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Transcript of VUIcI UE8II al(qdoap to pntlg y 'c DO('ICC · 2019. 9. 27. · 93 108 173 138 t53 168 I t6 3l 46 6l...

Page 1: VUIcI UE8II al(qdoap to pntlg y 'c DO('ICC · 2019. 9. 27. · 93 108 173 138 t53 168 I t6 3l 46 6l 76 9l 107 tzL r37 l52 167 t3 15 30 4s 60 75 90 97 W 136 t5t 166 r7, 14 79 44 59

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The Building of the Pyramid(Sub ritual 672)

(The Magus with Wand. On the Ahar are Incense, Fire, Bread, 'Wine, the Chain,the Scourge, the Dagger, E the OiI. In hts left lwnd the BeLL he taketh.)

'Hail, Asi! Hail, Hoor Apep! LetThe Silence speech beget!'

(Two strokes on the Bel.L Banishing spiral dance.)

'The'Words against the Son of Night.Tahuti speaketh in the LightKnowledge and Power, twin warriors shake

The Invisible; they roll asunderThe darkness; matter shines, a snake.

Sebek is smitten by the thunder

The Light breaks forth from Under.'

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'Lord, we adore Thee, still & stirred

Beyond Infinity.'

(The Secret Word.)

'MTzTBTzM'

'For from the Silence of the'WandUnto the Speaking of the Sword.And back again to the Beyond,This is the toil & the RewardThis is the Path of HUA Ho!This is the path of LAO.'

(Bell.)

'Hail Asi! Hail, thou'lTanded'Wheel!Alpha & Delta kissed & came

For Five that feed the Flame.'

(BeLL)

'Hail, HoorApep! thou Sword of Steel!

Alpha & Delta and EpsilonMet in the Shadow of the Pylon

And in Iota did proclaimThat tenfold core & crown of flame.

Hail, HoorApep! Unspoken Name!'

(Thus is the Great Pyramid dub builded.)

INITIATION FOLLO\rETHSub-Ritu al 67 3: Of the Ceremony of the Grand Gallery

The First Pylon

'[ know not who I am;

I know not whence I came;

I know not whither I go;

I seek - but'What I do not know!I am blind & bound; but I

4

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'The Lustral'Water! Let thy floodCleanse me - lymph, marrow & blood!The Scourge, the Dagger and the Chain,Purge body, breast and brain!The Fire Informing! Let the OilBalance, assain, assoil!'(Still in Corpse position.)

'For I am come with all this painTo ask admission to the Shrine.I know not why - [ ask in vain

Unless it be that I am Thine.

I am Mentu his truth telling brother,\7ho was Master of Thebes from my birth,

O heart of me! heart of my mother!O heart that I had upon earth!Stand not thou up against me as a witness!Oppose me not, judge, in my quest!

Accuse me not now of unfitnessBefore the great God, the dread Lord of the'West!

Speak fair words for OU MH. May he flourish(Change this part to your own motto.\fork the scansion correctly.)In the place of the weighing of heartsBy the marsh of the dead, where the crocodiles nourishTheir lives on the lost, where the Serpent upstartsFor though I be joined to the Earth,In the Innermost Shrine of Heaven am I.I was Master of Thebes from my birth;Shall t die like a dogl Thou shalt not let me die!But my Khu that the teeth of the crocodiles sever

Shall be mighty in heaven for ever & ever!'

Sub Ritu al 67 5z Of the Ceremony of the King's Chamber.

(Here begins the "Negative Confession" or "Declaration of Innocence".)

'Yea! but I am a fool, a flutterer! I am under the Shadow of the lfings!am a liar and a sorcerer. I am under the Shadow of the Wings!am so fickle that I scorn the bridle; I am under the Shadow of the Wings!am unchaste, voluptuous and idle. I am under the Shadow of the \7ings!

I am a bully and a tyrant crass, I am under the Shadow of the Wings!

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'Soul mastering Terror is thy name!Lord of the Gods! Dread Lord of Hell!'

'I am come. I fear Thee not. Thy flameIs mine to weave my maiden spell!I know Thee & I pass Thee by.

For more than Thou am I!'

'Asar! who clutches at my throat?

\7ho pins me down? Who stabs my heartlI am unfit to pass within this Pylon of the Hall of Maat.

The Lustral'Water! Let thy floodCleanse me lymph, marrow & blood!The Scourge, the dagger and the Chain,Purge body, breast and brain!

The Fire Informing! Let the OilBalance, assain, assoil!'

(Rubric as usual.)

In South.!fest. See Isis.

'Sorrow that eateth up the soul.Dam of the Gods! The blue sky's Queen!This is Thy Name. I come. ControlAnd Pass! I know Thee, Lady of Teeu!

I know Thee, & pass Thee by.

For more than Thou am I!'

'Asar! who clutches at my throat?

\Uho pins me downJ Who stabs my heart?

I am unfit to pass within this Pylon of the Hall of Maat.

The Lustral.Water! Let thy floodCleanse me - lymph, marrow & blood!The Scourge, the dagger and the Chain,Purge body, breast and brain!The Fire Informing! Let the OilBalance, assain, assoil!'

(Rubric as usual.)

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'Attack! I eat up the strong lions. I!Fear is on Seb, on them that dwell therein;

Behold the radiant Vigour of the Lord!'

Sign of Silence.

'Defense! I close the mouth of Sebek, plyMy fear on Nile, Asar that held not in!Behold my radiant Peace, ye things abhorred.

For see! The Gods have loosed mine hands

Asar unfettered stands.

Hail, Asi, hail! Hoor Apep cries

Now I the Son of Man arise

And follow dead where Asar lies!'

Lie down in Sign of Hanged Man.

'I gild my left foot with the Light.I gild my Phallus with the Light.I gild my right knee with the Light.I gild my right foot with the Light.I gild my left knee with the Light.I gild my Phallus with the Light.I gild mine elbows with the Light.I gild my navel with the Light.I gild my heart wedge with the Light.I gild my black throat with the Light.I gild my forehead with the Light.I gild my Phallus with the Light.The three fold star cross crowned, I rise

Partaker of the Mysteries.'

Rising in Sign Mulier.

'Asar (Jn Nefer! I am Thine'Waiting Thy Glory on the shrine.Thy bride, Thy virgin! Ah, my Lord.Smite through the Spirit with Thy Sword!Asar Un Nefer! rise in me,

The chosen catamite of Thee!Come!Ah, come now! I wait, I wait,

10

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'The'Words against the Son of Night.Thhuti speaketh in the LightKnowledge and Power, twin warriors shakeThe Invisible; they roll asunderThe darkness; matter shines, a snake.

Sebek is smitten by the thunder

The Light breaks forth from Under.'

(He goes to the \7est, in the centre of the base of the Pyramid of Thoth,Asi, and Hoor.)

'O Thou, the Apex of the Plane,

With Ibis head and Phoenix \Wand

And '!7ings of Night! 'S7hose serpents strain

Their bodies, bounding the Beyond.Thou in the Light & in the Night

Art One, above their moving might!'

He lays the'Wand etc. on the altar, uses the Scourge on his buttocks, cuts across with the Dagger upon his Breast & tightens the Chain of the Bell abouthis forehead, saying:)

'The Lustral.Water! Smite thy flood

Through me lymph, marrow & blood!

(Anointing the'Wounds, say:)

'The Fire Informing! Let the OilBalance, assain, assoil!'

The Banishing Spiral Dance

'So Life takes Fire from Death, & runsWhirling amid the Suns.

Now let my hands unloose the sweet

And shining girdle of Nuit!'

(Sign of the Enterer:)

'Homage to Thee, Lord of the \Uord!'

I2

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.ueaq lou PBrl rl JI sB sI

ureq) Jo Puel aql llB etu tnoqlrlN'ueesu61 eqt Jo rolse;rueu eqJruB I 'urrq qtr^\ a{Blred 1 acutg

tlrar{ur 1dro13 esoqa'qtueq tuoqqseu Lllesrr lBrll Pro'I aqr luB I

'lurdg leurarA aqt tuB I puvqseu qrr^r lnoqB Peqloll UIB I roc

llo eql Jo uollrejred aqr rol'sluatueJces enJ] 'erunsuof, I eseqJ

PBerg pue errc PUB euuN PUB asuef,ul,

('l,13urprolle ]1y)

,'llods ueplo8 e 'arnd puno; 5l patrr

stueruela s,dpoq dur are aseqJ

PIES tllBq euo lreJred aw Ploqsg,

'rBrlv 3r-lr rB lslrBqrng er{J

,h[ zr g J zJ I{,

('pro/6. tarf,es oqJ)

,drrur;u1 puo'tag

peJrus N ilps '.t.lJ erope am'pro1,

1:su31g qtoq reedoU)

,iaeqJ or a8eruopl ,eruells Jo pro-I,

1:ecualls;o u8rg)

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tBeil.)

'HailAsi! Hail, thou \Tanded \7hee1!Alpha & Delta kissed & came

For Five that feed the Flame.'

(Bell.)

'Hail, Hoor Apep! thou Sword of Steel!

Alpha & Delta and EpsilonMet in the Shadow of the PylonAnd in Iota did proclaimThat tenfold core & crown of flame.Hail, Hoor Apep! Unspoken Name!

Hail, Hoor! Hail Asi! Hail Tahuti! Hail,Asar Un nefer! through the rendered veil.I am Thyself, with all Thy brilliance decked

Khabs Am Pekht.'

(Thus is the Great Pyramid duly sealed.)

The Greek Cross of the ZodiacEmerald on ScarletGreenish Blue on Orange-RedRoyal Blue on OrangeIndigo on AmberViolet on Greenish YellowCrimson on Yellow-Green

JL

111,

.36

X

?5)I%f,|,,TW

Scarlet on EmeraldOrange-Red on Greenish BlueOrange on Royal BlueAmber on IndigoGreenish Yellow on VioletYellow-Green on Crimson

Spirit. Black on WhiteSerpent. Azure, with Golden Scales

Border. Gold

l4

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9Iot esrerd Jo uu^q uruelos E slueqf, lerlt uoula8all eqr IalBrsI Jo af,ro oLIt sreeq

leqt asdrof, e sB uene sJeeq aq '1entu eqr Jo ef,JoJ agl ,(q paJeneqs seII eq sE

eJaLIl pue lel; pue Ieets gtlrn turq salJlrnd uorlurtdse sIH 'Jelua ol ,(t{uo/!\uneuo sE sref,rllo qlog l,g unop u^\oJr{t pue pazras sr aq eraql tng 'p1uerL4 aqr

sJetue pue uo seo8 eq 'a8urnoo slq jo pue JBe, slt{ Jo ret{r zv\ou sI uollf,unJasoq^\ 'snrra11 aqt Jo ef,Bueur eql Jo attds u1 'eatr '1e g8norql ssed ,(eu ag

'reuopy jo e^rletuasarder eqt pue (uonerrdse stq) L[BtuBqrseN ]nq 'raqlo1n1

]ear8 erll 'arnle51 ,ilaraur re8uol ou IentIU eqt Jo tred srqr ul 'rulq paredard

sBrl oq,ry\ JalrIJO eql Jo erro^ eql Pa1KolloJ sEI{ ar{ OJUIS le 'aPIS ,i,rana uo lultltnoqe sr rorreJ esoq/h 'plrol6. eqr Jo II^fl aqt Jo sef,ulrd reerC rnoC eqt joqrer^\ arlr q8norgl sessed pue 'prumroJ salqtunrs eq 'PePullq PUE Punog'oS

'rulq;o parnbeJ eJB slBepJo rno; 'ero;eJer{l

'pyruer,(4 eql relue uef, aq erolag 'rl]arrsep eq qllq^\ tBI{t Jo etueu eql ue^e

ro ',(urlsap Jo ur8uo srq Jo (eJnleu ud\o srq Jer{lre lou qta \ou{ otlly\ 'lg8trn8ur1ryep ureuef, E r{}eruor ereqt lq8l euplp Jo pltuerl,4 paredard srtlt orul

'llV qrauletuof, prol6. tellt ro] lProlN terf,es aqt ,(q Pelees sI oslB slql'rtselsrl

sr erueu ssoq/!\ JoeJsqt xady aql Paurlue ,{lsnotrelsr{tu e Bq ,i,aqr teqr pug'plurerr{4 er{t Jo eseq JEInBueur aqt SurruJrIIE ur pue lurttrIe ,{aqr slq} [V

'olunereql qleurruer PuB arualls eql ruou qlaslr lBql re^rod;o pro16

l3rf,es eql af,unouord Larp pue lsu8rs rrer{t ur of,ualls puB qraads ,(g qloq t1

etnles sJef,rtrJo ar{t pue tsBE eq} ur uollets sll selBl pJol1 aqI'uolteradg aqr or

Lressacau serJot eqt 'qleacl Jo suoununs aqr le 'salonul 'paredard snqr 'tll.1'3JI1 ralsls slq '1lo aqr grpr srulBqlua pue 'a;lu{ aql

gtlrn slels r{reaq uoql pue 'pro16 eu}^l6l eql e{o ul ,{eqllsBg eqr ul st xede

esor.lly\ al8ueut E Jo aseq eqr ruJoJ puB seuoJrlt Jraqr ruory oB srerttrIo qlog'acualls eqt ur qcaadS

aql $rBlcep 'uonerado eqr ot leuretxe saf,roJ 11e Sutqslueg 'qleag ueqJ'sre^rsuB eJIl t-llryl(\ ol '1cou1 e dq uorleredg eqt sur8eq qleaq

'aJll IBrnlBN jo rBql PUB qlBec Jo lBr{1 lsacro; o \l ere ereqJ

'ereld eqt Jo uoneredard eqr sl In1C(lCClenl|f,

'o uorteredo rsrrj eqJ""' ['*'d 00'6 Leq r{rrnoC eqt Jo ,irrug]

['y taqunyl'ruo awnlory'xoumbE aq7 'uyo1 'tS uqof tuog parrerrxg]

'uyo['15 utlol ruou 'Do('Icc lBnllu uo seroN

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that qlor)'which is at the Apex, and who invisibly rules and governs the wholef\'ramid.

Nou' then that darkling wight is lifted by the officers and brought to thealtar in the centre; and there the Hierus accuses him of the t'wo and nventyBasenesses, while the Hegemon lifting up his chained arms cries again andagain against his enemy that he is under the Shadow of the Eternal'Wings ofthe Holy One. Yet at the end, at the supreme accusation, the Hierus smiteshim into death. The same answer avails him, and in its strength he is upliftedby his aspiration and now he stands upright.

Now then he makes a journey in his new house, and perceives at statedtimes, each time preceded by a new ordeal and equilibration, the forces thatsurround him. Death he sees, and the Life of Nature whose name is Sorrow,and the 'Word that quickeneth these, and his own self and when he hathrecognised these four in their true nature he passes to the altar once more andas the apex of a descending triangle is admitted to the lordship of the DoubleKingdom. Thus is he a member of the visible triad that is crossed with theinvisible behold the hexagram of Solomon the King! All this the Hierus seals

with a knock and at the Hegemon's new summons he to his surprise findshimself as the Hanged Man of the Throt.

Each point of the figure thus formed they crown with light, until he glitterswith the Flame of the Spirit.

Thus and not otherwise is he made a partaker of the Mysteries, and theLightning Flash strikes him. The Lord hath descended from heaven with a

shout and with the Voice of the Archangel, and the trump of God.He is installed in the Throne of the Double Kingdom, and he wields the

'Wand of Double Power by the signs of the grade.

He is recognised an initiate, and the word of Secret Power, and the silentadministration of the Sacrament of Sword and Flame, acknowledge him.

Then, the words being duly spoken and the deeds duly done, all is

symbolically sealed bv the Thirty Voices, and the 'Word that vibrateth fromthe Silence to the Speech, and from the Speech again unto the Silence.

Then the Pyramid is sealed up, even as it was opened; yet in the sealingthereof the three men partake in a certain mystical manner of the Eucharistof the Four Elements that are consumed for the Perfection of the Oil.

Konx Om Pax. (\fith these mystic words the Mysteries of Eleusis weresealed, Crowley's editorial note.)

I6

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LI

'etlr aqr Joursrlogru,{s arlr lnoge qlnlu IBaAar illI LLL ur sJeDsl esaql }o seluaPuodsauoceqt Jo Lpnrs V 'Jauueru srqt ur IBeJuoJ ot tueuodrur ,\luenruns lI peJaplsuoc,lrueppa Lapror3 '.'V'.'V 0 = O jo pro/N er{t }ou sr pro \ $qr teqr rlEJ ar{r

alrdsap 'saouapuodsauoo rnolof, ur lno rlads sr prolN aqr pufrro aqt uI 'E

'alu aar8ap uBrlrlN uletrao B ur plro^\repun eql Jo 8ul) eqr pue

rBlrlsl gtlirr uortf,euuof, E eq oqe ,(eru eraql tBZI = HJVEC r9 EcIl eloN

',qe1eqe$;o ruatsr(s lr\eu B esl^ap ,ftru g = B egJ, :pulJ ein rrtqray qlBZ

'a4o1ayi puD uolsln aUI ol setou eqt ul allq^\ 'l1drua1 ratsr8eyrq E Jo spJol!\qrrlger{t sB pue 'geleqqe) uerrd,{8E eL[] ]o (Sutznopuqsero] ro) uouerqunPe uB

sE poqrrlsep $ tt6 ra9l1 teql ool aroN 'ruets^,{,s {\ergaH aqt Jo ruslegtouoru

f,rols agl Sursseddq snqt 'e!l1'Jo eer1 eqr }o ueldpunor8 eqr grlrn d8olotusor

crrsoug/otdd8E annrsod pue snoulunl e Sursn; 'uontper) '.'V'.'V/'.'C'.'C

IeuorlrpBrt eql;o dqdosoilr{d 8ur{rapun puB Ipuerado snpou erllue er{t olsnqt pue '0 = 0 eqt ot atelar osle esaql '{ooq slql uI PessnlslP stuaunf,oP

(urnrproxg, eqt ruou pe^rrop sr ,"'tq8rN lo uos aqt lsute8e sprolN aqJ, 'I

'pe{o^ur-un 'snqclel ro acuereadde snoynrBrlry eqJ 't

'3urgr,(ue

JI 'snroqC E eq lsnru l\""W pue su8rs aql 'pro/6. eqr ernles '{ag1 'g

'Prola.lBqt sa{o uI ef,uEP

Surprqm req ur oq^,\ 'a;11 selerresuof, lreaq "prol6. eqrJo uonef,olul eql 'Z

'saf,Joj raqlo 1e lezlre sreelf, pue e]11 suoununs qteaq 'I

seurltno aqr eg plnoqs 'sreadde t1 os '8utlr\olloJ eql "'Og'0I

[:s^\olloJ sE 'VCHsrg 'sselrlv.Io uortESJeAuoC pue a8paprou) palueque Jo tueururBlte srq ur

asn olos roJ IEntrJ eqr pardepe LalmorC tuoruerrter uqof 'tg uqof aqr ]o esrnof,

eqt uI ".'v'.'v uu'(elznorc eql ur esn ur luroJ at1r,lrueppe sl pue 'lentlu 0 = 0'.'C'.'C eqr Llasoyc dran salqueser uonducsap slqt 'eJou III{\ srapear [ueu s7]

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4. The appearance of the Lord of Ecstasy is paralleled in Crowley's Supreme

Rirrral, reconstructed in Equinox:BloT VII. 5., in the original of which manykev n'ords are indicated only by initials, 'The Lord in the Shrine is this M...ofmine', while it would be fully in accord with orthodox Crowleyanity to restorethis as 'Member', the correspondence with this ritual makes 'madness' morerelevant and likely.

1. The 3 Questions.

2. The 4 ordeals.'S7arning and comfort as an appeal to the Officers.

3. The Threshold.

The Chorus of Purification.

The Hymn 'My heart, my mother!' as already written, years ago.

4. At the altar. The accusation and defence as antiphonies.

5. The journey. Bar and pass, and the 4 visions even as a mighty music.

6. The Hanged Man - the descent of Adonai.

7. The installation - signs, etc.

Sealing as for opening; but insert Sacrament.Editors Notes on the above - the original numbering is retained for ease of

reference.

2. Note Four Ordeals inLiberAl. See Mastck/Book 4 on the Scourge, Daggerand Chain.

6. The Hanged Man: Note use of 'mine' instead of 'my', Skeats etymologicaldictionary makes 'mine' a plural form, as in Chaucer, presumably then 'mineelbow' is a poetic rendering of 'my elbows', especially as both elbows are

needed to produce the figure correctly, and there is only one reference in thetext, where one might have expected two.

18

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6I

'lll aas salErs

rnoloc ro{ 'eDue3 lBnlrrrds lreqr puB rBrpoz aqlJo ssorc laerc eqr sPusdaP qln{lEt{ ruor{ 'larf,as

arB $lurl rraqt su ue^e 'uaPPIq sr sruotr jo elSuBFr aqr rBqr arou oslv 'qlnIFI I lnogB PBlIl el{l ol$uo1 aql Jo uortcapar aqr eloN 'sder xls Jo uns uaplo8 E sr ereq^\ 'qlaredtl st ernSg eloq^r eql joerluaf, arll '(urer8uxag) rusof,orf,Bl4l aql ur dr;un reqr ]o eruanlJul eql 'fI x 9 =Bl= OUVI 'raqle)ur 'uru8url agt;o strud aqr ',bru61 jo suolleueruA aqr arg uaI 'algls Suty agr ut aru Aagt se 'rnolorJo elers uaen$ aql ur lanle8au aru daql sB 'allllsod 'll Sunlg pue Surqonol tuu8url eql sr sluo JoalSuupr neqr ulqllr1'(tI) a8uBro pue (ZI) plEratue l(II) eldrnd teerql esaqlJo srnolor n8u1qsu11,,aql ,tq paslloqurds aro;erer{l tnq tanlq rou tper lou tmoyle[ lou- e llBEaN aqr Jo ElaA earql

asra^lun aqr;o e13uuu1 aqa

[r1 qrpn elqureduof, sI tnq ''.'V'.'V0 = 0 Jo tBql tou sr prol0t er{J 'runesnl^l qsrrrrg 3r{] ur selBrrodrBH Jo sern8rt

tlnf, eas 'sauals[ru uBIfddEE aqf jo suollf,BPeJ ueruou Pue JlBtuelofd uI Pesn,tlappr sB^&\ arualls Jo uBtS eqr 'spuBq eqr Jo sruled ar{r BrA rra}re Surq8raua

ue a^lo^ul lazn [eru pue '(ereqrcsl3 puB tuy to sru(,IDd at[L eas) &1ap aqr

ol palusseJd aJB spuBq qroq eJer{^\ 'uoperopB Jo aJruse8 ueDddSa 3r{1 ruou

Pe^lJ3P sr JeJaluE eqljlo u8ls eqt 'seurt luerJuB ur Pasn 3Je \ suErs qrog 'urssBd

erprB8au ees ''.'CI'.'C BIe 'eseqt luog aBlnluro, IBrrAElu so^rJep {ruapl,redallllor3 'uzr\Eq ueploC eqr ul 0 = 0 jo su8rs aql esrnof, jo ere aseql 'Z

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Notes on accompanying graphics:

There are three illustrations in Fuller's Treasure House of Images, a workwhich Crowley edited during the John St. John Retirement for publication inthe Equinox 7. 1., which bear on matters arising from Pyramidos, these are:

A magick square 13 by 13, with no accompanying comment. According torecently published Kabbalistic MS (See Kaplan's Meditation and the Kabbalah),

the traditional magic squares three through to nine refer to the planets as is

well known, but are complemented by magic squares ten through fourteenattributed to Kether through Gevurah and fifteen through twenty to Tiferetthrough Malkuth. In this arrangement then thirteen is referred to Chesed,with its traditional God name AL, as commented on by Achad and Crowley;

A "Triangle of the Universe" recognisable as the basis of the Magick Circlein Book Four, wherein ten squares represent the Sephiroth 1-10, and a triangleof yonis surrounding the Thu cross thus obtained make 13. This is the ground-plan for Pyramidos, and a great deal of Thelemic ritual beside, though notopenly described as such anywhere. The serious student would do well to referto Liber HHH, chapter MMM ('Water and the Hanged Man in old letters), andwork out for themselves what was contained in Liber IAO et al. This research

may be complemented in addition by a study of Liber Yod, where the circle andvarious practices associated with it arise again. This exposition may lead tosome adverse criticism, but as Liber Yod shows, only a Hermit can understandits interior sense, other folks will have do the next best thingl

The Greek Cross of the Zodiac, which in itself has many mysteries amongthem the 'swathings of the corpse' and the mysterious spiral dances. This wasillustrated in the first number of Equinox:BloT VII, the others are illustratedhere, the draughtsmanship of the originals was very likely Fuller's, and itshould be remarked that hisTreasure House of Images is not only a superb formof Invocation, but has in addition a note in Class A revealing yet more aboutA.'.A.'. magick.

20

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HADEAN PRESS

GUIDES TO THE UNDERWORLD

LIBER PYR.AMIDOSThis publication of Pyramidos includes the notes from 'John St. John' (inCrowley's Equinox VoI. 1. No. I.). Jake Stratton-Kent has carefully expandedthe abbreviated and skeletonic sections, restored headings and numbered thesub-rituals. [t is the author's understanding that this ritual is not identicalwith the A.'.A.'. Initiation rite (TROA) referred to in the Dominus Liministask and elsewhere, but is very closely related to it. He is also aware thatcertain parties, including the O.T.O. are opposed to information beingreleased concerning that ritual. On this occasion the author is in agreementwith the Caliph, accordingly, while certain documents have been consultedto make this the most definitive text possible, no expanded commentary, andno comparisons with the unpublished text of TROA have been included.

Liber Pyramidos\il7ith Commentary by Jake Stratton.Kent 2009

Guides to the UnderworldPublished by Hadean Press.

wwrv.hadeanpress.com