% .6%6H$076% '0-*+46)'/6%6% )+6/`(%7$% .6% )$.$/'(']0F%,%$0%$($%($0)'7*%-8$+*0%,%9*0)'0i60%('$07*%o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y estigmatización.

3*4*%($%L8$7$%/$+%7$%.6%6+H84$0)69']0%$ZL8$()6F%$.%H`0$+*%0*)'9'$+*(%)'$0$%80%/6.*+%L6+6%$.%60I.'('(%0*%(].*%7$%.6%/'76%L*.K)'96%,%7$%.*(%6(L$9)*(%#'()]+'9*(%7$%.6%9*0-*+469']0%7$%806%*L'0']0%Li5.'96F%('0*%)645'`0%L6+6%.6%9*4L+$0(']0%7$% 6(L$9)*(% 9.6/$(% 7$% .6% 98.)8+6F% 7$% .*(% $()'.*(F% .6(% +$)]+'96(% ,% .6(% $()`)'96(%sociales.

NOTAS

!B% E.%L+'4$+%0*)'9'6+'*%9'0$46)*H+IR9*%L6+$9$%#65$+%('7*%Le Journal Pathé, creado $0%f+609'6%L*+%3#6+.$(%A6)#`%#69'6%!=Q@F%/`6($M%"+609#$%,%;I09#$T?W'*(96F%LB@b

bB% "+609#$%,%;I09#$T?W'*(96%^bQQ!_F%LB@PB%D6%9')6%.6%)*460%.*(%68)*+$(%7$%.6%LB%P!!%7$.%.'5+*%7$%f'$.7'0H%,%.6%#69$0%$0%'0H.`(B%D6%)+67899']0%7$%.6%4'(46%6.%$(L6\*.%es mía- F.L.

PB% "+609#$%,%;I09#$T%W'*(96%^bQQ!_%N5'7$4F%LB%@P%,%0*)6%!c%6..K%4'(4*B

4. Hechizada, La Isla de Guilligan, Batman, Gomer Pyle, Viaje a las estrellas, Viaje 6.% -*07*%7$.%46+F%D*(% '0/6(*+$(F%D*(%W$/$+.,%O'9*(F% -8$+*0%(].64$0)$%6.H80*(%7$0)+*% 7$% 806% H+60% 960)'767% 7$% L+*H+646(% '4L*+)67*(% 7$% .*(%E()67*(%G0'7*(F%7$0*4'067*(%$0.6)67*(F%L*+%$.%$4L6[8$%$0%[8$%($%+$9'5K60B

B% E.% L+*789)*+% 687'*/'(86.% 96.$\*%V(96+% 364L*% #6% 98$()'*067*% 9*0% )*76% +6T]0%$.% 9$0)+6.'(4*% 5*H*)60'T60)$% [8$% '4L.'9656% L6+6% .6% 98.)8+6% 7$% .6(% +$H'*0$(%9*.*45'606(%.6%L+*L8$()6%9*()845+'()6%7$%.6%9*4$7'6%Sn*%,%"iU%$4')'76%7$(7$%.6%96L')6.%78+60)$%4I(%7$%bQ%6\*(B

gB% J9$+96% 7$.% )+656a*% 7$% .*(% )`90'9*(% 98560*(% [8$% 9*.65*+6+*0% $0% $.% L+*9$(*% 7$%'0()6.69']0%7$%.*(%$[8'L*(%,%$0%$.%6++60[8$%7$.%($+/'9'*%7$%)$.$/'(']0%$0%3*.*45'6F%/$+M% S"+6(% .6(% 56456.'06(% 7$% .6% )$.$/'(']0UF%E()64L6F% @Q=% ^!= _M% Pg?P@B% %d$+%)645'`0M% :'.9K67$(% d'T96K0*F% &'()*+'6% 7$% 806% )+6/$(K6B% 386+$0)6% 6\*(% 7$% .6%)$.$/'(']0%$0%3*.*45'6B%^W*H*)IM%N0+6/'(']0F%!==>_M%!@?!=B

folios 24, 2010, Facultad de Comunicaciones, Universidad de Antioquiac>

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bbB% E.% )$()'4*0'*% +$(8.)6% '0)$+$(60)$% ('% )$0$4*(% $0% 98$0)6% [8$% $0% a8.'*% 7$% bQQgF%d'+H'0'6%d6..$a*%7']%(8%)$()'4*0'*%$0%80%$(L$9'6.%)$.$/'('/*%7$%O31%7*07$%698(6%6.% L*.K)'9*%J.5$+)*% ;60)*R4'*% 7$% ($+% $.% 68)*+% '0)$.$9)86.F% $0% 9*4L.'9'767% 9*0%Pablo Escobar, de la muerte del líder del Partido Liberal Luis Carlos Galán ;6+4'$0)*B% E0% $($% 4'(4*% L+*H+646% +$/$.6% (8% 9*07'9']0% 7$% 6460)$% 7$.% 96L*%7$% .6%46R6%A65.*%E(9*56+%e6/'+'6%,%9]4*%$..6F% ('$07*%E(9*56+%9607'76)*%6% .6%3I46+6% 7$% O$L+$($0)60)$(F% .$% 69*4L6\]% $0% /6+'6(% H'+6(% L*.K)'96(% L*+% L8$5.*(%7$%J0)'*[8'6%78+60)$%.6(%986.$(%.6%H$0)$%+$9'5K6%6%E(9*56+%9*4*%6%80%#`+*$B%&6%9*0-$(67*%67$4I(%[8$%6.% .67*%7$%A65.*%E(9*56+%$..6%($%($0)K6%9*4*%:608$.')6%;I$0T%*%9*4*%806%$(L$9'$%7$%E/6%A$+]0B%d`6($%E(L$9'6.%N0-*+46)'/*%7$%O31F%!c%7$%a8.'*%7$%bQQgB

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ccLópez- La historia de los noticieros de televisión en Colombia y la construcción de una memoria... (pp.51-79)

J07$+(*0F% WB% ^bQQ _B% 3*480'767$(% '46H'0676(B% O$X$Z'*0$(% (*5+$% $.% *+'H$0% ,% .6%7'-8('*0%7$.%069'*06.'(4*F%f*07*%7$%38.)8+6%E9*0]4'96F%:`Z'9*B%

W'5.'*2'9TF%JB%^!=c=_B%SD*%Li5.'9*%$(%L+'/67*M%80%60I.'('(%7$%.6%)$.$/'(']0%9*.*45'606UF%"$('(%7$%A&C%$0%;*9'*.*HK6F%G0'/$+('767%7$%3*+0$..B

W+800$+F%<B%<B%^!=@@_B%G0%$(L$a*%)+'T67*B%E0(6,*(%(*5+$%98.)8+6%,%L*.K)'96(%98.)8+6.$(F%FLACSO, Santiago.

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&$++I0F%:B% "B% ^!==Q_B% SE.% L$+'*7'(4*% $0% 3*.*45'6% 7$(7$% !=@gUF% $0% 1&3% A.60$)6F%"*4*%%Nk%SE9*.*HK6%,%38.)8+6UF%W*H*)IB

D]L$T%7$%.6%O*9#$F%fB%^bQQg_B%SJ.)$+06)'/6%,%.6%9+K)'96%7$%)$.$/'(']0UF%96LK)8.*%'0`7')*F%$0%D]L$T%7$%.6%O*9#$F%f65'*F%$)%6.F%%N0-*+4$%R06.%7$%.6%'0/$()'H69']0%S&'()*+'6%7$%.*(%0*)'9'$+*(%7$%)$.$/'(']0%$0%3*.*45'6%!= >?!=@QUF%3*.9'$09'6(?NEAONF%W*H*)IF%bQQgB

D]L$T%7$%.6%O*9#$F%fB%^bQQ>_B%SD6%9*480'969']0%,%.6%#'()*+'6%L*.K)'96UF%$0%J,6.6%C'6H*F%3`(6+%^$7')*+_%^bQQ>_F%D6%#'()*+'6%L*.K)'96%#*,B%;8(%4`)*7*(%,%.6(%9'$09'6(%(*9'6.$(F%G0'/$+('767%169'*06.%7$%3*.*45'6F%W*H*)IB

D]L$T% 7$% .6% O*9#$F% fB% ^bQQP_B% S:$7'*(F% '078()+'6(% 98.)8+6.$(% $% #'()*+'6% (*9'6.UF% $0%3I)$7+6%J086.% 7$% &'()*+'6% % SE+0$()*% O$()+$L*% "'+67*U% ^dNN% d$+(']0_F% :$7'*(% ,%Nación. Historia de los medios de comunicación en Colombia, Museo Nacional de Colombia, Bogotá.

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