0)1.+2)((%3#'%456* ,&7.#2%12.&)/,&2% 8'1.%+)(%,

05

Adaptación teatral de leyendas tradicionales del cantón Sigsig

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06

ÍNDICE DE CONTENIDOS

Dedicatoria 8Agradecimiento 9Resumen 10Abstract 11Introducción 12

1. Conceptualización del patrimonio cultural inmaterial 131.1 Salvaguardia del patrimonio inmaterial 13

CAPÍTULO ICONTEXTUALIZACIÓN 13

1.2. ¿Qué es la tradición oral? 141.2.1 Tradición oral, sub-clasificaciones 141.2.2 Tradición e importancia de la oralidad 171.3 Narración 171.3.1 Tradición oral en el cantón Sígsig 173.2 Testimonio oral 181.4 Narración oral escénica y el teatro 19

CAPÍTULO II MONTAJE 20

2.1 Creación y escritura de la dramaturgia 202.1.1 Hacia la adaptación teatral 202.1.2 Sinopsis de la obra 242.2 Entrenamiento 242.3 Objetivos 252.3.1 Objetivo general 252.3.2 Objetivos específicos 252.3.3 Entrenamiento actoral 252.4 Creación de personajes 272.5 Elemento de creación: 282.6 Espacio escénico 282.7 Vestuario 292.7.1 Diablo 292.7.2 Pascualina 292.7.3 Borracho 292.7.4 Joven 302.7.5 Muchacha y madre 302.8 Escenografía 302.9 Maquillaje 31

07


2.10 Máscara y títere 312.11 Objetos escénicos y utilería 322.12 Iluminación 332.13 Ambiente Sonoro 333.1 Preproducción 34

CAPÍTULO IIIPRODUCCIÓN 34

3.1.2 Infraestructura 353.1.3 Recursos financieros 353.1.4 Cronograma de actividades 363.2 Producción 363.2.1 Gestión de infraestructura 363.2.2 Contratación del equipo creativo y delegación de funciones 363.2.2.1 Director y actores 363.2.2.2 Escenografía 363.2.2.3 Máscara 363.2.2.4 Títere 373.2.2.5 Vestuario 373.2.2.6 Iluminación 373.2.2.7 Diseño gráfico 373.3 Post producción 383.3.1 Plan de inversión 383.3.2 Riders 38(Requerimientos técnicos) 38Iluminación 383.3.3 Análisis de socios estratégicos 393.3.4 Descripción del proyecto 403.3.5 Currículum de equipo 403.4 Producto 423.4.1 Problema 423.4.1.1 Objetivo general: 423.4.1.2 Consumidor 423.4.2 Tono de comunicación 433.4.3 Sección de medios de comunicación 433. 4.4 Costos y financiamiento 443.5 Imagen y afiche del espectáculo 453.6 Dosier 46Conclusiones 47Recomendaciones 47Referencias bibliográficas: 48Anexos 50

08

Dedicatoria

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09


Agradecimiento

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010

Título

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011


Title

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012

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Introducción

013


1. Conceptualización del patrimonio cultural inmaterial

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1.1 Salvaguardia del patrimonio inmaterial

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CAPÍTULO I CONTEXTUALIZACIÓN

014

1.2. ¿Qué es la tradición oral?

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1.2.1 Tradición oral, sub-clasificaciones

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015


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016

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017


1.2.2 Tradición e importancia de la oralidad

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1.3 Narración

1.3.1 Tradición oral en el cantón Sígsig

182/'2* /+* &#,#&%+,'J#*$0,*$0/++,*4'+)+/*>#%+,'#-+/*+*')>#%+,'#-+/*G6+*%'+)+)*6)*

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,+#-'J#*"+-*Cg*#-*AC*"+*+)+,0*+)*+-*&+)%,0*

018

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&0-0,+/?* >a/'&#?* %,#"'&'0)+/?* &0>'"#*%8$'&#*.*"#)J#H

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p*=#/'G6+*L6>#p*@-*#,&0*3#$'/;V#p*@-*=6/&6)20p*@-*q#.,6p*9#*-#26)#*!.--0)*

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3.2 Testimonio oral

N@-* %+/%'>0)'0* 0,#-* +/* 6)* "0&6>+)%0*&6.#*+-#40,#&'()*/+*')%+)&'0)#*"+/"+*-#*$+,/$+&%'7#*"+*-#*;'/%0,'#*0,#-O*RT#,&8#?*/HIHSH* @/%+?* &0)I0,>#* 6)* '>$0,%#)%+*&0)56)%0* G6+* +70&#* ,+&6+,"0/* +*'>#2')#* /'%6#&'0)+/* "+* -0/* ')"'7'"60/*R$+,/0)#5+/S?* G6+* +,#)* $#,%+* "+* -#*;'/%0,'#* 0* 7'7+)&'#,0)* -0/* ;+&;0/?* -0/*#&0)%+&'>'+)%0/*.*$,0&+/0/*;'/%(,'&0/*#*%,#7Q/*"+*%'+>$0H*

@-* "'#4-0* #&0)/+5#* .* P6)&#* $'"#/* 6)*;0>4,+*%,#4#5#"0,?*/0)*6)#*,+&0$'-#&'()*"+* %+/%'>0)'0/*0,#-+/* #*$+,/0)#/*"+* -#*$#,,0G6'#* 96"0?* -#/* &6#-+/?* ;#)* /'"0*$#,%+* "+* /6* ;'/%0,'#H* !/'>'/>0?* +/%0/*

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019


1.4 Narración oral escénica y el teatro

@)*$,')&'$'0?*/+*"+4+)*&0)0&+,*-0/*&0)&+$%0/*"+*&#"#*6)0?*/6/*"'I+,+)&'#/*.*"+*G6Q*>#)+,#*/+*I6/'0)#,8#)*$#,#*/+,*6)0H

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W#,#*+--0?*+)*+-*/'26'+)%+*&6#",0*/+*+F$0)+)*-#/*"'I+,+)&'#/*+)%,+*-#*)#,,#&'()*0,#-*+/&Q)'&#*.*+-*%+#%,0M*+-+>+)%0/*+)%,+*-0/*&6#-+/*/+*$,+/%#)*$#,#*/+,*6)0*/0-0?*$0,*+5+>$-0?*6)#*&0)7+,/#&'()*RP]@SH*@/*"+&',?*/+*$6+"+*+)&#5#,*+)*+-*"'D-020*%+#%,#-*"+*I0,>#*"')D>'&#?*$0,*-0*G6+*+-*#,%+*"+*)#,,#,*46/&#*+-*,+/6-%#"0*"+*6)*+G6'-'4,'0*+)%,+*+-*,+-#%0?*+-*)#,,#"0,?*+-*$a4-'&0?*+-*+/$#&'0*.*-#*/'%6#&'()*+)*-#*G6+*/+*+)&6+)%,#H*!"+>D/?*')%+,7'+)+)*+-*+G6'-'4,'0*#,%8/%'&0*&0>6)'&#%'70*"+*-0/*>0"0/*"+*+F$,+/'()*&0>0*/0)E*7+,4#-?*70J*.*+-*2+/%0*7'70H*

!"#$"%&'%()*+,+-.)"/%+-0,+%$"%-",,".)1-%2,"$%

+/.3-)."%4%+$%0+"0,2

56+-0+'%728,9:6+;%<=>=&?@

020

2.1 Creación y escritura de la dramaturgia

2.1.1 Hacia la adaptación teatral

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CAPÍTULO IIMONTAJE

021


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023


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2.1.2 Sinopsis de la obra

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025


2.3 Objetivos

2.3.1 Objetivo general

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2.3.2 Objetivos específicos

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p* @/%0/* +5+,&'&'0/* /+* I6+,0)*

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026

8SE+5&)1#M"

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027


A$6/0,".)1-%J@%K+,/2-"C+%8+$%#2,,".L2%<M+,0L"%G"0")$2I%=>=&?@

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A$6/0,".)1-%O@%K+,/2-"C+%8+%K"/.6"$)-"%<G"0+2%H"$";",I%=>=&?@

2.4 Creación de personajes

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028

2.5 Elemento de creación:

QR'1)&)*

W#,#* -#* &,+#&'()* "+-* $+,/0)#5+* "+-*L'#4-0*I6+*)+&+/#,'0*+-*6/0*"+-*+-+>+)%0*'>$0,%#)%+?*&0>0E*-#*>D/&#,#H

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-#*)#%6,#-+J#*"+/"+*-#*>D/&#,#E*

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2.6 Espacio escénico

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029


2.7.2 Pascualina

.*20,,#*"+*-#)#H

2.7.3 Borracho

W#)%#-()* "+* %+-#?* &#>'/#* "+* &6#",0/?*$0)&;0*.*J#$#%0/*"+*-0)#H*

2.7 Vestuario

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2.7.1 Diablo

W#)%#-()?* &#>'/#?* &#$#* +)* >+"'#*&#>$#)#* .* >+"'#* &#$#?* &')%6,()?*>+"'#/*.*J#$#%0/H

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A$6/0,".)1-%T@%U+/06",)2%8+%K"/.6"$)-"%<M+,0L"%G"0")$2I=>=&?@

030

2.7.4 Joven

W0)&;0?*/0>4,+,0?*$#)%#-()?*&#>'/#H

2.7.5 Muchacha y madre

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A$6/0,".)1-%&=@%K)-%E"$+0"%8+%.2$2,+/

2.8 Escenografía

!-*/+,*6)#*04,#*$#,#*+/$#&'0/*2,#)"+/?*/+*$-#)%+#*6)#*+/&+)02,#I8#*>(7'-*.*#,>#4-+?*G6+* #4#,G6+* 7#,'0/* +-+>+)%0/* $#,#* -#* $6+/%#* +)* +/&+)#H* L'&;#* +/&+)02,#I8#*&0>$,+)"+*6)#/*4(7+"#/*&0-2#)%+/*.*+)*+-*$'/0?*G6+*/+,D)*>6-%'I6)&'0)#-+/M*"+/"+*+-*')'&'0?*&0,,+/$0)"+,D)*#*/+,*6)*&+>+)%+,'0*+)*+-*G6+*/+*"+/#,,0--#*-#*+/&+)#*"+-*"'#4-0*.*+-*40,,#&;0H*W0/%+,'0,>+)%+?*+/%#/*4(7+"#/*$#/#,D)*#*&0)7+,%',/+*+)*$0J#*

d)*D,40-*$#/#,D*#*/+,*6)#*&,6J*G6+*/+*6/#*&0>0*/8>40-0*+)*+-*&+>+)%+,'0*.*"+*&(>0*+-*"'#4-0*%'+)+*>'+"0*"+*$#/#,*$0,*+-*-62#,M*#"'&'0)#->+)%+?*6)#*&#/+%#?*&#/#*"+-*&#>$0*.*4#)&0/*&,+#,D)*6)#*#%>0/I+,#*"+-*&#>$0*+)*"0)"+*%,#)/&6,,+*-#*0%,#*;'/%0,'#H

@-*&0-0,*G6+*/+*$,0$0)+*/0)*-0/*#)"')0/?*7+,"+/?*)#,#)5#/?*#>#,'--0/M*#/8*>'/>0?*/+*+/%#4-+&+*G6+*-#*&0)/%,6&&'()*"+*-#*+/&+)02,#I8#*/+#*&0)*>#%+,'#-+/*G6+*/+*6/+)*+)*+-*&#>$0?*&0>0E*>#"+,#?*$#5#*.*0%,0/H*

I)+%2)*(%*15+5&%'*(%*+)*%'1%"5>&)]T)*_`*

031


W0,*0%,0* -#"0?* /+* &0)/%,6.+* #*6)* %8%+,+*G6+*%'+)+*"04-+*,0-*+)*-#*04,#?*&0>0*+-*7+)"+"0,*.*&0>0*+-*$#",+H

2.10 Máscara y títere

W#,#* -#* +-#40,#&'()* "+* -#* >D/&#,#* "+-*$+,/0)#5+*"+-*"'#4-0*/+*+/&02'+,0)*"0/*#)'>#-+/*"+-*&#>$0?*+-*2#--0*.*+-*&;'70?*/+2a)* -#/* &,++)&'#/*"+* -#/*$+,/0)#/*"+*-#* J0)#* ,6,#-H* 1+* &0)0&+* G6+* +/%+* /+,*"'#4(-'&0* ;#&8#* #$#,'&'0)+/* #)%+* -0/*/+,+/* ;6>#)0/* +)* +/%0/* #)'>#-+/H* 1+*,+#-'J#*6)#*>+"'#*>D/&#,#?* -0/* &#&;0/*"+-* &;'70* .* -#* &,+/%#?* $'&0* "+-* 2#--0* .*/+*>#)%'+)+* -0/* &0-0,+/*"+* +/%+*a-%'>0*#)'>#-H*

2.9 Maquillaje

W#,%+*"+*-#*&#,#&%+,'J#&'()*"+-*$+,/0)#5+*"+*W#/&6#-')#?*+)*&6#)%0*#-*>#G6'--#5+?*/+* #"+&a#* #* -#* #$#,'+)&'#* I8/'&#* .* #*-#/* +F'2+)&'#/* "+-* 26'0)H* W-#)%+#"0*

+"#"?* "+-* &#>$0?* /+* "+&'"+* ,+&,+#,*+-* ,0/%,0* .* >#)0/* "+* 6)#* $+,/0)#* "+*#$,0F'>#"#>+)%+* hj* #K0/?* G6+* ,+&'4+*>6&;0* /0-*$0,* +-* %,#4#50* +)* +-* &#>$0H*W#,#* +--0?* /+* $,0$0)+* #K#"',* $0&#/*

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A$6/0,".)1-%&N@%!90+,+<G"6,).)2%K+/"-0+;I%=>=&?@

032

2.11 Objetos escénicos y utilería

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A$6/0,".)1-%=J@%K)C6"-2

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033


A$6/0,".)1-%=T@%K"$+0"%8+%.2$2,+/@%%%%%%%%%%%%%%%%%%%%%%%%%% A$6/0,".)1-%=S@%K"$+0"%8+%.2$2,+/@%

2.12 Iluminación

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2.13 Ambiente Sonoro

9#*>a/'&#*I6+*$-#)%+#"#*$#,#*-#*04,#*&0>0*#.6"#*$#,#*%,#)/$0,%#,*#*-#*#6"'+)&'#*#-*>6)"0*G6+*/+*7'7+*+)*+-*+/&+)#,'0?*#/'>'/>0?*&0>0*6)*,+&6,/0*$#,#*%,#/>'%',*/+)/#&'0)+/*.*#$0.0*+)*-#/*#&&'0)+/*"+*-0/*$+,/0)#5+/H*

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p*

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034

CAPÍTULO IIIPRODUCCIÓN@)*+/%+*&#$8%6-0?*/+*"+/#,,0--#*+-*W-#)*"+*W,0"6&&'()*"+*-#*04,#E*d)*+)&6+)%,0*"+*,+-#%0/*)0*&0)%#"0/?*-#*&6#-?*/+*"'7'"+*+)*%,+/* I#/+/E* $,+$,0"6&&'()?* $,0"6&&'()*.* $0/%$,0"6&&'()H* =#"#* 6)#* "+* -#/*I#/+/*+/%#,D*"+%#--#"#?*/+2a)*+-*W-#)*"+*<0)%#5+H

3.1 Preproducción

W#,#*+-*$,0&+/0*"+*>0)%#5+*+/*)+&+/#,'0*

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035


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3.1.2 Infraestructura

'-6>')#&'()H

3.1.3 Recursos financieros

-0/* 2#/%0/* #* ,#8J* "+-* >0)%#5+?* +-* $#20*#-* +G6'$0* &,+#%'70* .* -#* &0)/%,6&&'()*"+* +/&+)02,#I8#?*>#,'0)+%#?*>D/&#,#* .*&0)I+&&'()*"+-*7+/%6#,'0H*

036

3.1.4 Cronograma de actividades*9#*04,#*_+-#%0/*)0*&0)%#"0/*/+*$-#)%+#*"+*-#*/'26'+)%+*>#)+,#?*/'26'+)"0*6)*&,0)02,#>#*"+*#&%'7'"#"+/

3.2 Producción

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3.2.1 Gestión de infraestructura

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3.2.2 Contratación del equipo creativo y delegación de funciones

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3.2.2.1 Director y actores

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3.2.2.2 Escenografía

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3.2.2.3 Máscara

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037


3.2.2.4 Títere

W0/%+,'0,>+)%+?*/+*$,0&+"+,D*#*-#*+-#40,#&'()*.*+)%,+2#*"+*-0/*40&+%0/*"+-*7+/%6#,'0*.*/+*$#&%#,D*-#*I+&;#*"+*+)%,+2#*.*&0/%0*$0,*+-*%,#4#50H

3.2.2.5 Vestuario

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3.2.2.6 Iluminación

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3.2.2.7 Diseño gráfico

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038

3.3 Post producción

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3.3.1 Plan de inversión

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3.3.2 Riders(Requerimientos técnicos)

Iluminación

039


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3.3.3 Análisis de socios estratégicos

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040

3.3.4 Descripción del proyecto

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3.3.5 Currículum de equipo

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A$6/0,".)1-%=V@%5202%8+$%8),+.02,%8+%$"%2#,"I%G"0+2%H"$";",%<=>=&?@

041


A$6/0,".)1-%J>@%5202%8+$%)-03,E,+0+%`+-,4%5",3;%<=>=&?@

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042

3.4 Producto

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3.4.1 Problema

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043


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W#,#*--+2#,*#-*$a4-'&0*045+%'70?*/+*$-#)%+#*,+#-'J#,* 6)#* $64-'&'"#"* #40,"#)"0* +-*%+>#*"+*%,#"'&'()*.*&6-%6,#H*@/%#*+/*6)#*04,#*G6+*&0)%'+)+*+-+>+)%0/*"+-*&#>$0?*+-* "'D-020* .* $+,/0)#5+/M* #/8*>'/>0?* +/*6)#* -+.+)"#* G6+?* $0,* $,'>+,#* 7+J?* +/*--+7#"#*#-*%+#%,0?*"#)"0*6)#*+F$+,'+)&'#*a)'&#?*.#*G6+*&0)/%#*"+*6)*%0)0*#-+2,+*.*>'/%+,'0/0H

3.4.3 Sección de medios de comunicación

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044

3. 4.4 Costos y financiamiento

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045


3.5 Imagen y afiche del espectáculo

046

3.6 Dosier

047


Conclusiones

@-*$,0.+&%0*"'I6)"+*+-*$#%,'>0)'0*&6-%6,#-*')>#%+,'#-*"+-*@&6#"0,?*$0,*>+"'0*"+*-0/*,+-#%0/*0,#-+/*G6+*;#)*/'"0*#"#$%#"0/*#-*%+#%,0?*#*%,#7Q/*"+*6)#*$,0$6+/%#*&0)%#"#*&0)*>D/&#,#/*.*%8%+,+/H*@)*7'/%#*"+*G6+*/+*4#/#*+)*-#/*-+.+)"#/*"+*-#*%,#"'&'()*0,#-*"+-*&#)%()*182/'2?*46/&#*,+"+/&64,',*+-*')%+,Q/*$0,*,+/&#%#,?*#*%,#7Q/*"+-*%+#%,0?*-#/*'"+)%'"#"+/*&6-%6,#-+/*"+*)6+/%,#*$,07')&'#*"+-*!J6#.H

$#,%'&'$#&'()*+)*I0,0/?*%#--+,+/?*+)%,+7'/%#/?*,+"+/*/0&'#-+/*.*"+>D/*&#)#-+/*G6+*$+,>'%#)*"'I6)"',*-#*04,#*$#,#*--+2#,*#*6)*>#.0,*%'$0*"+*$a4-'&0*I#>'-'#,?*%#)%0*+)*+-*&#>$0*&0>0*+)*-#*&'6"#"H

]%,0*#/$+&%0*G6+*/+*$6+"+*,+/#-%#,*&0>0*#$0,%+*"+-*+/%6"'0*+/*+-*-02,#,*#"#$%#,*-#*",#>#%6,2'#*&0)*-#/*-+.+)"#/*%,#"'&'0)#-+/E*

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Recomendaciones

@-*@&6#"0,*+/*6)*$#8/*"'7+,/0*+)*&6-%6,#?*&0/%6>4,+/?*%,#"'&'0)+/M*$0,*-0*%#)%0?*/+*,+&0>'+)"#*G6+?*#/8*&0>0*/+*%,#4#5(*&0)*

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048

Referencias bibliográficas:

:#>>+,* "+* _0",'26+J?* PH* R/HIHSH* $64-'&#%'0)/H'#'H/$V^4+,-')H"+H* _+&6$+,#"0* +-*Bj* "+* Bc* "+* ABAC?* "+* $64-'&#%'0)/H'#'H/$V^4+,-')H"+E* ;%%$/Err$64-'&#%'0)/H'#'H

:0'%0?*<H*@H*RCC*"+*ABBBSH*_+7'/%#*9#%')#*"+*=0>6)'&#&'()*10&'#-H*;%%$ErrUUUH6--H+/r$64-'&#&'0)+/r-#%')#r#,2+)%')#ABBBrAC40'%0H;%>

=6-%6,#-?* YH* PH* RABCeSH* /'%+H')$&H204H+&H* ;%%$/Err/'%+H')$&H204H+&r$"I/rW64-'&#&'0)+/r$#%,'&6-%')>#%+,'#-^_bH$"I

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