Escalas Armonizadas
10
Escalas mayores T-T-st-T-T-T-st- Con # Se construyen por quintas ascendentes. I(maj7) II(m7) III(m7) IV( ∆ ) V(7) VI(m7) VII( ø ) VIII( ∆ ) C ∆ Dm7 Em7 F ∆ G7 Am7 B ø C ∆ G ∆ Am7 Bm7 C ∆ D7 Em7 F# ø G ∆ D ∆ Em7 F#m7 G ∆ A7 Bm7 C# ø D ∆ A ∆ Bm7 C#m7 D ∆ E7 F#m7 G# ø A ∆ E ∆ F#m7 G#m7 A ∆ B7 C#m7 D# ø E ∆ B ∆ C#m7 D#m7 E ∆ F#7 G#m7 A# ø B ∆ F# ∆ G#m7 A#m7 B ∆ C#7 D#m7 E# ø F# ∆ C#∆ D#m7 E#m7 F# ∆ G#7 A#m7 B# ø C# ∆ Con b Se construyen por cuartas ascendentes. I( ∆ ) II(m7) III(m7) IV( ∆ ) V(7) VI(m7) VII( ø ) VIII( ∆ ) C ∆ Dm7 Em7 F ∆ G7 Am7 B ø C ∆ F ∆ Gm7 Am7 Bb ∆ C7 Dm7 E ø F ∆ Bb ∆ Cm7 Dm7 Eb F7 Gm7 A ø Bb ∆ Eb ∆ Fm7 Gm7 Ab ∆ Bb7 Cm7 D ø Eb ∆ Ab ∆ Bbm7 Cm7 Db ∆ Eb7 Fm7 G ø Ab ∆ Db ∆ Ebm7 Fm7 Gb ∆ Ab7 Bbm7 C ø Db ∆ Gb ∆ Abm7 Bbm7 Cb ∆ Db7 Ebm7 F ø Gb ∆ Cb ∆ Dbm7 Ebm7 Fb ∆ Gb7 Abm7 Bb ø Cb ∆ Fb ∆ Gbm7 Abm7 A ∆ B7 Dbm7 Eb ø Fb ∆ Escala mayor melódica T T st T st T T I(7) II( ø ) III( ø ) IV(m ∆ ) V(m7) VI( 5#∆ ) VII(7) VIII(7) C7 D ø E ø Fm ∆ Gm7 Ab 5#∆ Bb7 C7 D7 E ø F# ø Gm ∆ Am7 Bb 5#∆ C7 D7 E7 F# ø G# ø Am ∆ Bm7 C 5#∆ D7 E7 F7 G ø A ø Bbm ∆ Cm7 Db 5#∆ Eb7 F7 G7 A ø B ø Cm ∆ Dm7 Eb 5#∆ F7 G7 A7 B ø C# ø Dm ∆ Em7 F 5#∆ G7 A7 B7 C# ø D# ø Em ∆ F#m7 G 5#∆ A7 B7 Escala mayor artificial o armónica st T T st T T T I( ∆ ) II( ø ) III(m7) IV(m ∆ ) V(7) VI( b5#∆ ) VII(º) VIII( ∆ ) C ∆ D ø Em7 Fm ∆ G7 A b5#∆ Bº C ∆ D ∆ E ø F#m7 Gm ∆ A7 B b5#∆ C#º D ∆ E ∆ F# ø G#m7 Am ∆ B7 C b5#∆ D#º E ∆ F ∆ G ø Am7 Bbm ∆ C7 D b5#∆ Eº F ∆ G ∆ A ø Bm7 Cm ∆ D7 E b5#∆ F#º G ∆
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Transcript of Escalas Armonizadas
Escalas mayores
Escalas mayores
T-T-st-T-T-T-st-Con #
Se construyen por quintas ascendentes.
I(maj7)II(m7)III(m7)IV()V(7)VI(m7)VII()VIII()
CDm7Em7FG7Am7BC
GAm7Bm7CD7Em7F#G
DEm7F#m7GA7Bm7C#D
ABm7C#m7DE7F#m7G#A
EF#m7G#m7AB7C#m7D#E
BC#m7D#m7EF#7G#m7A#B
F#G#m7A#m7BC#7D#m7E#F#
C#D#m7E#m7F#G#7A#m7B#C#
Con bSe construyen por cuartas ascendentes.I()II(m7)III(m7)IV()V(7)VI(m7)VII()VIII()
CDm7Em7FG7Am7BC
FGm7Am7BbC7Dm7EF
BbCm7Dm7EbF7Gm7ABb
EbFm7Gm7AbBb7Cm7DEb
AbBbm7Cm7DbEb7Fm7GAb
DbEbm7Fm7GbAb7Bbm7CDb
GbAbm7Bbm7CbDb7Ebm7FGb
CbDbm7Ebm7FbGb7Abm7BbCb
FbGbm7Abm7AB7Dbm7EbFb
Escala mayor meldicaT T st T st T T
I(7)II()III()IV(m)V(m7)VI(5#)VII(7)VIII(7)
C7DEFmGm7Ab5#Bb7C7
D7EF#GmAm7Bb5#C7D7
E7F#G#AmBm7C5#D7E7
F7GABbmCm7Db5#Eb7F7
G7ABCmDm7Eb5#F7G7
A7BC#DmEm7F5#G7A7
B7C#D#EmF#m7G5#A7B7
Escala mayor artificial o armnicast T T st T T T
I()II()III(m7)IV(m)V(7)VI(b5#)VII()VIII()
CDEm7FmG7Ab5#BC
DEF#m7GmA7Bb5#C#D
EF#G#m7AmB7Cb5#D#E
FGAm7BbmC7Db5#EF
GABm7CmD7Eb5#F#G
ABC#m7DmE7F5#G#A
BC#D#m7EmF#7G5#A#B
TNICASUBDOMINANTEDOMINANTE
TRANQUILOMEDIANA TENSINTENSIN
I, VI y IIIIV y IIV y VII
Escala Menor elica
T, st, T, T, st, T, T
I(m7)II()III()IV(m7)V(m7)VI()VII(7)VIII(m7)
Am7BCDm7Em7FG7Am7
Em7F#GAm7Bm7CD7Em7
Bm7C#DEm7F#m7GA7Bm7
F#m7G#ABm7C#m7DE7F#m7
C#m7D#EFm7G#m7AB7C#m7
G#m7A#BC#m7D#m7EF#7G#m7
D#m7E#F#G#m7A#m7BC#7D#m7
A#m7B#C#D#m7E#m7F#G#7A#m7
Fm7GAbBbm7Cm7DbEb7Fm7
Abm7BbCbDbm7Ebm7FbGb7Abm7
Ebm7FGbAbm7Bbm7CbDb7Ebm7
Bbm7CDbEbm7Fm7GbAb7Bbm7
Fm7GAbBbm7Cm7DbEb7Fm7
Cm7DEbFm7Gm7AbBb7Cm7
Gm7ABbCm7Dm7EbF7Gm7
Dm7EFGm7Am7BbC7Dm7
Menor Armnica (se aumenta un st la sptima)T-ST-T-T-ST-Ty1/2-STI(m)II()III(b5#)IV(m7)V(7)VI(b)VII()VIII(m)
CmDEb5#Fm7G7AbBCm
DmEF5#Gm7A7BbC#Dm
EmF#G5#Am7B7CD#Em
FmGAb5#Bbm7C7DbEFm
GmABb5#Cm7D7EbF#Gm
AmBC5#Dm7E7FG#Am
BmC#D5#Em7F#7GA#Bm
Menor Meldica
(Se aumenta un ST la sexta) T-ST-T-T-T-T-ST
I(m)II(m7)III(b5#)IV(7)V(7)VI()VII()VIII(m)
CmDm7Eb5#F7G7A BCm
DmEm7F5#G7A7B C#Dm
EmF#m7G5#A7B7C# D#Em
FmGm7Ab5#Bb7C7D EFm
GmAm7Bb5#C7D7E F#Gm
AmBm7C5#D7E7F# G#Am
BmC#m7D5#E7F#7G# A#Bm
TNICASUBDOMINANTEDOMINANTE
TRANQUILOMEDIANA TENSINTENSIN
I, VI y IIIIV y IIV y VII
Lidia
(es la mayor con la IV aumentada un st)
I()II(7)III(m7)IV()V()VI(m7)VII(m7)VIII()
CD7Em7F#GAm7Bm7C
DE7F#m7G#ABm7Cm7D
EF#7G#m7A#BC#m7D#m7E
FG7Am7BCDm7Em7F
GA7Bm7C#DEm7F#m7G
AB7C#m7D#EF#m7G#m7A
BC#7D#m7E#F#G#m7A#m7B
Notas en el mstil:
Mixolidia
(es la mayor con la VII bajada un st)
I()II(7)III(m7)IV()V()VI(m7)VII(m7)VIII()
C7Dm7E FGm7Am7BbC7
D7Em7F#GAm7Bm7CD7
E7F#m7G#ABm7C#m7DE7
F7Gm7ABbCm7Dm7EbF7
G7Am7BCDm7Em7FG7
A7Bm7C#DEm7F#m7GA7
B7C#m7D#EF#m7G#m7AB7
Notas en el mstil:
Drica(Armado desde el 2 de la escala C mayor)
T st T T T st T
I(m7)II(m7)III()IV(7)V(m7)VI()VII()VIII(m7)
Cm7Dm7EbF7Gm7ABCm7
Gm7Am7BbC7Dm7EFGm7
Dm7Em7FG7Am7BCDm7
Am7Bm7CD7Em7F#GAm7
Em7F#m7GA7Bm7C#DEm7
Bm7C#m7DE7F#m7G#ABm7
F#m7G#m7AB7C#m7D#EF#m7
C#m7D#m7EF#7G#m7A#BC#m7
G#m7A#m7BC#7D#m7E#F#G#m7
D#m7E#m7F#G#7A#m7B#C#D#m7
Frigia (Armado desde el 3 de la escala C mayor)
st T T T st T T
I(m7)II()III(7)IV(m7)V()VI()VII(m7)VIII(m7)
Em7FG7Am7BCDm7Em7
Am7BbC7Dm7EFGm7Am7
Dm7EbF7Gm7ABbCm7Dm7
Gm7AbBb7Cm7DEbFm7Gm7
Cm7DbEb7Fm7GAbBbm7Cm7
Fm7GbAb7Bbm7CDbEbm7Fm7
Bbm7CbDb7Ebm7FGbAbm7Bbm7
Ebm7FbGb7Abm7BbCbDbm7Ebm7
Locria (sale del 7 grado de la escala de C mayor [cromtico])
st T T st T T T
I()II()III(m7)IV(m7)V()VI(7)VII(m7)VIII()
BCDm7Em7FG7Am7B
CDbEbm7Fm7GbAb7Bbm7C
DEbFm7Gm7AbBb7Cm7D
EFGm7Am7BbC7Dm7E
FGbAbm7Bbm7CbDb7Ebm7F
GAbBbm7Cm7DbEb7Fm7G
ABbCm7Dm7EbF7Gm7A
Escala Lidia DominanteT T T st T st T
I(7)II(7)III()IV()V()VI(m7)VII(5#)VIII(7)
C7D7EF#GmAm7Bb5#C7
D7E7F#G#AmBm7C5#D7
E7F#7G#A#BmC#m7D5#E7
F7G7AbBbCmDm7E5#F7
G7A7BC#DmEm7F5#G7
A7B7C#D#EmF#m7G5#A7
B7C#7D#E#F#mG#m7A5#B7
Escala Lidia AumentadaT T T T st T st
I(5#)II(7)III(7)IV(#)V(#)VI(m)VII(m7)VIII(5#)
C5#D7E7F#G#AmBm7C5#
D5#E7F#7G#A#BmC#m7D5#
E5#F#7G#7A#B#C#mD#m7E5#
F5#G7A7BC#DmEm7F5#
G5#A7B7C#D#EmF#m7G5#
A5#B7C#7D#E#F#mG#m7A5#
B5#C#7D#7E#F##G#mA#m7B5#
Acordes Invertidos
1357
CC/EC/GC/Bb (dominante)
DD/F#D/AD/C (dominante)
EE/G#E/BE/D (dominante)
FF/AF/CF/Eb (dominante)
GG/BG/DG/F (dominante)
AA/C#A/EA/G (dominante)
BB/D#B/F#B/A (dominante)
CmCm/EbCm/GCm/Bb
DmDm/FDm/ADm/C
EmEm/GEm/BEm/D
FmFm/AbFm/CFm/Eb
GmGm/BbGm/DGm/F
AmAm/CAm/EAm/G
BmBm/DBm/F#Bm/A
Frmulas para distintos acordes
