Persuasión Hipnótica | Carlos de la Rosa Vidal

PERSUASIÓN HIPNÓTICA

10 SECRETOS PARA UNA

CONFERENCIA DE ALTO IMPACTO

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HHiippnnóóttiiccaa10 SECRETOS PARA UNA


CARLOS DE LA ROSA VIDALwww.carlosdelarosavidal.tk

CON LA COLABORACIÓN DEL EQUIPO DE

INVOXX COMUNICACIÓN:

ALDO DÍAZ RIVERO

CARLOS FERNÁNDEZ CASTAÑEDA

PERSUASIÓN HIPNÓTICA 10 SECRETOS PARA UNA


2

Persuasión

Hipnótica10 SECRETOS PARA UNA

CONFERENCIA DE ALTO IMPACTOCARLOS DE LA ROSA VIDALwww.carlosdelarosavidal.tk

CON LA COLABORACIÓN DEL EQUIPO DE

INVOXX COMUNICACIÓN:

ALDO DÍAZ RIVERO Y CARLOS FERNÁNDEZ CASTAÑEDA

Lima-Perú. Diciembre de 2010

!"#$%$!&'()*$#$%+$%(",('#!--)./%#"%0("1"2%-)&$2%"/%$(&3-!+'2%0)0+)'4(56)-'27%%2)"8,("%'&'(4$/#'%$+%$!&'(%"+%-(9#)&'%-'(("2,'/#)"/&":%

La presente Obra se publica bajo los principios de la Licencia de Creative Commons, que a la letra dicta: “Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Peru de Creative Commons”. La Licencia puede consultarse en línea en:

http://creativecommons.org/licenses/by-nc-nd/3.0/

Persuasión Hipnótica por Carlos de la Rosa Vidal se encuentra

bajo una Licencia Creative Commons Atribución-NoComercial-

SinDerivadas 3.0 Unported.



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%ÍNDICE

Parte 1: La Venta Hipnótica de las Ideas

; <$%("4+$%852%)8,'(&$/&"%,$($%-'8"/*$(%; <$%8)2)./%#"%1"/#"(%)#"$2%"/%,=0+)-'%"2%!/$%4($/%("2,'/2$0)+)#$#%; >?!5+%"2%)/6'(8$-)./%@!"%#"2"$2%#'8)/$(A%; ?.8'%"/-'/&($(%&"8$2%)/&"("2$/&"2%; !)"("2%2"(%!/%0!"/%'($#'(B%C2-()0"%

%Parte 2: 10 Secretos para una Conferencia de Alto Impacto

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Saber qué ideas vender

; J#'%F"-("&'%G$"2&('%#"%+$%H"(2!$2)./%I),/.&)-$%Emplea un lenguaje marketero.

; K"(%F"-("&'%G$"2&('%#"%+$%H"(2!$2)./%I),/.&)-$%Captar la atención del oyente. Conéctate con tu auditorio

; L&'%F"-("&'%G$"2&('%#"%+$%H"(2!$2)./%I),/.&)-$%Hacer Sentir lo mismo que tú sientes con lo que sabes.

; M&'%F"-("&'%G$"2&('%#"%+$%H"(2!$2)./%I),/.&)-$%Comprométalos y dígales por qué es importante lo que les está diciendo.

; N&'%F"-("&'%G$"2&('%#"%+$%H"(2!$2)./%I),/.&)-$%Énfasis, énfasis, énfasis, Velocidad y volumen; contrólalos.

; O8'%F"-("&'%G$"2&('%#"%+$%H"(2!$2)./%I),/.&)-$%Emplea el poder de la mirada.

; P1'%F"-("&'%G$"2&('%#"%+$%H"(2!$2)./%I),/.&)-$%Crea puntos en común. Revela las ventajas de tu idea

; Q/'%F"-("&'%G$"2&('%#"%+$%H"(2!$2)./%I),/.&)-$%Encuentra algo original que supones nadie más le daría a tu público.

; ER8'%F"-("&'%G$"2&('%#"%+$%H"(2!$2)./%I),/.&)-$%Aplica el 4to Secreto de una manera especial. Cada oportunidad de

comunicación en público tiene que ser una experiencia creativa en acción

influyente.

; STUVFB%Un Secreto Maestro de la Persuasión Hipnótica%Anexo 1

W!&'#)$4/.2&)-'%Anexo 2

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PARTE 1

La Venta Hipnótica de las Ideas

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7

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La misión de vender ideas en público es una gran responsabilidad

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Consejo Imprescindible número uno para dominar informaciones:%,('-!($% "/% +'% ,'2)0+"% "2-'4"(% &"8$2% "2,"-36)-'2:% G'&)1'B% &)"/"2% @!"% "/6'-$(&":%?!$/#'%&"/4$2%@!"%Z$0+$(%#"%+'2%ER%2"-("&'2%,$($%)8,+$/&$(%/'(8$2%#"%-$+)#$#%"/%+$%4"2&)./%#"% )/2&)&!-)'/"2%"2-'+$("27% &)"/"2%@!"%Z$0+$(%#"% +'2%ER%2"-("&'27%/'%#"+%,$/'($8$%#"%+$%"#!-$-)./%8!/#)$+7%"2'2%2'/%,$($%+'2%6'('2%)/&"(/$-)'/$+"2:%%%



8

Motivo 2:% &!% 6!&!('% 'D"/&"% $!#)&'()'% #"2"$% "2-!-Z$(&"% ,'(@!"% +"% #)Y"('/%@!"% &=%8$/"Y$2% )/6'(8$-)./% @!"% +"% ,!"#"% 2"(% =&)+:% e"2,9&$+'% -'8'% ("2,"&$2% $% &!%-'/2"Y"('%"2,)()&!$+%'%$%&!%8$"2&('%$&"'%#"%+$%!/)1"(2)#$#:%f!%,=0+)-'%"2,"($(5%@!"%Z)+1$/"2%,!/&'2%"2,"-36)-'2%D%$2!/&'2%-'/-("&'2:%%

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TAREA PARA CASA:

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9

Cómo encontrar temas interesantes

d$8'27%"2%)8,'2)0+"%#"-)(+'%&'#'%"/%"2&"%+)0('7%8"%"/-$/&$(3$%,"('%/'%&"/4'%,("1)2&'%Z$-"(%#"%"2&"%&"8$%!/%+)0('%#"%MQJ%,54)/$2:%%C2'%237%1'D%$%2!4"()(&"%-.8'%"/-'/&($(% &"8$2% )/&"("2$/&"27% $!/@!"% #"2"'% @!"% 2"$2% &=% @!)"/% 0!2@!"% +5,)*% D%,$,"+:% H("4=/&$&"7% ,$($% &)7% -!5+"2% 2'/% +'2% &"8$2%852% )/&"("2$/&"2%#"+%8!/#'7% #"+%!/)1"(2'7% 2)% #"2"$2:% <!"4'% -'/2!+&$% $% &!% "2,'2q7% /'1)q7% $8$/&"7% $+% $#'($#'%&'(8"/&'7%$+%,"'(%"2%/$#$:%%%

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Secreto número 1 sobre informaciones interesantes:% +$% )/6'(8$-)./%&)"/"%@!"%)/&"("2$(&"%$%&):%C+%&"8$%&)"/"%@!"%"/&!2)$28$(&"7%8)"/&($2%852%#)26(!&"27%852%$,("/#"(52:%G)"/&($2%852%$,("/#$2%8"Y'(%,(",$($#'%"2&$(52:%j%854)-$8"/&"%852%8'&)1'2%&"/#(52%,$($%2"/&)(&"%)/2,)($#'%$%-'8,$(&)(%#"%$+4'%@!"%#)26(!&$2:%%

F.+'% ,!"#"2% Z$0+$(% $!&9/&)-$8"/&"% -'/1"/-)#'% #"% +$2% -'2$2% @!"% &"%$,$2)'/$/:% `8$4)/$% $% !/% $2&('/$!&$% Z$0+$/#'% 2'0("% &.,)-'2% #"% 0"++"*$% -!&5/"$:%WZ'($%1)2!$+3*$&"%-'8'%$%!/%+3#"(%,'+3&)-'%,"(2!$#)"/#'%$%&!2%2"4!)#'("2%$%2"(%+'2%,('&$4'/)2&$2%#"+%-$80)'%#"%+$2%/$-)'/"2:%f!%,=0+)-'%+'%/'&$(5:%`/&"/&$%-'8,$(&)(%)/6'(8$-)'/"2%@!"%$%&)%8)28'%&"%4!2&$(3$%"2-!-Z$(:%d"/#"%+$2%8)28$2%)#"$2%@!"%&!%8)28'% $/)8'2$8"/&"% -'8,($(3$2:% Ésta es la Fórmula Extraordinaria del Secreto Número 1.%

Secreto número 2 sobre informaciones interesantes:% &)"/"2% @!"% Z$-"(%)/&"("2$/&"%+$%)/6'(8$-)./%,$($%+'2%#"852:%F)%#"2"$2%)/&"("2$(%$%+'2%#"8527%2.+'%Z$*%!/$% -'2$B% )/&"(92$&"% ,'(% "++'2:% d$8'27% "/&(94$+"2% )/6'(8$-)./% #"% !&)+)#$#:%T029@!)$+"2%$+4'%@!"%,!"#$/%"8,+"$(%Z'D%8)28'%,$($%("2'+1"(%2!2%852%-"(-$/'2%,('0+"8$2% ,"(2'/$+"27% +$0'($+"2% '% ,('6"2)'/$+"2:% j$% +'%8"/-)'/9% "/% '&('% #"%8)2%+)0('2B% ]WD!#$/#'%$% +'2%#"852% $% -'/2"4!)(% +'% @!"%@!)"("/% -'/2"4!)("8'2% +'%@!"%/"-"2)&$8'2_;%C+%H'#"(%#"%+$%C\-"+"/-)$%I!8$/$7%%lH"(=7%JRRNn%



10

e"-!"(#$% )/&"("2$(&"%,'(% +'2%#"852:%V/$%#"% +$2%85\)8$2%#"% +$2%("+$-)'/"2%Z!8$/$2%#)-&$%@!"%]+$2%,"(2'/$2%&"%#$(5/%$%&)%+'%@!"%#"2"$2%$%8"#)#$%@!"%&=%+"2%#"2%+'%@!"%"++'2%#"2"$/:_%C2&$%"2%!/$%("1"+$-)./%,(5-&)-$% 6$0!+'2$:%<$%8"Y'(% 6'(8$%#"%)/&"("2$(% $% +'2% #"852% "2% )/&"("2$(&"% $!&9/&)-$8"/&"% ,'(% "++'2:% C2&"% "2% "+% 2"-("&'%'-!+&'%&($2%+$%1"(#$#: Ésta es la Fórmula Extraordinaria del Secreto Número 2.

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Quieres ser un buen orador: Escribe

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C2&$(52%,("4!/&5/#'&"B%D'%@!)"('%Z$0+$(%8"Y'(%"/%,=0+)-'7%"/%!/'2%,5(($6'2%$/&"()'("2%8"%Z$0+$2&"%#"%("-',)+$(%)/6'(8$-)./%D%$Z'($%8"%2!4)"("2%@!"%"2-()0$:%sC\$-&'t%%

El 1er Secreto Maestro de la Persuasión Hipnótica%"2%2$0"(%@!9%)#"$2%1$2%$%-'8,$(&)(%"/%&!2%-Z$(+$2:%f)"/"2%@!"%'(4$/)*$(%"2&$2%)#"$27%/'%,!"#"2%#"Y$(+$2%$++3%"/% +'2% +)0('27% ("1)2&$27% "/% &!% -'+"--)./% #"% $!#)'2% )/2&(!-&)1'2:% C/% $+4=/% +!4$(% #"+%-"("0('7% "/% +$2% 8)&'-'/#()$2:% % U':% C2,"-36)-$8"/&"7% /"-"2)&$2% ("#$-&$(% &!%-'/6"("/-)$%#"%1"/&$%#"% )#"$2%-'/%&!2%,(',)$2%,$+$0($27%/'%-'/%"+% +"/4!$Y"%#"% +'2%+)0('27%/)%#"%@!)"/"2%-'/2!+&$2&":%<$2%,$+$0($2%2"(5/%&!D$2:%

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11

Tips para Escribir Discursos:

V/':;%e"#$-&"%,$($%"+%'3#'%#"%2!2%'D"/&"27%/'%,$($%#"+")&$(%2!%1)2&$:%

b'2:;%C2-()0$%&$+%D%-'8'%Z$0+$(3$%"/%+$%-'/6"("/-)$:%

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?)/-'%:;%e"#$-&"%-("$/#'%"\,"-&$&)1$%

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Básicamente existen tres formas de pronunciar discursos:

1.! Leer el discurso que escribiste, desde la primera consonante hasta

el último punto.%H'-'%("-'8"/#$0+"%,$($%@!)"/"2%2"% )/)-)$/%"/%"2&"%4($&)6)-$/&"%'6)-)'%#"%Z$0+$(%"/%,=0+)-'7%-)(-!/2-()0"%+$2%',-)'/"2%#"%+$%"2,'/&$/")#$#:%G$27%"/%'($#'("2% "\,"(&'27% ,!"#"% 1'+1"(2"% !/$% Z"(($8)"/&$% ,'#"('2$% #"% $+&'% )8,$-&':%`/&"/&$%$#@!)()(%-'/'-)8)"/&'2%"/%&9-/)-$2%#"%+"-&!($%"/%1'*%$+&$:%%

2.! Apoyarse en notas que resalten los puntos principales del discurso.%?'/6"--)'/$#$%-'/%+$2%,$+$0($2%-+$1"%@!"%(5,)#$8"/&"%&"%2!4)"($/%+'2%-'/-",&'2%"%)#"$2% @!"% )/1"2&)4$2&"% D% ("#$-&$2&":% C2% "+% 2)2&"8$% )#"$+% ,$($% ,()/-),)$/&"2:%e"-!"(#$%2.+'%,$+$0($2%-+$1"7%/'%,5(($6'2%"/&"('2:%H'(%!/$2%#)"*%+3/"$2%("2!+&$(3$%)/6$/&)+% @!"% #!($/&"% EM%8)/!&'2%8$/&"/4$2% +'2% 'Y'2% -+$1$#'2% "/% "+% ,$,"+% D% 2.+'%-)/-'% 8)/!&'2% #"% 8)($#$% /"(1)'2$% $+% $!#)&'()':% <'2% 8"Y'("2% '($#'("2% &$80)9/%&)"/"/% 2!% $,'D';8"8'()$:% F$+1'% @!"% +$2% 8)28$2% #)"*% +3/"$2% 23% ,!"#"/%$,("/#9(2"+$2:%

3.! Memorizar los puntos clave de tu discurso y hablar sin notas de

apoyo. Es la% 6'(8$% 852% ,('6"2)'/$+% @!"% ,!"#$% 1"(2"% "/% !/% '($#'(:% j% "+% 852%%2!,"()'(%"2&)+'%,$($%1"/#"(%)#"$2%$%!/%,=0+)-'%51)#'%#"%"++$2:%H'(@!"%(",("2"/&$%"+%2)2&"8$% #"%852% $+&'% )8,$-&'% "/% +$% ,"(2!$2)./:% G$D'(% -'/&$-&'% -'/% "+% ,=0+)-'% D%-'/&('+%#"+%$!#)&'()':%<$%,"(-",-)./%#"%/$&!($+)#$#%"/%"+%'($#'(7%#"%"2,'/&$/")#$#:%T02"(1$8'2%@!"%/'2%Z$0+$%/'%@!"%/'2%+"":%

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12

La mejor forma de manejar el temor a hablar en público es hablando en

público.

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Tips número infinito para hablar en público:

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V/':;%e"#$-&"%2!%#)2-!(2'%#"%6'(8$%&$+%@!"%,('#!*-$%"+%("2!+&$#'%@!"%!2&"#%"2,"($:%

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13

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PARTE 2

10 Secretos para una

Conferencia de Alto Impacto

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15

El continente del discurso y las formas de venderlo

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“Hay golpes en la vida, tan fuertes... ¡Yo no sé!

golpes como el odio de Dios; como si ante ellos,

la resaca de todo lo sufrido

se empozara en el alma... Yo no sé!

Son pocos; pero son... Abren zanjas oscuras

en el rostro más fiero y en el lomo más fuerte.

Serán tal vez los potros de bárbaros atilas;

o los heraldos negros que nos manda la Muerte.…”

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Captar la atención del oyente. Conéctate con tu auditorio

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Comprométalos y dígales por qué es importante lo que les está diciendo.

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Énfasis, énfasis, énfasis, Velocidad y volumen; contrólalos.

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Emplea el poder de la mirada.

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Crea puntos en común. Revela las ventajas de tu idea

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Encuentra algo original que supones nadie más le daría a tu público.

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Pronuncie su discurso de forma tal que produzca el resultado que usted

espera. Sea imperdonablemente consciente de ello.



17

1er Secreto Maestro de la Persuasión Hipnótica


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19

2do Secreto Maestro de la Persuasión Hipnótica

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”21 Secretos Imprescindibles para el binomio marido!mujer“

”Las 20 Leyes del Éxito en las relaciones de pareja. “

”Comunicación Matrimonial: Consejos para mejorar las relaciones.“

”10 Secretos para Relaciones de Pareja de Alto Impacto@9

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23

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24

3er Secreto Maestro de la Persuasión Hipnótica

Captar la atención del oyente. Conéctate con tu auditorio

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25

4to Secreto Maestro de la Persuasión Hipnótica

Hacer Sentir lo mismo que tú

sientes con lo que sabes. Habla con el corazón

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26

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27


Comprométalos y dígales

por qué es importante

lo que les está diciendo.

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28


Énfasis, énfasis, énfasis, Velocidad

y volumen; contrólalos.

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29

7mo Secreto Maestro de la Persuasión Hipnótica

Emplea el poder de la mirada.

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30

8vo Secreto Maestro de la Persuasión Hipnótica

Crea puntos en común. Revela las ventajas de tu idea

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31

9no Secreto Maestro de la Persuasión Hipnótica

Encuentra algo original que supones nadie más

le daría a tu público.

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32

10mo Secreto Maestro de la Persuasión Hipnótica

H-)"/' () N,$ !(/&(,$@ 6':)' /$+ () /$&'XG+@ C -&(%D+,',( /$+ /&(',";"#'#@ 7$ 2':)(% /$.$ '<1())$% <1( %( (+/1(+,&'+ (+ E$1,1:( E #"/(+ )'% ."%.'% /$%'% <1( () %"81"(+,( ;"#($@

BONUS: Un Secreto Maestro de la Persuasión Hipnótica

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B) LR #( '8$%,$ #( KSPM I'&,"+ 51,2(& j"+80 [&@ J&$+1+/"GF

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33

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b'&)$% #( )' `$%' A"#')



34

H7BwV K

AUTO DIAGNÓSTICO

b$+ ,$,') %"+/(&"#'# &(%-$+#' E (+/"(&&( /$+ 1+ /=&/1)$ () +Z.(&$ ()(8"#$F

K@ J&(-'&'0 "+;(%,"8' (>"/"(+,(.(+,( '+,(% #( (%/&":"& K L M N O

L@ V&#(+' %1% "#('% '+,(% #( 1+' (?-$%"/"G+ K L M N O

M@ 5( &(%1),' >3/") (%/&":"& %1% "#('% K L M N O

N@ J&(81+,' E %$)"/",' .3% "+>$&.'/"G+ -'&' 1+' /1),1&' 8(+(&') K L M N O

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KO@ J&(-'&' %1 -&(%(+,'/"G+ -'&' $:,(+(& 1+ &(%1),'#$ (%-(/=>"/$ K L M N O

Elaborado por Carlos de la Rosa Vidal.



35

H7BwV L

SECRETOS DE LA FORMA

1.! CONTROL DE LA VELOCIDAD

q2':)'& -'1%'#'.(+,(0 )$8&'+#$ 1+' -&$+1+/"'/"G+ .3% -&$>(%"$+') E ()(8'+,(r

2.! HABLAR CON CLARIDAD

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3.! ÉNFASIS

qI'E$& >1(&X' #( ;$X (+ )' -&$+1+/"'/"G+ #( ,$#'% )'% %=)':'% ,G+"/'% #( ,$#'% )'% -')':&'%0 )$ /1') #'&3 .$;"."(+,$0 ;"#' E #"+'."%.$ ' )' ;$X0 ' >"+ #( )$8&'& 1+' ;'&"(#'# (+ )' .$#1)'/"G+r

4.!RESPETO DE LOS SIGNOS DE PUNTUACIÓN

q/'#' %"8+$ "+#"/' 1+' -'1%' :&(;(r

CONCEPTOS IMPRESCINDIBLES:

Oratoria: H&,( #( 6':)'& (+ -Z:)"/$ -'&' -&$#1/"& 1+ &(%1),'#$ (%-(/=>"/$ E )$8&'+#$ <1( () .(+%'*( -1(#' ))(8'& #( >$&.' (>"/'X@

Dicción: B% )' >$&.' #( -&$+1+/"'& )'% -')':&'%@



36

Buena dicción: (% )' >$&.' /$&&(/,' E '#(/1'#' #( -&$+1+/"'& )'% -')':&'%

Comunicador:

^1"(+ ,&'+%.",( )'% /$%'% #( >$&.' .3% %(+/"))' #( /$.$ )'% (+/1(+,&'0 ' >"+ #( >'/")",'& 1+' &3-"#' /$.-&(+%"G+ #( )'% /$%'%@

Vocalizar: J&$+1+/"'& %G)$ ;$/')(%@

Articular: J&$+1+/"'& )'% ;$/')(% E ,'.:"D+ )'% /$+%$+'+,(%@

Sinalefa: (% () (+)'/( #( %=)':'%0 .(#"'+,( () /1') %( 1+( )' Z),".' ;$/') #( 1+' -')':&' /$+ )' -&".(&' ;$/') #( )' %"81"(+,( -')':&'@ B%,' 1+"G+ %( -&$#1/( '%= ,(+8'.$% 1+' 429 $ 1+' 4E9@ %" (+,&( ;$/') E ;$/') (?"%,( 1+ %"8+$ #( -1+,1'/"G+ E' +$ %(-'&'.$%0 -$&<1( #"/2$ %"8+$ +$% #'&3 )' -'1%' &(%-(/,";'@ qg1(+,(F I',(&"') c+%,&1/,";$ #( )' H/'#(."' J(&1'+' #( 5$/1/"G+r

Evitar Sinalefa en el Hablar: /$)$/'& 1+' :&(;( -'1%' (+,&( ;$/') E ;$/') #( -')':&'% /$+%(/1,";'% ' >"+ #( (;",'& 1+' -&$+1+/"'/"G+ #">(&(+,( #( )'% -')':&'% E (;",'& )' -&$+1+/"'/"G+ #( %=)':'% +$ %$)"/",'#'%@ H#(.3% #( (;",'& )' $."%"G+ #( ;$/')(% $ >1%"G+@ \( (%,' .'+(&' %( )$8&' 1+' '#(/1'#' -&$+1+/"'/"G+@



37

Bibliografía:

U(&+(0 B&"/0 Juegos en que Participamos. Sicología de las Relaciones Humanas. ID?"/$F B#",$&"') \"'+' !@ H@ KSRO@

b':'))(&$0 b&"%,"3+@ Cómo Educar la Voz Hablada y Cantada. ID?"/$F B\HIBw0 !@ H@ #( b@ A@ KSSN@

\( )' `$%' A"#')0 b'&)$%@ Oratoria Para Vender Ideas. J(&ZF )":&$ ()(/,&G+"/$ 2,,-Fmmb'&)$%#()'`$%'A"#')@N%2'&(#@/$. -1:)"/'#$ :'*$ )$% -&"+/"-"$% #( )' 5"/(+/"' b&(',";( b$..$+%0 LTTP@

\( )' `$%' A"#')0 b'&)$%@ Enciclopedia de Oratoria Motivacional. J(&Z )":&$ ()(/,&G+"/$ 2,,-Fmmb'&)$%#()'`$%'A"#')@N%2'&(#@/$. -1:)"/'#$ :'*$ )$% -&"+/"-"$% #( )' 5"/(+/"' b&(',";( b$..$+%0 LTTP@

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d"&'#$0 I"/2()@ Cómo Vencer la Timidez. U'&/()$+'F B#"/"$+(% d&"*'):$0 KSRT@

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39

EL POEMA DE LAS CARTAS D.A.A.S.

Por: Carlos de la Rosa Vidal (1980) Peruano

Cartas hay muchas. Como la de los quinceañeros en las escuelas secundarias. Cartas de lo tímidos o de los osados. Cartas en donde se revelan las ilusiones primeras de la vida.

Los niños escriben por primera vez para conquistar, se atreven y escudan en el bondadoso arte de escribir. Las niñas reciben su primera carta de amor, sonríen y de un salto corren a mostrarla a sus amiguitas.

Hay niñas más modernas y por eso más femeninas, cogen sus mejores papeles de entre sus cuadernos perfumados y les cuentan a los niños traviesos de una fantasía llamada amor.

Hay cartas anónimas, con las que todas las edades alegran los labios e inquietan las curiosidades. Hay cartas para conquistar. Cartas escritas entre enamorados. Cartas de despedida y por eso tan tristes.

Hay cartas en donde se escribe de otras cartas. Las hay entre amores prohibidos y por eso tan auténticas. Las hay entre amigos, entre esposos. Entre desconocidos o entre amantes. También de admiradores.

Hay cartas no correspondidas. Cartas sin respuesta. Las hay de dueños esperanzados en recibir aunque sea una. De dueños que de tanto escribir…. ¡Se han enamorado de verdad!

Hay cartas que han hechizado de tanto ser leídas. Hay cartas que enamoran. Hay magia en el hecho de escribir cartas. Por eso hay escritos, cual testamentos, cuando al ser leídos, parecen escucharse las palabras de quien las escribió. Hay cartas que tienen la voz de sus autores. Hay cartas escritas y jamás enviadas. Pero de entre todas las cartas a mí me gusta la de los tímidos, porque las de ellos… ¡Son las verdaderas! Hay cartas como ésta, escritas sólo por tímidos verdaderos.

Hay quienes lloran cuando releen cartas, por la nostalgia de algún amor anclado en un tiempo pasado.

Hay cartas como ésta a veces conservada en algún rincón amarillento como su historia. Hay cartas como ésta de quienes están solos y buscan un amor. Hay cartas con historias parecidas a las contadas en estas líneas. Hay cartas que emocionan.

Hay sueños como las narradas en esta carta. Hay sueños solo imaginados entre amores tímidos porque son auténticos.

Hay cartas que cuentan las cosas como si fuesen posibles todos los milagros. Hay cartas como ésta sobre las que se ha llorado. Hay cartas sobre las que se ha preguntado cuál es el final de todo. Hay cartas como ésta que no quieren tener final. Hay cartas que solo pueden terminarse cuando la historia continua. Hay cartas como ésta que sólo pueden leerla quienes están enamorados, o quieren enamorarse.

Hay cartas cuyos dueños se han enamorado como los que leen estas líneas. Y han dejado de leer para escribir sus propias cartas. Porque hay alguien que espera recibir una. Ella eres tú, él soy yo.

DESCARGAR ARTÍCULOS

CARLOS DE LA ROSA VIDAL

TEM 001 - De lo conveniente de ser Feo

Breve ensayo sobre la fealdad, la inteligencia, la cortesía y la brutez.

TEM 002 - El Sinsentido Contemporáneo

Breve ensayo sobre el sentido, la belleza de vivir, la angustia y la desesperación.

TEM 003 – Cartas a un Joven Soñadora

Cartas breves sobre los sueños, la gratitud y la pasión de vivir.

TEM 004 - Una Leyenda que no Olvide la Histo

Breve ensayo-poético sobre la gratitud como una obra de vida.

TEM 005 - La Fortuna de estar Vivo y la Pobreza de -o Saberlo

Breve historia como otra cualquiera, del despertar y los sueños, del tesoro de encontrarse vivo

Carlos de la Rosa Vidal, dirige talleres para organizaciones y empresas. Sistemas de

entrenamiento para líderes y emprendedores. Busca producir resultados en los campos de la

creatividad en el trabajo y la vida personal.

Carlos de la Rosa está disponible para Seminarios de Liderazgo, Conferencias para

Emprendedores, Clases Magistrales y Entrevistas con los medios.

Para los Seminarios en vivo de Alto impacto.

Para invitarlo a su próximo evento contacte:

Teléfono: +51 992

Escriba al correo:

[email protected]

Visite:

DESCARGAR ARTÍCULOS de

CARLOS DE LA ROSA VIDAL

www.carlosdelarosavidal.tk

De lo conveniente de ser Feo

Breve ensayo sobre la fealdad, la inteligencia, la cortesía y la brutez.

Sinsentido Contemporáneo

Breve ensayo sobre el sentido, la belleza de vivir, la angustia y la desesperación.

Cartas a un Joven Soñadora

Cartas breves sobre los sueños, la gratitud y la pasión de vivir.

Una Leyenda que no Olvide la Historia

poético sobre la gratitud como una obra de vida.

La Fortuna de estar Vivo y la Pobreza de -o Saberlo


CO�FERE�CIAS

Conferencista



creatividad en el trabajo y la vida personal.


Emprendedores, Clases Magistrales y Entrevistas con los medios.

Para los Seminarios en vivo de Alto impacto.

Para invitarlo a su próximo evento contacte:

Teléfono: +51 99238-9446

+511 553-4397 Desde Lima- Perú y Latinoamérica

Escriba al correo:

[email protected]

Visite: www.carlosdelarosavidal.tk

E�CICLOPEDIA DE

ORATORIA MOTIVACIO�AL.Compendio de técnicas y herramientas para la

comunicación eficaz en público. Así como

ejercicios para la automotivación personal

efectiva. Este ebook puede descargarse

gratuitamente escribiendo “enciclopedia de

oratoria motivacional” en el bu

www.google.com,

para descarga directa:



CO�FERE�CIAS

Conferencista Motivacional




�CICLOPEDIA DE

OTIVACIO�AL. Compendio de técnicas y herramientas para la

comunicación eficaz en público. Así como

ejercicios para la automotivación personal

efectiva. Este ebook puede descargarse

gratuitamente escribiendo “enciclopedia de

oratoria motivacional” en el buscador

Libros Motivacionales Gratis

34.- El Poder de la Vida Inspirada 24/08/2011

35.- Si Tu Vida es un Poema Inspirarás al Mundo Poesía Inspiracional 17/09/2011

36.- Si Viviera Mis últimos Días 12/10/2011

37.- Cartas a un Nuevo Conferencista 16/11/2012

38.- Cartas a una Mujer Poeta 14/01/2013

Ebooks, artículos, reportes, poemarios de Carlos de la Rosa Vidal de libre distribución en la internet. Para descarga gratuita:

FECHA DE PUBLICACIÓN


1.- Enciclopedia de Oratoria Motivacional 17/06/2006 2.- Oratoria para Vender Ideas 18/10/2006 3.- El Don de Atreverse a la Gloria 18/10/2006 4.- El Poder de la Excelencia Humana 18/10/2006 5.- El Imprescindible Retorno a la Felicidad 13/01/2007 6.- Arte y Estilo de Marketing Motivacional 13/01/2007 7.- Cómo Capacitarse en Motivación Personal 20/04/2007 8.- Arte y Poder del Entusiasmo 01/05/2007 9.- El Poema de las Cartas 07/09/2007

10.- Motivateca #01Las Leyes Espirituales del Genio Orador 14/09/2007 11.- Motivateca #02 La Irresistible Pasión de Vivir Intensamente 13/10/2007 12.- Motivateca #03 La Asombrosa Verdad de la Belleza Interior 16/10/2007 13.- Motivateca #04 Optimismo Inteligente 08/11/2007 14.- Motivateca #05 El Arte de la Fe Inteligente 30/11/2007 15.- Motivateca #06 Cómo Aprender la Lección de la Vida 22/01/2008 16.- Motivateca #07 La Conspiración de la Libertad Interior 24/01/2008 17.- Motivateca #08 Motívate y Motiva a los Demás 31/07/2008 18.- Motivateca #09 El Auténtico Poder de las Palabras 05/10/2008 19.- Carta de Compromiso Personal 14/07/2009 20.- Declaración de Valores e Inteligencia Ética 14/07/2009 21.- Motivateca #10 El Poder de la Influencia Ética 23/08/2009 22.- Técnicas de Comunicación 02/07/2010 23.- Competencias para la Empleabilidad 02/07/2010 24.- Speaking to Sell Ideas 19/07/2010 25.- Conspiradores del Cambio 28/08/2010 26.- Persuasión Hipnótica, 10 Secretos para una Conferencia de Alto Impacto 03/12/2010 27.- TEM 001 - De lo Conveniente de ser Feo 14/12/2010 28.- TEM 002 - El Sinsentido Contemporáneo 01/01/2011 29.- TEM 003 - Cartas a una Joven Soñadora 14/01/2011 30.- TEM 004 – Una Leyenda que no Olvide la Historia 28/02/2011 31.- TEM 005 – La Fortuna de Estar Vivo y La Pobreza de no Saberlo 02/03/2011

32.- Reportes Invoxx #01 – Cómo ser un Expositor Profesional 11/06/2011

33.- Reportes Invoxx #02 – Marketing Personal, Cómo Escribir en Redes Sociales 18/06/2011

Persuasión Hipnótica | Carlos de la Rosa Vidal

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