ERROMANTIZISMOA PINTURAN ETA ARKITEKTURAN

EUSKARARA MOLDATUA

ERROMANTIZISMOA PINTURAN (1. ½. XIX. m)

Erromantizismoaren maisuak

EUGÉNE DELACROIX(1798-1863)

WILLIAM TURNER ( 1775-1851)

CASPAR DAVID FRIEDRICH (1774-1840)

FRANTZIA INGALATERRA ALEMANIA

E. DELACROIX. Quioseko sarraskia, 1825

FRANTZIAKO ERROMANTIZISMOA

EUGÉNE DELACROIX(1798-1863)

THÉODORE GÉRICAULT (1791-1842)

MEDUSAREN BALTSA

E. DELACROIX. DANTEREN TXALUPA, 1822

QUIOSEKO SARRASKIA, 1825

SARDANÁPOLOREN HERIOTZA, 1827

ASKATASUNA HERRIAREN GIDARI, 1831

ALJERIAKO EMAKUMEAK HARENEAN, 1834

EMAKUMEA

ARABIARRA LEHOIAREN EHIZAN, 1849

ARABIARRAK LEHOIAREN EHIZAN, 1860

GIAOUR ETA HASSANEN ARTEKO BORROKA

INGALATERRAKO ERROMANTIZISMOA

WILLIAM TURNER ( 1775-1851)

JOHN CONSTABLE (1776-1837)

BRIGHTON BEACH

The Stour-Valley with the Church of Dedham1814 – Óleo sobre lienzo, 55,5 x 77,8 cm

Museum of Fine Arts, Boston (EEUU)

Salisbury Cathedral from the Bishop's Grounds (1825)óleo sobre lienzo, 88 x 112 cm

Metropolitan Museum of Art, New York (EEUU)

Turner

San Giorgio Maggiore at Dawn (1819)Acuarela, 224 x 287 mm

Tate Gallery, Londres

KANAL HANDIA, Venecia (1835)Óleo sobre lienzo, 91 x 122 cm

Metropolitan Museum of Art, New York

EL TEMERARIO KRIGSSKIPET es remolcado tras su último viaje (1838-39) Óleo sobre lienzo, 91 x 122 cm

National Gallery, Londres

ELUR EKAITZA ITSASO ZABALEAN, 1842

EURIA, LURRUNA ETA ABIADURA, 1844

ALEMANIAKO ERROMANTIZISMOA

CASPAR DAVID FRIEDRICH (1774-1840)

MONJEA ITSASOAREN AURREAN, 1808

ARIZTIKO ABADIA, 1809

GURUTZEA MENDIETAN, 1808

BIDAIARIA LAINOZKO ITSASOAN, 1818

RÜGENEKO

LABARRAK, 1818

RÜGENEKO LURMUTURRA

EGUNSENTIA, 1821

ITSASO IZOZTUA, 1823

Romantic Architecture

• John Nash (1752-1835)

• Sir Charles Barry (1795-1860)

• Charles Garnier (1825-98)

ARKITEKTURA ERROMANTIZISMOAREN GARAIAN

PINTORESCO, EXOTIKOA, LEGENDARIOAHistorizismoa, revival

Revival Architecture

Nash, Royal Pavilion, Brighton

King George IV.aren jauregia itsasertzean,

Exotismoa, ganga islamdarrak, tipula gangak, minareteak,Burdinurtuzko hezurdura

Royal Pavilion at Brighton, John Nash, 1815

Coakbrookdale, 1779,

Arkitektura industriala

Revival ArchitectureBarry and Pugin, Houses of Parliament,

London• Old Houses of Parliament burned to the

ground in 1834• Competition held in 1835 to rebuild the

Houses• Only styles allowed in the competition were

Elizabethan Tudor and Gothic• 97 entries, this was the winning entry• Ground plan is cruciform• Two main axes meet in an octagonal central

lobby: House of Commons meets the House of Lords

• Barry was a classicist, a regularity of the rhythms of the façade

• Pugin was a medievalist: towers and decorative elementsErdi Aroko beste eraikinetik hurbil (Westminster Abbey) eta horiekin harmonizatua,

Erloju-dorrea, Big Ben, herrixka bateko Erdi Aroko erloju bat bezalakoa da,

Italiako dorretan ere inspiratuta,

C. Barry, Londreseko Parlamentua

Revival ArchitectureGarnier, The Opera,

Paris

Fatxada koloretako marmolez polikromatua Burdina erabiltzen da, baina ez bistan,

Neobarrokoa, eklektizismoa, Garnier

Transformations de Paris sous le Second Empire

HaussmannNapoleon III.a

Sainte-Genevieve Library, Paris

Beginnings of Modern ArchitectureLabrouste, Sainte-Genevieve Library,

Paris• Combination of load bearing

masonry and iron construction• Arches and columns support roof

independent of masonry walls• Iron construction balanced by itself• Substitute a cast-iron shaft for a

column of granite• Narrow, rectangular ground plan

wedged onto a long constricted site• 1838, first library in Paris to be

opened at night, illuminated with gas lamps

• Had to be constructed of fire-proof materials

Exterior:• Continuous range of arches on tall,

narrow piers• Exterior can be thought of as a cover

for a book• First consistently exposed iron

skeleton in a monumental public building

• Arches on interior reflect arches on exterior

• Repetitive and mechanical decoration on surface

• Façade composed of 810 names of authors in chronological order from Moses to Berzelous, 1848, a Swedish chemist

Beginnings of Modern Architecture

Labrouste, Sainte-Genevieve Library, Paris (continued)• Central name is Byzantine writer Psellus symbolizing the meeting of

East and West• Façade as a monumental card catalogue, or Table of Contents• Main portal: two flat Tuscan columns, surmounted by lamps that

symbolize opening at night for the convenience of students and workers

• Lamps around door look like bookmarksInterior:• Single spine of cast iron down center• Spatially open, evenly lit in daytime and well-ventilated• Interior and exterior compliment each other

Beginnings of Modern Architecture

Paxton, Crystal Palace, London• Competition to build a World’s Fair in

London to be held in 1851• Buildings to be temporary, economical,

simple, and capable of rapid construction• 245 designs submitted, none suitable• Paxton formulated this design in eight

days, fulfilling all requirements• Built in 39 weeks of prefabricated

materials• 1851 feet long, 18 acres• Free of internal walls• 7,200 cast iron and wrought iron

columns• 900,000 square feet of sheet glass● Kristalezko hormak

● Berotegietan inspiratuta

Paxton1851Kristalezkojauregia

SCHLOSS NEUSCHWANSTEIN