PROYECTO HOPLITA

8/12/2019 PROYECTO HOPLITA

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Bases de estatuas con relieves

Autor:Autor Annimo

Fecha:300 a.C.

Museo:Museo de la Acrpolis de Atenas

Caractersticas:

Material:Mrmol

Estilo:Grecia

Partenn. Jinetes del friso del lado norteAutor:FidiasFecha:425-420 a.C.Museo:Museo de la Acrpolis de AtenasCaractersticas:Material:Relieve

Estilo:
http://www.artehistoria.jcyl.es/arte/museos/600.htmhttp://www.artehistoria.jcyl.es/arte/museos/600.htmhttp://www.artehistoria.jcyl.es/arte/museos/600.htmhttp://www.artehistoria.jcyl.es/arte/personajes/4176.htmhttp://www.artehistoria.jcyl.es/arte/personajes/4176.htmhttp://www.artehistoria.jcyl.es/arte/museos/600.htmhttp://www.artehistoria.jcyl.es/arte/museos/600.htmhttp://www.artehistoria.jcyl.es/arte/museos/600.htmhttp://www.artehistoria.jcyl.es/arte/museos/600.htmhttp://www.artehistoria.jcyl.es/arte/personajes/4176.htmhttp://www.artehistoria.jcyl.es/arte/museos/600.htm


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Partenn. Jinetes del friso del lado norteAutor:FidiasFecha:425-420 a.C.Museo:Museo de la Acrpolis de AtenasCaractersticas:Material:Relieve

Estilo:

Partenn. Jinetes del friso de las PanateneasAutor:FidiasFecha:425-420 a.C.Museo:Museo de la Acrpolis de AtenasCaractersticas:Material:RelieveEstilo:
http://www.artehistoria.jcyl.es/arte/personajes/4176.htmhttp://www.artehistoria.jcyl.es/arte/personajes/4176.htmhttp://www.artehistoria.jcyl.es/arte/museos/600.htmhttp://www.artehistoria.jcyl.es/arte/museos/600.htmhttp://www.artehistoria.jcyl.es/arte/museos/600.htmhttp://www.artehistoria.jcyl.es/arte/personajes/4176.htmhttp://www.artehistoria.jcyl.es/arte/personajes/4176.htmhttp://www.artehistoria.jcyl.es/arte/museos/600.htmhttp://www.artehistoria.jcyl.es/arte/museos/600.htmhttp://www.artehistoria.jcyl.es/arte/museos/600.htmhttp://www.artehistoria.jcyl.es/arte/museos/600.htmhttp://www.artehistoria.jcyl.es/arte/personajes/4176.htmhttp://www.artehistoria.jcyl.es/arte/museos/600.htmhttp://www.artehistoria.jcyl.es/arte/personajes/4176.htm


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English:Fully armed warriors. Detail from the Warrior Vase, a Pictorial Style krater

discovered by Schliemann at Mycenae, in a house on the acropolis. Height: 41 cm.Date: 1200-1100 BC. Athens, National Archaeological Museum. Photo by Adam Carr.

HIGGINS, R. Minoan and Mycenaean Art. London: Thames and Hudson, 1981.

PEDLEY, J.G. Greek Art and Archaeology. London: Lawrence King, 2nd ed., 1998.

English:Funerary naiskos of a young soldier(Aristonautes, son of Archenautes, of thedeme Halai). Pentelic marble, found in theKerameikos necropolis in Athens, ca. 350325 BC.

Franais :Naiskos funraire de marbrepentlique, provenant de la ncropole duCramique Athnes. Un jeune soldatathnien revtu de la panoplie militaire

complte et portant une chlamyde est reprsent sur le champ de bataille. Il porte unbouclier au bras gauche et devait tenir une pe de la main droite. Les trous sur le frontservaient fixer une couronne ou un casque de bronze. L'expression faciale dramatiqueet la musculature rappellent l'uvre du sculpteur parien Skopas. L'pistyle du naiskos

porte le nom du soldat, Aristonautes fils d'Archenautes du dme d'Halai. La base du

loutrophoros prserv sur l'acrotre centrale du naiskos indique qu'il mourut clibataire.Vers 350325 av. J.-C. Muse archologique national, Athnes.
http://upload.wikimedia.org/wikipedia/commons/5/50/NAMA_St%C3%A8le_d'Aristonautes.jpghttp://upload.wikimedia.org/wikipedia/commons/8/81/Ac.krater.jpghttp://upload.wikimedia.org/wikipedia/commons/5/50/NAMA_St%C3%A8le_d'Aristonautes.jpghttp://upload.wikimedia.org/wikipedia/commons/8/81/Ac.krater.jpg


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Espaol:Encoe ticade estilo geomtrico representando a guerreros posiblemente domando un caballo.Museo arqueolgico del Cermico de Atenas. 800-775 a. C.

Espaol:Procesin funeraria y

plaideras. Fragmento de una crtera (c. 750-725 a. C.), descubierta en el cementerio de

Dipiln de Atenas. Fragmento de unacrteradelPintor de Dipiln,h.750-725 a. C.,Museo del

Louvre
http://es.wikipedia.org/wiki/Cr%C3%A1terahttp://es.wikipedia.org/wiki/Cr%C3%A1terahttp://es.wikipedia.org/wiki/Cr%C3%A1terahttp://es.wikipedia.org/wiki/Pintor_de_Dipil%C3%B3nhttp://es.wikipedia.org/wiki/Pintor_de_Dipil%C3%B3nhttp://es.wikipedia.org/wiki/Pintor_de_Dipil%C3%B3nhttp://es.wikipedia.org/wiki/Siglo_VIII_a._C.http://es.wikipedia.org/wiki/Siglo_VIII_a._C.http://es.wikipedia.org/wiki/Siglo_VIII_a._C.http://es.wikipedia.org/wiki/Museo_del_Louvrehttp://es.wikipedia.org/wiki/Museo_del_Louvrehttp://es.wikipedia.org/wiki/Museo_del_Louvrehttp://es.wikipedia.org/wiki/Museo_del_Louvrehttp://upload.wikimedia.org/wikipedia/commons/b/b9/Procession_Dipylon_Louvre_A547.jpghttp://upload.wikimedia.org/wikipedia/commons/2/2f/KAMA_Attic_geometric_oinochoe.jpghttp://upload.wikimedia.org/wikipedia/commons/b/b9/Procession_Dipylon_Louvre_A547.jpghttp://upload.wikimedia.org/wikipedia/commons/2/2f/KAMA_Attic_geometric_oinochoe.jpghttp://es.wikipedia.org/wiki/Museo_del_Louvrehttp://es.wikipedia.org/wiki/Museo_del_Louvrehttp://es.wikipedia.org/wiki/Siglo_VIII_a._C.http://es.wikipedia.org/wiki/Pintor_de_Dipil%C3%B3nhttp://es.wikipedia.org/wiki/Cr%C3%A1tera


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English:Menelaos and Hectorfighting over the body ofEuphorbos. Plate, Middle WildGoat style, made in Rhodes ca.600 BC. From Kameiros.

Franais :Combat de Mnlas etHector sur le corps d'Euphorbe.Assiette, style des ChvresSauvages moyen, productionrhodienne, vers 600 av. J.-C.Provenance : Kamiros.

{{BritishMuseum |Unknown

|Menelaos and Hector fightingover the body of Euphorbos.Plate, Middle Wild Goat style,made in Rhodes ca. 600 BC.From Kameiros. |Diam. 38.5 cm(15 in.) |Unspecified |GR 1860.4-4.1 |Main floor, room 13, Greek& Rome |[[User:Jast

Athens,Parthenon,section of the "Elgin Marbles", now in British Museum, London, DuveenGallery.
http://commons.wikimedia.org/wiki/Parthenonhttp://commons.wikimedia.org/wiki/Parthenonhttp://commons.wikimedia.org/wiki/Parthenonhttp://upload.wikimedia.org/wikipedia/commons/1/1e/Plate_Euphorbos_BM_GR1860.4-4.1.jpghttp://upload.wikimedia.org/wikipedia/commons/f/ff/Elgin_marbles_frieze.jpghttp://upload.wikimedia.org/wikipedia/commons/1/1e/Plate_Euphorbos_BM_GR1860.4-4.1.jpghttp://upload.wikimedia.org/wikipedia/commons/f/ff/Elgin_marbles_frieze.jpghttp://commons.wikimedia.org/wiki/Parthenon


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http://www.britishmuseumshoponline.org/content/ebiz/britishmuseumonlineshop/invt/i./V./V./cmc22403/cmc22403_master.jpghttp://www.britishmuseumshoponline.org/content/ebiz/britishmuseumonlineshop/invt/e./4./R./cmc21383/cmc21383_master.jpghttp://www.britishmuseumshoponline.org/content/ebiz/britishmuseumonlineshop/invt/i./V./V./cmc22403/cmc22403_master.jpghttp://www.britishmuseumshoponline.org/content/ebiz/britishmuseumonlineshop/invt/e./4./R./cmc21383/cmc21383_master.jpghttp://www.britishmuseumshoponline.org/content/ebiz/britishmuseumonlineshop/invt/i./V./V./cmc22403/cmc22403_master.jpghttp://www.britishmuseumshoponline.org/content/ebiz/britishmuseumonlineshop/invt/e./4./R./cmc21383/cmc21383_master.jpg


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English:

Athenian

youths arming

themselves.

Side B of the

so-called

Euphronios

krater, Attic

red-figured

calyx-krater

signed by

Euxitheos

(potter) and

Euphronios

(painter), ca.515 BC. H.

45.7 cm (18

in.); D. 55.1 cm (21

11/16 in.).

Metropolitan

Museum of Art, New

York (L.2006.10).

English:Rider.

Interior of an Atticred-figure cup, ca.500490 BC. Foundin Vulci.

Franais :Cavalier.Intrieur d'unecoupe attique figures rouges, v.500-490 av. J.-C.Dcouvert Vulci
http://upload.wikimedia.org/wikipedia/commons/3/3b/Euphronios_krater_side_B_MET_L.2006.10.jpghttp://upload.wikimedia.org/wikipedia/commons/9/95/Euphronios_0002.jpghttp://upload.wikimedia.org/wikipedia/commons/3/3b/Euphronios_krater_side_B_MET_L.2006.10.jpghttp://upload.wikimedia.org/wikipedia/commons/9/95/Euphronios_0002.jpg


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English:Aulos player. Attic red-figured kylix, ca. 490 BC. From Vulci.

Franais :Joueur d'aulos. Kylix attique figures rouges, vers 490 av. J.-C.

Provenance : Vulci.English:Hoplite putting

his armor on,surrounded bytwo Scythianwarriors.Inscriptions:

(armored) for

the hoplite,[]

(blow?) for

the Scythianarcher (right).

Side A of an Attic red-figure belly-amphora. From Vulci.

Franais :Hoplite enfilant son armure, entour par deux guerriers scythes.Inscriptions : (cuirass ) pour l'hoplite, [] (coup

port ) pour l'archer scythe (droite). Face A d'une amphore panse attique figuresrouges. Provenance : Vulci.
http://upload.wikimedia.org/wikipedia/commons/c/c4/Arming_warrior_Staatliche_Antikensammlungen_2308.jpghttp://upload.wikimedia.org/wikipedia/commons/c/ca/Aulos_player_Louvre_G313.jpghttp://upload.wikimedia.org/wikipedia/commons/c/c4/Arming_warrior_Staatliche_Antikensammlungen_2308.jpghttp://upload.wikimedia.org/wikipedia/commons/c/ca/Aulos_player_Louvre_G313.jpg


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English:Warriors.Side B from an Attic black-figure amphora, ca. 570565 BC.

Franais :Guerriers. Face B d'une amphore attique figures noires, vers. 570565 av.J.-C.

English:Ajax and Achillesplaying a board game. Black-figure oinochoe.

Franais :Ajax et Achille jouant un jeu de plateau. noch figues noires. Italiano:Achille e Aiace giocando a un gioco da tavolo. Oinochoe a figure nere.

530 BC
http://upload.wikimedia.org/wikipedia/commons/c/c4/Aias_Achilles_game_Musei_Capitolini_MC6.jpghttp://upload.wikimedia.org/wikipedia/commons/a/a1/Amphora_warriors_Louvre_E866.jpghttp://upload.wikimedia.org/wikipedia/commons/c/c4/Aias_Achilles_game_Musei_Capitolini_MC6.jpghttp://upload.wikimedia.org/wikipedia/commons/a/a1/Amphora_warriors_Louvre_E866.jpg


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Black-figure panel amphora; last

quarter 6th century B.C.; Height: 46.4 cm, diameter (maximum): 28.6 cm); Ceramic;

Dallas Museum of Art, Dallas, Texas; Munger Fund object number 1965.29.M
http://upload.wikimedia.org/wikipedia/commons/9/9d/Black-figure_amphora_DMA_1965-29M_img01.jpg


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http://upload.wikimedia.org/wikipedia/commons/c/c7/Black-figure_amphora_DMA_1965-29M_img03.jpghttp://upload.wikimedia.org/wikipedia/commons/3/36/Black-figure_amphora_DMA_1965-29M_img02.jpghttp://upload.wikimedia.org/wikipedia/commons/c/c7/Black-figure_amphora_DMA_1965-29M_img03.jpghttp://upload.wikimedia.org/wikipedia/commons/3/36/Black-figure_amphora_DMA_1965-29M_img02.jpg


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Black figured vessel,Antimenes Painter; Muse des Beaux-Arts de Lille ANT 35
http://upload.wikimedia.org/wikipedia/commons/4/4d/Lilleant35.jpg


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Archeological

Artefacts in Sozopol Museum

Walters Art MuseumWalters Art MuseumWalters Walters Art Museum

English:Black-figure Amphora.

530-520 B.C.).
http://upload.wikimedia.org/wikipedia/commons/4/4a/Amphora_Walters_Art_Museum_48.224.jpghttp://upload.wikimedia.org/wikipedia/commons/0/03/Sozopol_Museum_IMG_4210.JPGhttp://upload.wikimedia.org/wikipedia/commons/4/4a/Amphora_Walters_Art_Museum_48.224.jpghttp://upload.wikimedia.org/wikipedia/commons/0/03/Sozopol_Museum_IMG_4210.JPG


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English:The death of Achilles, which occurred after the events recounted in "The Iliad," wasdescribed in another epic poem called "The Aethiopis", which has not survived. On thefront of this amphora, the dead Achilles is carried from the Trojan battlefield by hiscomrade, Ajax. In front of Ajax, a woman leads the way and raises her hand to tear ather hair in a gesture of mourning. Two armed warriors follow behind. On the back, twoarmed horsemen clash on the battlefield, their horses rearing above a fallen warriortrapped beneath them. between 530 and 520 BC (Archaic)


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English:Thedeath of Achilles, which occurred after the events recounted in "The Iliad," wasdescribed in another epic poem called "The Aethiopis", which has not survived. On thefront of this amphora, the dead Achilles is carried from the Trojan battlefield by hiscomrade, Ajax. In front of Ajax, a woman leads the way and raises her hand to tear ather hair in a gesture of mourning. Two armed warriors follow behind. On the back, twoarmed horsemen clash on the battlefield, their horses rearing above a fallen warriortrapped beneath them. between 530 and 520 BC (Archaic)


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English:Lekythoi, often used infunerary rituals and found in burials, commonly show scenes of daily life or funerarythemes. Here, three young men are depicted preparing for battle. The central figure

plays a trumpet, which, though rarely depicted on pottery, was commonly used to helpkeep time while marching. The two warriors are armed with spears and carry heavy

shields, called "hoploi," from which the term hoplite, or foot soldier, is derived.

circa 480 BC
http://upload.wikimedia.org/wikipedia/commons/f/fd/Athena_Painter_-_Black-Figure_Lekythos_with_Warriors_-_Walters_48226.jpg


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English:Three Amazons on thisblack-figure lekythos face right, and appear to march one after the other. Their skin iswhite, but their facial features, eroded or rubbed away, are indistinguishable. Eachwears a helmet, holds a long spear and has a horizontal quiver. The middle figure holds

both hands near her waist; the other two have one hand raised.

Amazons are first mentioned in the "Iliad" (6.186) as allies of the Trojans; later authorsemphasize their fearlessness and their status as foreigners. They were introduced onAttic vases in the early 6th century BC, and quickly became a popular subject. Early

black-figure depictions of Amazons resemble Greek warriors, with one notabledifference-their white skin color, which identifies them as "women." In red-figure vases,the Amazons acquire more feminine features and bodies, and their foreigness isemphasized by their attire: Scythian or Thracian clothing and subsequently Persiangarb.

In some places in Greece, Amazons were the object of cult. Jennifer Larson (1995, 111-16) has suggested that despite the fact that they were considered hostile to the Greeks,their complete otherness from the Greek way of life also gave them protective powersand entitled them to be worshiped as heroines.irca 500 BC
http://upload.wikimedia.org/wikipedia/commons/8/87/Beldam_Painter_-_Three_Amazons_-_Walters_48249_(2).jpg


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http://upload.wikimedia.org/wikipedia/commons/3/35/Beldam_Painter_-_Three_Amazons_-_Walters_48249_-_Left_Detail.jpg


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http://upload.wikimedia.org/wikipedia/commons/3/38/Beldam_Painter_-_Three_Amazons_-_Walters_48249.jpg


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English:Thisshape of drinking-cup is called a "mastos" and resembles a woman's breast. On thefront, a soldier whose nudity signifies heroic status advances against two warriorsdressed in short tunics; two heralds watch from either side. On the back, a nude warriorconfronts a clothed one in a similar scene. Beneath the horizontal handle stands a siren,

a mythical creature with a woman's head and a bird's body, whose powers includedknowledge of the outcome of battles. circa 530 BC (Archaic)
http://upload.wikimedia.org/wikipedia/commons/8/82/Greek_-_Black-figure_%22Mastos%22_with_Combat_Scenes_-_Walters_48223_-_Side_B.jpghttp://upload.wikimedia.org/wikipedia/commons/a/a4/Greek_-_Black-figure_%22Mastos%22_with_Combat_Scenes_-_Walters_48223_-_Side_A.jpghttp://upload.wikimedia.org/wikipedia/commons/8/82/Greek_-_Black-figure_%22Mastos%22_with_Combat_Scenes_-_Walters_48223_-_Side_B.jpghttp://upload.wikimedia.org/wikipedia/commons/a/a4/Greek_-_Black-figure_%22Mastos%22_with_Combat_Scenes_-_Walters_48223_-_Side_A.jpg


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http://upload.wikimedia.org/wikipedia/commons/c/c2/Greek_-_Black-figure_%22Mastos%22_with_Combat_Scenes_-_Walters_48223_-_View_A.jpghttp://upload.wikimedia.org/wikipedia/commons/c/c2/Greek_-_Black-figure_%22Mastos%22_with_Combat_Scenes_-_Walters_48223_-_View_A.jpghttp://upload.wikimedia.org/wikipedia/commons/c/c2/Greek_-_Black-figure_%22Mastos%22_with_Combat_Scenes_-_Walters_48223_-_View_A.jpghttp://upload.wikimedia.org/wikipedia/commons/c/c2/Greek_-_Black-figure_%22Mastos%22_with_Combat_Scenes_-_Walters_48223_-_View_A.jpg


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English:This vase depicts two warriors incombat flanked by two women on side A, and three kneeling Greek warriors and threestanding bowmen on side B. circa 530 BC

English:This vase depicts two warriors incombat flanked by two women on side A, and three kneeling Greek warriors and threestanding bowmen on side B. circa 530 BC
http://upload.wikimedia.org/wikipedia/commons/8/88/Greek_-_Black-figure_Amphora_-_Walters_4810_-_Side_B.jpghttp://upload.wikimedia.org/wikipedia/commons/2/22/Greek_-_Black-figure_Amphora_-_Walters_4810_-_Side_A.jpghttp://upload.wikimedia.org/wikipedia/commons/8/88/Greek_-_Black-figure_Amphora_-_Walters_4810_-_Side_B.jpghttp://upload.wikimedia.org/wikipedia/commons/2/22/Greek_-_Black-figure_Amphora_-_Walters_4810_-_Side_A.jpg


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English:This vase may portray the common departure scene of two warriors in fullarmor leaving home for war, or it may represent a famous scene from "The Iliad" inwhich Priam, king of Troy, comes to claim and pay ransom for the body of his sonHector. Achilles, who killed Hector in single combat, greets the elderly king.Witnessing this scene are a second warrior, who stands next to Achilles, and anotherman, standing behind. circa between 520 and 510 BC (Archaic)
http://upload.wikimedia.org/wikipedia/commons/7/73/Greek_-_Black-Figure_Amphora_-_Walters_4813_-_Side_B.jpghttp://upload.wikimedia.org/wikipedia/commons/b/b5/Greek_-_Black-Figure_Amphora_-_Walters_4813_-_Detail_B.jpghttp://upload.wikimedia.org/wikipedia/commons/7/73/Greek_-_Black-Figure_Amphora_-_Walters_4813_-_Side_B.jpghttp://upload.wikimedia.org/wikipedia/commons/b/b5/Greek_-_Black-Figure_Amphora_-_Walters_4813_-_Detail_B.jpg


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English:This vase may portray the common departure scene of two warriors in full

armor leaving home for war, or it may represent a famous scene from "The Iliad" inwhich Priam, king of Troy, comes to claim and pay ransom for the body of his sonHector. Achilles, who killed Hector in single combat, greets the elderly king.Witnessing this scene are a second warrior, who stands next to Achilles, and anotherman, standing behind. circa between 520 and 510 BC (Archaic)
http://upload.wikimedia.org/wikipedia/commons/a/a2/Greek_-_Black-Figure_Amphora_-_Walters_4813_-_Side_A.jpghttp://upload.wikimedia.org/wikipedia/commons/6/6c/Greek_-_Black-Figure_Amphora_-_Walters_4813_-_Detail_A.jpghttp://upload.wikimedia.org/wikipedia/commons/a/a2/Greek_-_Black-Figure_Amphora_-_Walters_4813_-_Side_A.jpghttp://upload.wikimedia.org/wikipedia/commons/6/6c/Greek_-_Black-Figure_Amphora_-_Walters_4813_-_Detail_A.jpg


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English:Side A of this vase depicts two riders, a warriorand a dog. Side B depicts two men in a chariot beside two Scythians, a warrior and a

dog. between 530 and 525 BC
http://upload.wikimedia.org/wikipedia/commons/4/41/Greek_-_Black-Figure_Amphora_-_Walters_4820_-_View_B.jpghttp://upload.wikimedia.org/wikipedia/commons/c/c7/Greek_-_Black-Figure_Amphora_-_Walters_4820_-_View_A.jpghttp://upload.wikimedia.org/wikipedia/commons/2/26/Greek_-_Black-figure_Amphora_-_Walters_4819.jpghttp://upload.wikimedia.org/wikipedia/commons/4/41/Greek_-_Black-Figure_Amphora_-_Walters_4820_-_View_B.jpghttp://upload.wikimedia.org/wikipedia/commons/c/c7/Greek_-_Black-Figure_Amphora_-_Walters_4820_-_View_A.jpghttp://upload.wikimedia.org/wikipedia/commons/2/26/Greek_-_Black-figure_Amphora_-_Walters_4819.jpghttp://upload.wikimedia.org/wikipedia/commons/4/41/Greek_-_Black-Figure_Amphora_-_Walters_4820_-_View_B.jpghttp://upload.wikimedia.org/wikipedia/commons/c/c7/Greek_-_Black-Figure_Amphora_-_Walters_4820_-_View_A.jpghttp://upload.wikimedia.org/wikipedia/commons/2/26/Greek_-_Black-figure_Amphora_-_Walters_4819.jpg


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English:On one side of this black-figure amphora, a bearded man in a short chiton ismounting a chariot while grasping the reins of four horses. Though he has no shield orhelmet, his sheathed sword and spear identify him as a warrior. In front of the chariot,another bearded man holding a staff in his right hand sits on a diphros. Behind thehorses stands Athena, who turns her head toward the charioteer and holds a spear in her

right hand. She wears a long, patterned peplos, a snaky aegis and a high-crested helmet.

The scene on the opposite side depicts a helmeted warrior, carrying a spear and shieldflanked by two mounted horsemen. Below the figural scene are three bands of ameander pattern, a lotus bud chain, and black rays. Palmettes adorn the neck and thearea below the handles.

The main side of the vase depicts a departure scene, in which the warrior prepareshimself to enter the battlefield-a popular motif in Athenian vase painting. The scenesvary in their iconography; some include family members offering armor, libations, andfarewell gestures (Shapiro 1990, 120-21). In black-figure examples of this motif, figures

are sometimes labeled with the names of epic heroes (Matheson 2005, 26). On this vase,there are no inscriptions to identify the figures, allowing the viewer to drawcomparisons between contemporary warriors and their heroic prototypes. Scenes ofwarriors departing tend to focus on the soldier taking leave of his family and frequentlydepict the soldier's father and wife or mother. The presence of Athena in this scene mayrefer to epic or may indicate that the warrior is protected by this armed goddess.

between 530 and 520 BC
http://upload.wikimedia.org/wikipedia/commons/3/32/Greek_-_Black-figure_Amphora_-_Walters_48224_-_Detail_A.jpg


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http://upload.wikimedia.org/wikipedia/commons/f/f4/Greek_-_Black-figure_Amphora_-_Walters_48224_-_Side_A.jpg


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English:This kyathos depicts acharacteristic battle scene: two warriors or heroes fighting over a fallen soldier. Two

bearded soldiers attack each other with raised spears and large shields decorated withwhite motifs and red rims. Their swords hang sheathed at their side. The warrior on theleft has knocked his opponent's helmet off his head, while his opponent's spear is

pointing at his throat. In between, a third warrior has collapsed on his right knee anduses his spear and shield for support. Unlike the standing fighters in their short kilts, hewears a short white garment belted with a bow. On either side of this central scene, awarrior with a shield is driving to the right in a "quadriga" (a four-horse chariot).Without identifying attributes or inscriptions, the warriors depicted could be ordinarysoldiers in battle or Greek heroes fighting at Troy. The scene of two warriors fighting

over the body of a fallen soldier is a familiar episode from accounts of the Trojan War;the recovery of the body and the armor of a dead comrade was crucial. Even if thewarriors depicted on this vessel are ordinary Greeks, the imagery recalls the glory of theheroic warriors of the past. circa 510 BC (Archaic)
http://upload.wikimedia.org/wikipedia/commons/3/39/Greek_-_Black-figure_Kyathos_-_Walters_48219_-_Side_A.jpg


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http://upload.wikimedia.org/wikipedia/commons/8/8e/Greek_-_Black-figure_Kyathos_-_Walters_48219.jpghttp://upload.wikimedia.org/wikipedia/commons/5/5f/Greek_-_Black-figure_Kyathos_-_Walters_48219_-_Back.jpghttp://upload.wikimedia.org/wikipedia/commons/4/4d/Greek_-_Black-figure_Kyathos_-_Walters_48219_-_Side_B.jpghttp://upload.wikimedia.org/wikipedia/commons/8/8e/Greek_-_Black-figure_Kyathos_-_Walters_48219.jpghttp://upload.wikimedia.org/wikipedia/commons/5/5f/Greek_-_Black-figure_Kyathos_-_Walters_48219_-_Back.jpghttp://upload.wikimedia.org/wikipedia/commons/4/4d/Greek_-_Black-figure_Kyathos_-_Walters_48219_-_Side_B.jpghttp://upload.wikimedia.org/wikipedia/commons/8/8e/Greek_-_Black-figure_Kyathos_-_Walters_48219.jpghttp://upload.wikimedia.org/wikipedia/commons/5/5f/Greek_-_Black-figure_Kyathos_-_Walters_48219_-_Back.jpghttp://upload.wikimedia.org/wikipedia/commons/4/4d/Greek_-_Black-figure_Kyathos_-_Walters_48219_-_Side_B.jpg


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http://upload.wikimedia.org/wikipedia/commons/1/12/Greek_-_Black-figure_Volute_Krater_-_Walters_4829_-_View_A.jpg


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English:Beneath the meander-adorned rim of this large volute krater is a band of figuraldecoration interrupted by the handles on each side. At the center of the scene on one side is a

trio of warriors, each wearing a short chiton and a full panoply of armor. The central figure

lunges deeply to the right as he looks back at the soldier behind him. The figure on the left

prepares to plunge his raised spear into the central warrior. The third soldier, on the right, also

wields a spear in his upraised right hand, poised to strike. Flanking this central pair are two

women in long, decorated garments. Each raises her hands, as if to address the men or express

alarm. Behind the woman on the right is a horse and young man, perhaps a groom. Beyond

them are four more figures, including a naked youth with a mantle, two men with staffs, and

another fully armed warrior. To the left of the central scene, behind the woman, an armed

warrior mounts a chariot, as if ready to flee from the fighting. A man seated in front of the

horses interrupts the sense of motion evoked by the charioteer. The two figures behind the
http://upload.wikimedia.org/wikipedia/commons/2/20/Greek_-_Black-figure_Volute_Krater_-_Walters_4829_-_View_A_Detail.jpghttp://upload.wikimedia.org/wikipedia/commons/b/ba/Greek_-_Black-figure_Volute_Krater_-_Walters_4829_-_View_B_Detail.jpghttp://upload.wikimedia.org/wikipedia/commons/2/20/Greek_-_Black-figure_Volute_Krater_-_Walters_4829_-_View_A_Detail.jpghttp://upload.wikimedia.org/wikipedia/commons/b/ba/Greek_-_Black-figure_Volute_Krater_-_Walters_4829_-_View_B_Detail.jpg


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seated man resemble those at the other end of the scene: a naked youth wearing a mantle and

holding a staff or spear and a standing man in longs robes with a staff.

Reminiscent of the central trio of warriors, three figures occupy the center of the sceneon the opposite side, in a representation of Herakles wrestling the Nemean lion, with a

youth, perhaps Iolaos, at hand offering support as he holds the hero's club. As with thecomposition on the other side, the figures are flanked by two female figures - a seatedAthena on the right and a woman fleeing on the left. Further connecting the scenes isthe depiction of charioteers mounting their chariots, which once again face seated menwith staffs. A standing man with a staff frames the scene at either end.

Warriors figure prominently on both sides of this vase, which appears to celebrate the physical

prowess of the central figures. The scenes highlight conduct in war and wrestling, two

activities in which male citizens would have been trained and encouraged to emulate their

heroic prototypes.

circa between 525 and 500 BC


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English:Herakles is depicted

on this black-figure lekythos with his usual attributes, the lion skin and the club, which he

holds in his right hand, and a quiver. He is facing right, grasping an Amazon who tries to escape

from him, though she turns her head to face him. There is an Amazon on each side of this duel.

One runs away from Herakles, while the other runs toward his captive, as if coming to her aid.

All three are similarly dressed; two carry spears; one has no shield. Herakles' ninth labor forKing Eurytheus required him to retrieve the girdle of the queen of the Amazons. While the

queen at first willingly acceded to Herakles' request, the goddess Hera spread a rumor among

the Amazons that Herakles intended to kidnap their queen; when the Amazons attacked him,

Herakles killed her and made off with her girdle. This theme was a common subject on vases

depicting the Amazons, and one of the most frequently recurring subjects on vases portraying

Herakles and his labors. In vase-painting the Amazon queen is usually named Andromache (she

is more often named Hippolyte in the literary evidence), and the girdle itself is usually not

depicted until after the 6th century.circa between 525 and 475 BC
http://upload.wikimedia.org/wikipedia/commons/1/19/Haimon_Painter_-_Three_Amazons_and_Herakles_-_Walters_48241_(2).jpg


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http://upload.wikimedia.org/wikipedia/commons/f/f8/Haimon_Painter_-_Three_Amazons_and_Herakles_-_Walters_48241_-_Left.jpg


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English:The Lysippides Painter is renowned for his work with another vase-painter,the Andokides Painter. They produced remarkable "bilingual" vases on which theLysippides Painter painted one side in the black-figure technique, and the AndokidesPainter painted the same image in the newly developed red-figure technique on theother side. On this vase, however, we have an example of the Lysippides Painter's early

work in black-figure. On the front, Hermes escorts a woman towards the wine-god,Dionysus, whose satyr and maenad companions stand behind. On the back is a typical"departure scene," in which an armed warrior mounts his chariot as companions see himoff. circa 530 BC (Archaic)
http://upload.wikimedia.org/wikipedia/commons/2/2d/Lysippides_Painter_-_Black-Figure_Amphora_-_Walters_4812_-_Side_B.jpg


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English:On side A, Athena is stridingto the left with a spear in her raised left hand and a shield in her right with a large snake,a popular shield device on Panathenaic vases of the late Archaic period. She is wearinga patterned garment, a high-crested helmet, and the "aegis," from which several snake

heads clearly emerge. Two thin columns crowned by roosters frame the scene.

The reverse shows two young jockeys in high gallop in the heat of the race. Both boysare nude and ride without saddles or stirrups, guiding the horse with their reins. Therider in the back is using a whip in his raised right hand to gain some ground on hisopponent. The focus is clearly on the rider on the left, whose horse occupies thecomposition's foreground, its head partially obscuring the other rider. The prominenceof the horse and rider, captured at a decisive moment in the race, may signal thecontest's victor.

The amphora lacks the prize inscription on the front that is characteristic of small-scalecopies, created for trade and as commemorative souvenirs, of the Panathenaic prizeamphoras (see Bentz 1998, 19-22). Dorothy Hill noted that the piece is stylistically andthematically close to the work of the Eucharides Painter, who painted at least three full-scale Panathenaic prize amphoras depicting two riders competing (Maul-Mandelartz1990, 105). circa between 500 and 480 BC (late Archaic)
http://upload.wikimedia.org/wikipedia/commons/0/07/Vatican_G_23_Group_-_Black-figure_Pseudo-Panathenaic_Amphora_-_Walters_482105_-_Side_A.jpghttp://upload.wikimedia.org/wikipedia/commons/6/62/Vatican_G_23_Group_-_Black-figure_Pseudo-Panathenaic_Amphora_-_Walters_482105_-_Detail_A.jpghttp://upload.wikimedia.org/wikipedia/commons/0/07/Vatican_G_23_Group_-_Black-figure_Pseudo-Panathenaic_Amphora_-_Walters_482105_-_Side_A.jpghttp://upload.wikimedia.org/wikipedia/commons/6/62/Vatican_G_23_Group_-_Black-figure_Pseudo-Panathenaic_Amphora_-_Walters_482105_-_Detail_A.jpg


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Black-figure pottery in the Staatliche Antikensammlungen"

English:Phalanx.Side A of an Attic black-figure Tyrrhenic amphora, ca. 560 BC.

Franais :Phalange. Face A d'une amphore tyrrhnienne attique figures noires, v. 560av. J.-C.

English:Departure of thewarrior in front of the home's women and his white-haired father. He his accompagnied

by a Scythian archer. Side B from an Attic black-figure amphora. From Vulci.

Franais :Dpart du guerrier devant les femmes de la maison et son pre aux cheveuxblancs. Il est accompagn d'un archer scythe. Face B d'une amphore attique figuresnoires. Provenance : Vulci. circa between 530 and 520 BC
http://upload.wikimedia.org/wikipedia/commons/5/57/Departure_warrior_Staatliche_Antikensammlungen_1484_side_B.jpghttp://upload.wikimedia.org/wikipedia/commons/e/ed/Amphora_phalanx_Staatliche_Antikensammlungen_1429.jpghttp://upload.wikimedia.org/wikipedia/commons/5/57/Departure_warrior_Staatliche_Antikensammlungen_1484_side_B.jpghttp://upload.wikimedia.org/wikipedia/commons/e/ed/Amphora_phalanx_Staatliche_Antikensammlungen_1429.jpg


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English:Ajax carrying the body of Achilles out of the battlefield. Left, Menelas andParis; right, Neoptolemus and Aeneas. Side A of an Attic black-figure amphora, ca. 510BC.

Franais :Ajax portant le corps d'Achille hors de la mle. gauche, Mnlas etPris ; droite, Noptolme et ne. Face A d'une amphore attique figures noires, v.510 av. J.-C.
http://upload.wikimedia.org/wikipedia/commons/b/b8/Aias_body_Akhilleus_Staatliche_Antikensammlungen_1415.jpg


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English:Ajax carrying the body of Achilles. Attic black-figure hydria, ca. 500 BC.From Vulci.

Franais :Ajax portant le corps d'Achille. Hydrie attique figures noires, v. 500 av. J.-

C. Provenance : Vulci.
http://upload.wikimedia.org/wikipedia/commons/e/e6/Aias_body_Akhilleus_Staatliche_Antikensammlungen_1712.jpg


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English:Ajaxcarrying the body of Achilles. Attic black-figure lekythos, ca. 510 BC. From Sicily.

Franais :Ajax portant le corps d'Achille. Lcythe attique figures noires, v. 510 av.J.-C. Provenance : Sicile.
http://upload.wikimedia.org/wikipedia/commons/a/a0/Aias_body_Akhilleus_Staatliche_Antikensammlungen_1884.jpg


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English:Knelt warrior with decladded sword: Achilles waiting for Troilus? Tondo ofan Attic black-figure kylix, ca. 560 BC.

Franais :Guerrier agenouill l'pe dgaine : Achille guettant Trolos ? Mdaillond'un kylix attique figures noires, v. 560 av. J.-C.
http://upload.wikimedia.org/wikipedia/commons/6/65/Squatting_warrior_Staatliche_Antikensammlungen_8966.jpg


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English:Heraclesand Geryon. Side B from an Attic black-figure amphora, ca. 540 BC. From Vulci.

Franais :Hracls et Gryon. Face B d'une amphore attique figures noires, v. 540av. J.-C. Provenance : Vulci.

English:Departure of a war chariot, scene inspired from the homeric tradition. Side Bfrom an Attic black-figure band cup, ca. 560 BC. From Vulci.

Franais :Dpart de guerrier sur un char de guerre, scne inspire de la traditionhomrique. Face B d'une coupe bande attique figures noires, v. 540 av. J.-C.Provenance : Vulci.
http://upload.wikimedia.org/wikipedia/commons/6/6a/Warriors_chariots_Staatliche_Antikensammlungen_2238.jpghttp://upload.wikimedia.org/wikipedia/commons/2/24/Herakles_Geryon_Staatliche_Antikensammlungen_1379.jpghttp://upload.wikimedia.org/wikipedia/commons/6/6a/Warriors_chariots_Staatliche_Antikensammlungen_2238.jpghttp://upload.wikimedia.org/wikipedia/commons/2/24/Herakles_Geryon_Staatliche_Antikensammlungen_1379.jpg


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Kerameikos Archaeological Museum (Athens)

Espaol:Hidria con la representacin de un cuadriga, con auriga y hoplita. Obra delpintor Lispides, circa 530-520 a. C.
http://upload.wikimedia.org/wikipedia/commons/7/7f/Quadriga,_Charioteer_and_Hoplite.jpg


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English:Black-figure white-ground lekythoi of Beldam workshop. Kerameikos ArchaeologicalMuseum in Athens. 470-460 BC.
http://upload.wikimedia.org/wikipedia/commons/6/67/KAMA_Black-figure_white-ground_lekythoi_of_Beldam_workshop.jpg


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Black-figure pottery in the Vatican City

English:Photograph of an Attic amfora depicting Achilles and Ajax playing a game.By Exekias 540-530 B.C.
http://upload.wikimedia.org/wikipedia/commons/b/b6/Amfora_by_Exekias_Ajax_and_Achilles.JPG

PROYECTO HOPLITA

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