II Congreso Internacional de Arqueología e Informática Gráfica ...

II Congreso Internacional de Arqueología e Informática Gráfica, Patrimonio e Innovación Sevilla 16-19 de Junio de 2010

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ISBN: 978-84-694-4361-3 Alfredo Grande León Víctor Manuel López-Menchero Bendicho Ángeles Hernández-Barahona Palma (eds.)

SEAV. Sociedad Española de Arqueología Virtual

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ORGANIZADORA ARQUEOLÓGICA 2.0 Y EXPO ARQUEOLÓGICA 2.0:

PATROCINADORES ARQUEOLÓGICA 2.0:

PATROCINADORES EXPO ARQUEOLÓGICA 2.0:

COLABORADORES:


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PÁGINA EN BLANCO


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ACTAS ARQUEOLÓGICA 2.0 2010:

ALFREDO GRANDE LEÓN (dir.) VÍCTOR MANUEL LÓPEZ-MENCHERO BENDICHO (coord.) ÁNGELES HERNÁNDEZ-BARAHONA PALMA (coord.)

EDITORES:

ALFREDO GRANDE LEÓN VÍCTOR MANUEL LÓPEZ-MENCHERO BENDICHO ÁNGELES HERNÁNDEZ-BARAHONA PALMA

PROPIEDAD:

Copyright © 2010 SOCIEDAD ESPAÑOLA DE ARQUEOLOGÍA VIRTUAL. SEAV C/ CANTUESO, 5 DOS HERMANAS 41089 – SEVILLA

Copyright © 2010 de los textos e ilustraciones

SUS AUTORES

TODOS LOS DERECHOS RESERVADOS EDICIÓN:

DISEÑO: Alfredo Grande

ISBN: 978-84-694-4361-3

DEPÓSITO LEGAL: CR-501-2011


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II CONGRESO INTERNACIONAL DE ARQUEOLOGÍA E INFORMÁTICA GRÁFICA, PATRIMONIO E INNOVACIÓN, ARQUEOLÓGICA 2.0

II INTERNATIONAL MEETING ON GRAPHIC ARCHAEOLOGY AND INFORMATICS, CULTURAL HERITAGE AND INNOVATION, ARQUEOLÓGICA 2.0

SEVILLA, ESPAÑA 16-19 JUNIO 2010

Centro Cultural de La Villa, San José de La Rinconada. La Rinconada. Sevilla

Conjunto Arqueológico de Itálica, Santiponce. Sevilla Edificio Da Vinci, Parque Tecnológico Cartuja 93. Sevilla

Alfredo Grande León, Víctor Manuel López-Menchero Bendicho y Ángeles Hernández-Barahona Palma (Eds.)


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COMITÉ DE HONOR

PRESIDENTE DE HONOR

Excmo. Sr. D. José Antonio Griñán Presidente de la Junta de Andalucía.

MIEMBROS DE HONOR

Excmo. Sr. D. Paulino Plata Cánovas. Consejero de Cultura. Junta de Andalucía.

Excmo. Sr. D. Antonio Ávila Cano. Consejero de Economía, Innovación y Ciencia. Junta de Andalucía.

Excmo. Sr. D. Fernando Rodríguez Villalobos. Presidente de la Diputación de Sevilla.

Excmo. Sr. D. Joaquín Luque Rodríguez Rector Magnífico de la Universidad de Sevilla

Excmo. Sr. D. Francisco J. Fernández de los Ríos. Alcalde de La Rinconada. Sevilla.

COMITÉ ORGANIZADOR

PRESIDENTE

D. Alfredo Grande León Presidente de SEAV

SECRETARÍA CIENTÍFICA

D. Víctor López-Menchero Bendicho Universidad de Castilla-La Mancha. España.

SECRETARÍA TÉCNICA

Dª. Ángeles Hernández-Barahona Palma Secretario de SEAV

VOCALES

Dª. Raquel Vega Coca. Ayuntamiento de La Rinconada. Sevilla. España

D. Antonio Castro Ayuntamiento de La Rinconada. Sevilla. España.

D. José Manuel Rodríguez Hidalgo Consejería de Cultura. Junta de Andalucía. España.

D. José Beltrán Fortés Universidad de Sevilla. España.

Dª. Sandra Rodríguez de Guzmán Consejería de Cultura. Junta de Andalucía. España

COLABORADORES

D. Sergio Ortiz Moreno

D. Diego Lozano Diéguez

D. Mario Delgado Canela


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II CONGRESO INTERNACIONAL DE ARQUEOLOGÍA E INFORMÁTICA GRÁFICA, PATRIMONIO E INNOVACIÓN, ARQUEOLÓGICA 2.0 II INTERNATIONAL MEETING ON GRAPHIC ARCHAEOLOGY AND INFORMATICS, CULTURAL HERITAGE AND INNOVATION, ARQUEOLÓGICA 2.0

COMITÉ CIENTÍFICO

DIRECTOR CIENTÍFICO

D. Alfredo Grande Universidad de Sevilla. España.

SECRETARIO CIENTÍFICO

D. Víctor Manuel López-Menchero Universidad de Castilla-La Mancha. España.

EQUIPO CIENTÍFICO

Mr. Bernard Frischer. University of Virginia. USA

Mr. Maurizio Forte University of California, Merced. USA.

Ms. Eva Pietroni CNR VH-LAB, Roma. Italia

Ms. Lucrezia Ungaro Musei dei Fori Imperiali. Roma. Italia.

D. Francisco Serón Universidad de Zaragoza. España.

D. Juan Carlos Torres Cantero Universidad de Granada. España.

D. Luis Hernández Ibáñez Universidade a Coruña. A Coruña. España.

D. Julián Flores González Universidade de Santiago de Compostela. España.

D. Francisco R. Feito Higueruela Universidad de Jaén. España.

D. Francisco Perales Universidad Islas Baleares. Mallorca. España.

D. Mariano Flores Gutiérrez Universidad de Murcia. Murcia. España.

D. Sebastián Rascón Marqués Ayuntamiento de Alcalá de Henares. España.

D. Pedro Cano Olivares Universidad de Granada. España.

D. José Beltrán Fortes Universidad de Sevilla. España.

D. José Manuel Rodríguez Hidalgo Consejería de Cultura. Junta de Andalucía. España.

D. Francisco Javier Melero Rus Universidad de Granada. España.

Dª. Sandra Rodríguez de Guzmán Consejería de Cultura. Junta de Andalucía. España.

D. José Luis Gómez Merino Director de Arte de BALAWAT. Toledo. España.


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ARQUEOLÓGICA 2.0 2010

CONFERENCIAS / CONFERENCES VIRTUAL REPRESENTATION OF EGYPTIAN CULTURAL HERITAG E Fathi Saleh 15 DIGITAL LIBRARIES IN CULTURAL HERITAGE: A CHALLENGE FOR THE 21 st CENTURY Marinos Ioannides SCIENTIFIC RELIABILITY AND THE WIDESPREAD ADOPTION OF DIGITAL REPRESENTATIONS IN CULTURAL HERITAGE PRACTICE Mark Mudge

MESAS PONENCIAS / TABLES OF LECTURES MESA PONENCIAS_1 / TABLE OF LECTURES_1 REINVENTANDO LA DIFUSIÓN: PROYECTOS DE INNOVACIÓN REINVENTING DIFFUSION: INNOVATION PROJECTS 21 Coordinadora / Coordinator: Arne R. Flaten

ANCIENT ROME IN 3D: NERO AND THE DOMUS AUREA Stefano Moretti 23 CARTAGO NOVA. DÍAS DE GUERRA Y PAZ Alfonso García –López ASHES2ART: DELPHI, ALEXANDRIA AND THE RED SEA Arne R. Flaten 31

MESA PONENCIAS_2 / TABLE OF LECTURES_2 LA HIPÓTESIS VIRTUAL ARQUEOLÓGICA COMO MÉTODO DE IN VESTIGACIÓN THE VIRTUAL HIPOTHESYS AS A RESEARCH METHOD 35 Coordinador / Coordinator: Donald H. Sanders

LOS VALORES DEL PATRIMONIO Y SU PRESERVACIÓN MEDIAN TE LA REALIDAD VIRTUAL María Fernanda Morón de Castro 37 LA REALIDAD VIRTUAL Y EL ANÁLISIS CIENTÍFICO: DE LA NUBE DE PUNTOS AL DOCUMENTO ANALÍTICO Mercedes Farjas Abadia 41 ENABLING ARCHAEOLOGICAL HYPOTHESIS TESTING IN REAL TIME USING THE REVEAL DOCUMENTATION AND DISPLAY SISTEM Donald H. Sanders 47

MESA PONENCIAS_3 / TABLE OF LECTURES_3 ARQUEOLOGÍA VIRTUAL: EXPERIENCIAS SINGULARES VIRTUAL ARCHAEOLOGY: SINGULAR EXPERIENCES 53 Coordinador / Coordinator: Ditier Fellner

3D COFORM: MAKING 3D DOCUMENTATION AN EVERYDAY CHOI CE FOR THE CULTURAL HERITAGE SECTOR Denis Pitzalis 55 UNA VISIÓN VIRTUAL DE LA ARQUITECTURA DE AL-ANDALUS . QUINCE AÑOS DE INVESTIGACIÓN EN LA ESCUELA DE ESTUD IOS ÁRABES Antonio Almagro Gorbea 57 AUGMENTED REALITY AND CULTURAL HERITAGE Ditier Fellner 67


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SESIÓN PLENARIA / PLENARY SESSION II FORO INTERNACIONAL DE LA ARQUEOLOGÍA VIRTUAL

II INTERNATIONAL FORUM OF VIRTUAL ARCHAEOLOGY CARTA INTERNACIONAL DE LA ARQUEOLOGÍA VIRTUAL. CART A DE SEVILLA

77 INTERNATIONAL CHARTER FOR VIRTUAL A RCHAEOLOGY. SEVILLA CHARTER Coordinador / Coordinator: Víctor López-Menchero Bendicho

KNOWLEDGE REPRESENTATION IN VIRTUAL HERITAGE: THE S TATE OF THE ART AND THE EMERGING CHALLENGES

Hugh Denard

TORRE VENDICARI, UN ESEMPIO DI COMUNICAZIONE STRUTTURATA DELL’ANASTILOSI VIRTUALE TRA IL RIGORE DELLA DICHIARAZIONE DI CORRESPONDENZA AI DATI E L’APPEAL DELLA COMUNICAZIONE MULTI-DEVICE (3D&ART)

Davide Borra

HACIA UNA CARTA INTERNACIONAL DE ARQUEOLOGÍA VIRTUA L. EL BORRADOR SEAV 79 Víctor Manuel López-Menchero Bendicho

SESIÓN_A / SESSION_A

MUSEOLOGÍA DEL SIGLO XXI: NUEVAS PERSPECTIVAS 85 MUSEOLOGY FOR THE XXITH CENTURY: NEW PERSPECTIVES.

Coordinador / Coordinator: Víctor López-Menchero Bendicho

MUSEO DEI FORI IMPERIALI. MERCATI DI TRAIANO. ROMA

87 Lucrezia Ungaro

RECONSTRUCTION OF THE PAST; CARNUTUM / AUSTRIA, LIM ES OF GERMANIA SUPERIOR & RAETIA / GERMANY. RADIOPAST –RADIOGRAPHY OF THE PAST.

91 Michael Klein.

SESIÓN_B / SESSION_B

PREHISTORIA 2.0.: INVESTIGACIÓN, CONSERVACIÓN Y DIF USIÓN 99 PREHISTORY 2.0: INVESTIGATION, CONSERVATION AND DIFFUSION

Coordinador / Coordinator: Víctor López-Menchero Bendicho

DOCUMENTING FRAGILE, COMPLEX, AND ANCIENT ROCK IN T HE ARCHAEOLOGICAL PARK OF CÔA VALLEY.

Mark Mudge

APLICACIÓN DE LAS NUEVAS TECNOLOGÍAS AL YACIMIENTO PREHISTÓRICO DE ATAPUERCA. 101 David Guerra

SESIÓN_C / SESSION_C

LA INVESTIGACIÓN Y DOCUMENTACIÓN ARQUEOLÓGICA: DE LO TRADICIONAL A LO VIRTUAL

105 ARCHAEOLOGICAL RESEARCH AND DOCUMENTATIO N: FROM TRADITIONAL TO VIRTUAL Coordinador / Coordinator: Alfredo Grande

LA INVESTIGACIÓN Y DOCUMENTACIÓN ARQUEOLÓGICA DIGIT AL EN EL CONJUNTO ARQUEOLÓGICO DE ITÁLICA.

Sandra Rodríguez de Guzmán.

ITÁLICA FUTURA. DOCUMENTACIÓN, PRESERVACIÓN E INTER PRETACIÓN DIGITAL DE LA CIUDAD ROMANA. 107 Alfredo Grande

SESIÓN_D / SESSION_D

EL PATRIMONIO ARQUEOLÓGICO Y EL SIGLO XXI. UNA APUE STA DE FUTURO 119 TOURISM AND ARCHAEOLOGICAL HERITAGE. A BET FOR THE FUTURE

Coordinador / Coordinator: Alfredo Grande

THE GREAT EGYPTIAN MUSEUM AT GIZAH, EGYPT, DISPLAY IDEAS,

THE ARCHAEOLOGICAL CONTENT AND THE SERVICES PROVIDE D. 121 Mohamed Saleh

FUTURO MUSEO DE LA CIUDAD DE ROMA.

Alesandro Ferrante


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SESIÓN PLENARIA / PLENARY SESSION I ENCUENTRO DE MUSEOS Y SITIOS ARQUEOLÓGICOS PARA E L SIGLO XXI FIRST MEETING OF MUSEUMS AND ARCHAEOLOGICAL SITES F OR THE XXI CENTURY 127 Coordinador / Coordinator: Alfredo Grande

VIRTUAL ARCHAEOLOGY AND MUSEUMS: AN ITALIAN PERSPEC TIVES Augusto Palombini 129

MESAS COMUNICACIONES / TABLES OF COMMUNICATIONS MESA COMUNICACIONES_1A / TABLE OF COMMUNICATIONS_1A SIG: ARQUEOLOGÍA, PAISAJE Y TERRITORIO SIG: ARCHAEOLOGY, LANDSCAPE AND TERRITORY 133 Coordinador / Coordinator: José Manuel Rodríguez-Hidalgo

UN WEBGIS PER LA CONOSCENZA DELLE ANTICHE CITTÀ DEL LA MESOPOTAMIA Giacomo Di Giacomo e Giuseppe Scardozzi 135 EMPLEO DE MODELOS CARTOGRÁFICOS TRIDIMENSIONALES AP LICADOS AL ESTUDIO HISTÓRICO-ARQUITECTÓNICO DEL TERRITORIO José Ramón Ruiz Checa, Valentina Cristini y Mº Isabel Sánchez Duque 141 3D RECOSTRUCTION OF THE POGGIO SOMMAVILLA TERRITORY (Sabina Tiberina, Rieti- Italiy). A NEW APPROACH TO THE KNOWLEDGE OF THE ARCHAEOLOGIC AL F. Verga- F. Fabbri 149

MESA COMUNICACIONES_1B / TABLE OF COMMUNICATIONS_1B PROTAGONISTA EL COLOR STARRING THE COLOR 153 Coordinador / Coordinator: José Manuel Rodríguez-Hidalgo

EVALUACIÓN DEL ENVEJECIMIENTO REAL DURANTE EL PROCE SO DE SELECCIÓN DE MATERIALES DE SUSTITUCIÓN PARA LA CONSERVACIÓN DE LOS MONUMENTOS DE PIEDRA Nicolas Concha-lozano, Dominique Lafon, Olivier Eterradossi y Pierre Gaudon 155 ASIGNACIÓN DEL COLOR EN MODELOS TRIDIMENSIONALES. Vicente Domínguez, Ricardo Chacón y Antonio Adán 161 LA COMUNICACIÓN DE LA ARQUEOLOGÍA VIRTUAL José Luis Gómez Merino 167

MESA COMUNICACIONES_2A / TABLE OF COMMUNICATIONS_2A DOCUMENTACIÓN 3D DEL PATRIMONIO ARQUEOLÓGICO 3D DOCUMENTATION OF ARCHAEOLOGICAL HERITAGE 171 Coordinador / Coordinator: Pedro Cano Olivares

TECNOLOGÍAS ÓPTICAS APLICADAS A LA VISUALIZACIÓN Y PRESENTACIÓN 3D DE PATRIMONIO. CASO PRÁCTICO DE LA VIRGEN DEL REBOLLET DE OLIVA Luis Granero, Francisco Díaz, Francisco Millet, Rubén Dominguez y Yolanda Sanjuan 173 RECREACIÓN VIRTUAL DE LA NECRÓPOLIS DE LOMO GORDO ( SAN BARTOLOME DE TIRAJANA, GRAN CANARIA) Ernesto Martín Rodríguez 179 INTEGRATION OF PHOTOGRAMMETRIC AND TERRESTRIAL LASE R SCANNING TECHNIQUES FOR HERITAGE DOCUMENTATION Javier Cardenal Escarcena, Emilio Mata de Castro, José Luis Pérez García, Antonio Mozas Calvache, Tomás Fernández del Castillo Jorge Delgado García, Manuel Ureña Cámara y Juan Carlos Castillo Armenteros. 183 GENERATION OF AUTOMATIC STIPPLING ILLUSTRATIONS FRO M PHOTOGRAPHS FOR DOCUMENTING ARCHAEOLOGICAL PIECES Germán Arroyo, Domingo Martín, Mª Victoria Luzón 189


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MESA COMUNICACIONES_2B / TABLE OF COMMUNICATIONS_2B DOCUMENTACIÓN 3D DEL PATRIMONIO ARQUEOLÓGICO

195 DOCUMENTATION 3D OF ARCHAEOLO GICAL HERITAGE Coordinador / Coordinator: Pedro Cano Olivares

PROCESOS DE DOCUMENTACIÓN ARQUEOLÓGICA Y GENERACIÓN DE MODELOS VIRTUALES

197 Josep Blasco Senabre, Sebastián Barea, Fernando Cotilo Vila, Albert Ribera Lacomba y Oreto García Puchol

SAN JUAN BAUTISTA (BURGUILLOS DEL CERRO, BADAJOZ), UN EJEMPLO DE DOCUMENTACIÓN DEL PATRIMONIO CON NUEV AS TECNOLOGÍAS

203 Andrea Menéndez Menéndez, Victor M. Gibello Bravo y Pedro Ortiz Coder

EXPERIENCIAS EN PROYECTOS ARQUEOLÓGICOS COM TECNOLO GÍAS DIGITALES 207 Luis Vila Bonamusa y Lluís Viladrich

MESA COMUNICACIONES_3A / TABLE OF COMMUNICATIONS_3A

DIFUSIÓN DEL PATRIMONIO EN EL SIGLO XXI. NUEVOS MÉT ODOS DE COMUNICACIÓN 215 HERITAGE DIFUSSION IN THE XXI CENTURY. NEW METHODS OF COMMUNICATION

Coordinador / Coordinator: Luis Hernández

REALIDAD AUMENTADA APLICADA AL PATRIMONIO HISTÓRICO MOLINAR

217 Miguel Castro-García, José Ignacio Rojas-Sola y Mª del Pilar Carranza-Cañadas

VISOR DE REALIDAD AUMENTADA EN MUSEOS (RAM) PARA EX POSICIONES SITUADAS EN ENTORNOS CERRADOS. Mariano Flores Gutierrez, Tomás Rufete Martínez, José Macanás Vidal, Juan Martínez García,

221 Carlos María López Martínez y Francisco Ramos Martínez.

PATRIMONIO HISTÓRICO. 227 Miguel Ángel Valencia Roldán

MESA COMUNICACIONES_3B / TABLE OF COMMUNICATIONS_3B

DIFUSIÓN DEL PATRIMONIO EN EL SIGLO XXI. NUEVOS MÉTODOS DE COMUNICACIÓN

233 HERITAGE DISSEMINATION IN THE CENTURY. NEW METHODS OF COMMUNICATION Coordinador / Coordinator: Luis Hernández

ARQUITECTURA DEL BARRO.

LA RECONSTRUCCIÓN GRÁFICA DEL HÁBITAT EN EL INTERIO R PENINSULAR EN LA EDAD DEL BRONCE 235 José Javier Fernández Moreno y José Ramón Almeida

LA CUEVA DEL TIEMPO. UN VIAJE A NUESTROS ORÍGENES

241 Cristina Cuesta Marín, Sergio Barrera Mayo y Unai Baeza Santamaría

REALIDAD VIRTUAL PARA LA DINAMIZACIÓN DE ENTORNOS R URALES. UN CASO PRÁCTICO: RED PARQUE CULTURAL

247 Unai Baeza Santamaría

MESA COMUNICACIONES_4 / TABLE OF COMMUNICATIONS_4

METODOLOGÍA Y HERRAMIENTAS DE RECONSTRUCCIÓN VIRTUA L I 251 METHODOLOGY AND TOOLS FOR VIRTUAL RECON STRUCTION I

Coordinador / Coordinator: José Beltrán Fortes

ESTUDIO GEOMÉTRICO DE PIEZAS ARQUEOLÓGICAS A PARTIR DE UN MODELO VIRTUAL 3D

253 Antonio T Mozas Calvache, José L. Pérez García, Vicente Barba Colmenero, Andrés López Arenas

NUEVAS TECNOLOGÍAS EN LEVANTAMIENTOA APLICADAS A LA RESTAURACIÓN: EL GIRALDILLO. 259 José Antonio Barrera, Antonio Pérez Romero, Rafael Ortiz Marin y Carlos Cobos Gutierrez

ARQUEOLOGÍA DEL PAISAJE Y ARQUEOLOGÍA VIRTUAL.

PROTOCOLO DE INSERCIÓN DE YACIMIENTOS EN SU CONTEXTO TERRITORIAL 265 Mario Delgado Canela, Sergio Ortiz Moreno y Diego Lozano

FOTOGRAMETRÍA DE BAJO COSTE PARA LA MODELIZACIÓN DE EDIFICIOS HISTÓRICOS

267 José Luis Pérez García, Antonio T. Mozas Calvache y Francisco Javier Cardenal Escacena y Andrés López Arenas


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MESA COMUNICACIONES_5 / TABLE OF COMMUNICATIONS_5 RECONSTRUCIÓN O ANASTILOSIS VIRTUAL DEL PATRIMONIO ARQUEOLÓGICO VIRTUAL ANASTYLOSIS OF THE ARCHAEOLOGICAL HERITAGE 273 Coordinador / Coordinator: Juan Ruesga

OPTIMIZACIÓN DEL MODELADO CAD PARA EL ANÁLISIS DEL PATRIMONIO HISTÓRICO MOLINAR Miguel Castro-García, José Ignacio Rojas-Sola y Mª del Pilar Carranza-Cañadas 275 VIRTUAL HIERAPOLIS: TRA TECNICISMO AND REALISMO Francesco Gabellone, Ivan Ferrari, Francesco Giuri, Massimo Limoncelli 279 ANASTILOSIS VIRTUAL DE FELIPÉIA Hélio Costa Lima 285 VIRTUAL RESTORATION OF FRAGMENTED GLASS PLATE PHOTO GRAPHS OF ARCHAEOLOGICAL REPERTOIRES F. Stanco, D. Tanasi, G. Gallo 289

MESA COMUNICACIONES_6 / TABLE OF COMMUNICATIONS_6 METODOLOGÍA Y HERRAMIENTAS DE RECONSTRUCCIÓN VIRTUA L METHODOLOGY AND TOOLS FOR VIRTUAL RECONSTRUCTION 293 Coordinador / Coordinator: Sandra Rodríguez de Guzmán

ANASTYLOSIS VIRTUAL DE LA PUERTA OCCIDENTAL DEL CAS TELLUM DE TAMUDA (TETUÁN, MARRUECOS). FASES Y EVOLUCIÓN Bermejo Meléndez, J.; Campos Carrasco, J.M.; Fernández Sutilo, L. ; Gómez Rodríguez, A.

; Bernal Casasola, D. y Ghottes, M. 295 METODOLOGÍA Y CRITERIOS PARA LA RECONSTRUCCIÓN VIRT UAL DEL PATRIMONIO ARQUITECTÓNICO ROMANO Lola Vico López 301 AVANCES HACIA UNA NUEVA METODOLOGÍA DE TRABAJO EN P ROYECTOS ARQUEOLÓGICOS: EL CASO DE LA VILLA ROMANA DE LA ONTAVIA (TERRINCHE S, CIUDAD REAL) Luís Benítez de Lugo Enrich y Víctor Manuel López-Menchero Bendicho 307 PINTURA Y ESCULTURA DIGITAL 3D CON ZBRUSH APLICADA A LA ARQUEOLOGÍA Marta Ángeles Estalayo Moreno 311

PÓSTERS / POSTERS SISTEMA DE DIGITALIZACIÓN PARA CASOS DE DIFÍCIL ACC ESIBILIDAD R. Chacón, V. Domínguez y A. Adán RECONSTRUCCIÓN VIRTUAL DEL PATRIMONIO ROMÁNICO ABUL ENSE: LA IGLESIA DE SAN PEDRO. Carmen Madrid de la Fuente y Carmen Herráez Martín. PROBLEMA DE LA GESTIÓN Y ANÁLISIS DE DATOS GEOMÉTRI COS DE ENTIDADES PATRIMONIALES Pastor Fábrega-Álvarez, Patricia Mañana-Borrazás y Yolanda Seoane-Veiga NUEVAS TECNOLOGÍAS APLICADAS A LA GESTIÓN DE LA INF ORMACIÓN GRÁFICA EN ARQUEOLOGÍA. INTEGRACIÓN Y OPTIMIZACIÓN DE LAS TÉCNICAS DE FOTOG RAMETRÍA DE OBJETOS CERCANOS Y SCAN 3D. Aparicio, O.; Blasco, J.; Cotino, F.; García, O.; Gimeno, L.; Lerma, JL.; Varea y S.; Vilaplana, A.


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CONFERENCIA_1 / CONFERENCE_1

VIRTUAL REPRESENTATION OF EGYPTIAN CULTURAL HERITAG E Fathi Saleh


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A Virtual Representation of the Egyptian Cultural Heritage

Dr. Fathi Saleh

CULTNAT. Center for Documentation of Cultural and Natural Heritage. El Cairo. Egipto.

Abstract In Egypt, the Center for Documentation of Cultural and Natural Heritage (CULTNAT) is treating cultural heritage in a holistic approach whether regarding the diversity of themes of cultural heritage or in the case of museums, the presence of objects in the different museums both within the country or abroad (a sort of global virtual museum). The establishment of CULTNAT marks a unique experience in the application of the latest innovations in the world of telecommunications and information technology towards heritage issues. CULTNAT’s main mandate is to document the various aspects of Egypt's tangible and intangible cultural heritage as well as its natural heritage.

INTRODUCTION

Egypt the birthplace of civilization is outpouring a tremendous wealth of cultural artifacts, which are of world importance. It is known that a large number of monuments and sites representing the world cultural heritage is found in Egypt. For mankind Egyptian civilization contributed in a very important manner to the making of our history and beliefs. To the Egyptians it represents a national pride and roots and from a scientific prospective it is a source of continuous international interest.

I. THE CULTNAT PROGRAMS

The recent development in the field of information technology and telecommunications: networks, internet, multimedia etc…has played an important role in disseminating knowledge and facilitating the exchange of information.

These developments have also changed our knowledge, appreciation and perception of heritage, our own as well as those of other nations worldwide. Telecommunications and information technology have not only provided tools for the documentation, preservation and management of this heritage, but they have also created a sense of closeness between people of various backgrounds, and a feeling of living in a global village where easy access to one’s own heritage and that of his neighbors thousands of miles away is possible.

In Egypt, the establishment of the Center for Documentation of Cultural and Natural Heritage (CULTNAT), which is affiliated with the Bibliotheca Alexandrina and supported by the Ministry of Communications and Information Technology, marks a unique experience in the application of the latest innovations in the world of telecommunications and information technology towards heritage issues.

CULTNAT’s mandate is to document the various aspects of Egypt's tangible and intangible cultural heritage as well as its natural heritage. This heritage encompasses various aspects of human civilization, monitors the development of human

livelihood, and represents a cultural and a natural heritage of national and international value. To achieve this goal, CULTNAT is making use of the most up-to-date information technology and is working in collaboration with national and international specialized organizations. The Center also aims to increase public awareness of Egypt's cultural and natural heritage through the dissemination of information using all available media, as well as building capacities of professionals in the field of documentation and management of cultural and natural heritage.

Egypt’s wealth in archeological sites, architectural styles, arts, folklore and natural beauty is reflected in CULTNAT's various programs as follows:

Fig 1: The Center for Documentation of Cultural and Natural Heritage building, Smart Village, Egypt

The Archeological Map of Egypt

Normally we can not separate museum objects from the location where it was found, which is usually an archeological site (provenance). That is why sometimes we look at the object as part of a collection and sometimes we look at it as related to its archeological site, like in the case of the archeological map of Egypt project. The archeological map of Egypt is the first complete inventory of all archeological sites in Egypt in a Geographic Information System (GIS) linked to an exhaustive


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database of the archeological sites, monuments and artifacts found all over Egypt.

The information is organized into three consecutive levels: The first is the national one, showing all sites on a large scale map of Egypt and providing basic information about each site; in addition, choosing a certain site one can ask for the collection of objects that moved from this site to a specific museum. At the second level, a detailed map shows the site and its components along with more information about the different components of

the site, while the third level provides the complete data of the monument with a plan of the structure and images. For a number of monuments, each wall is depicted with the relief or paintings along with the translation of the hieroglyphs, while for others, a 3-D model is available with the possibility of a virtual visit. The amount of data collected so far and integrated in the program could furthermore be used for a wide variety of products, including archeological atlases, guides, CDs etc.

Fig 2 & 3 : The Archeological Map of Egypt : levels 1 and 2

Fig 4 & 5 : The Natural Map of Egypt

The Architectural Heritage of Egypt

The purpose of this program is to document the nineteenth and twentieth century architectural heritage of Egypt, starting with the Downtown area of Cairo as a pilot project and continuing with more parts of Cairo and other cities. This project constitutes a Geographic Information System (GIS) with an easy to browse database that includes extensive photographic documentation, all published material for each inventoried building, in addition to historic documents, maps and archival material.

The Natural Heritage of Egypt

The documentation of Egypt’s natural heritage is a multi-disciplinary program aiming to document and disseminate information on the natural heritage of Egypt. The program involves the collection of all data available on protected areas and their components including detailed information on the Flora, Fauna, geological formations and the related cultural features. The data is further used to create a digital natural map of Egypt in Geographic Information System (GIS). For the dissemination of information, a series of books, CDs and


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postcards were produced on various subjects related to the natural heritage.

The Egyptian Folklore

Egypt’s living traditions are embedded in a deep and colorful source stemming from various cultures that have enriched it over the millennia. CULTNAT is undertaking the task of documenting these traditions. A systematic approach is adopted in the compilation process and aims to build up the most comprehensive and inclusive library of scientific and audio-visual material. The library is designed to include a rich array that covers ethnological activities, popular themes, traditional festivities, celebrations, folktales, proverbs and cycles of life.

The Musical Heritage of Egypt

CULTNAT aims to provide a better understanding of both our musical heritage and arts that have greatly developed during the earliest part of the twentieth century and which are in very serious danger of being lost forever. This is achieved through documenting, classifying and analyzing this heritage. The Arabic music information system consists of three levels: the first level focuses on documenting basic information related to composers, lyrics, singers, modes, forms, and rhythms. The second level compiles the complete works of artists’ with original lyrics, scores, audio and video clips whenever possible. The third level is a multimedia upgrade that targets the production of documented audio-visual deliverable based on the collected data as well as a detailed musical analysis of selected pieces by professional critics.

The Photographic Memory of Egypt

At the turn of the twentieth century, the Middle East and Egypt in particular, became a destination that attracted a large number of pioneer photographers. Their works documented such vivid topics as archeological sites and excavations, local architecture, landscapes in addition to social life and daily activities of the local community. The program aims to make such rare collections available for researchers, curators, and admirers of old photography online, in addition to producing a number of publications including books and CDs.

The Scientific Islamic Manuscripts Heritage

The manuscript documentation program aims to document scientific Islamic manuscripts available in various institutions and private collections on the national and regional level, in order to build an electronic encyclopedia of manuscripts on sciences and mathematics that were produced during the peak of the Islamic period.

II. ETERNAL EGYPT ON THE WEB

Collaboration between CULTNAT, the Egyptian Supreme Council of Antiquities and IBM Corporation, led to the development of a premier website, "Eternal Egypt" www.eternalegypt.org, to showcase a selection of Egypt’s treasures and cultural heritage on the Internet, to the global audience, using state-of-the-art technologies. The website covers

the different eras of the Egyptian civilization: Pharaonic, Greco-Roman, Coptic and Islamic. It comprises of descriptions of events, characters, museums objects, as well as historical sites, wrapped in a variety of stories covering attractive topics. The descriptive information is available in three languages, Arabic, English and French, and is supported by an innovative text-to-speech technology to generate the audio narrations, by 2D high-resolution images, tours and panoramic views of many sites as well as 3D models of various objects.

Within this website, one can investigate several collections that are present in different museums. For the Pharaonic period one can investigate the collection at the Cairo museum and the Luxor museum. For the Greco-Roman period the collections of the Greco-Roman museum in Alexandria can be viewed, for the Coptic period the collections of the Coptic museum in old Cairo (Fustat) can be explored and finally for the Islamic period the collection of the Islamic art museum in Cairo can be examined.

Fig 6 : The homepage for www.eternalegypt.org

In addition, there is a facility to go thematically through the whole collection like for example the investigation of woman representation along history; it is possible to retrieve objects regarding this subject from different collections. Alternatively, one can choose to see the relation between certain objects and other objects, sites and subjects, following which a diagram appears in a tree format that has the selected objects in the center with links to different objects, sites and subjects. Going one step further one might choose to navigate along this tree from one object to another then the new object becomes the center of the diagram and consequently the center of the diagram links to other objects, sites or subjects. Once an object or site is in the center of the diagram, one can obtain from the database information about this object as well as high resolution images and sometimes a 3-D model. For some objects, a 3-D model was built through the use of a laser scanner and a turntable. This allows the investigation of the object from all sides and also allows electronic restoration of the object such as adding missing parts, cleaning surfaces or retouching colors.

For most of the objects, a very high resolution image is obtained which allows multiple zooming allowing for investigating the details of the different parts of the image. For very specific objects, a simulation through animation of its function is available. Some examples are the fire lighter that was used at the


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time of the ancient Egyptians and the astrolabe that was used at the time of the Arabs.

III. THE GLOBAL EGYPTIAN MUSEUM (GEM WEBSITE)

As we have seen, eternalegypt.org web site is treating the different collections within the different Egyptian museums in a collective way. It does not extend beyond Egyptian territories. There is another approach that took place between CULTNAT and the Dutch Center for Computer-aided Egyptological Research (CCER), which is directed by the eminent professor of Egyptology Prof. Dr. Van der Plas, to address the different Egyptian collections in other European museums in what is known as the Global Egyptian Museum (GEM).

This website presents the Egyptian Treasures from various European museums. Scientific object information, hieroglyphic texts and full color images of the objects are offered in an interactive way. As part of the project scope the current set of ten museums will be enlarged with other collections from worldwide museums.

There are two main functions in the website the Basic Mode which is geared towards the interested public and the Advanced Mode which opens up the full database and offers detailed scholarly information to professionals and amateurs.

The hyperlinked glossary of over 400 entries explains Egyptological words and concepts, illustrated with pictures and line drawings. Scholarly information about gods, kings, dynasties, archaeological sites, etc., is given in a user-friendly way.

The guided tour presents several objects from each collection with a spoken commentary.

There are many rotating objects and panoramas throughout the site.

The user interface and most of the supplied information on this website is available in seven languages: Dutch, English, French, German, Italian, Portuguese and Spanish.

CONCLUSION

A holistic approach to the museum collections was developed by the Center for Documentation of Cultural and Natural Heritage (CULTNAT). This approach included incorporation of the compilation of different collections within the content of its different developed programs addressing the various aspects of documenting of the cultural and natural heritage of Egypt. This is reflected more specifically within the archeological map of Egypt program, which relates objects to its site of origin. In addition, the collections are addressed in a second way within the premiere website eternalegypt.org which relates the objects of different Egyptian museums to each other and to sites and subjects as well as using different imaging technologies to investigate each object. Finally, the Egyptian collections in different European museums were treated in a global approach using a developed thesaurus in seven languages and addressing collections in ten European museums jointly with the collections in the Egyptian museum.

II Congreso Internacional de Arqueología e Informática Gráfica ...

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