300 Ejercicios a Dos Voces

8/16/2019 300 Ejercicios a Dos Voces

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COMPOSED

EXPRESSLY

FOR

THE

WORCESTER

MUSICAL

FESTIVAL, 1SS7.

RUTH

A

DP

AM

THE

WO

FRE

Vocal

Score, C

Vocal

Parts

String

Parts

Wind

Pant*

Full Sco?d*£

There

are

chb'ruse

to

whom

the

natural

have

the

handler

of

1

bringing

it

down

to

exact

measure

of w

only

to

congratulate

favour

with

which

audience.

snt

observer,

B,

indeed, we

of

Thor

and

lision

for

the

|now

remains

id

upon

the

lly

attentive

There

is

beautiful

poser

had

it

not

aire;

vthe

com-

No

better

subject

i

has

chosen.

The

pr

the

exercise

of

his

g)

skill

in

delicate

pictu

Mr.

Frederic

Cow

musical

art.

It

is

a

\'

with

the

enemies

in

1

There

could

be

no

achieved.

...

It

i~

honourably

won

by

its

composer.

ish

:ak

ice

on

SUNDAY

TIMES.

As

regards

originality,

loftiness

of

aim

and

achievement,

and

freedom

and

force

of

expression,

it

is

head

and

shoulders

above

any

choral

work

that

has

previously

issued

from

the

same

pen.

LONDON

&

NEW

YORK:

NOVELLO,

EWER

AND

CO.



JUDITH

OR,

THE

REGENERATION

OF

MANASSEH

AN

ORATORIO

BY

C.

HUBERT

H.

PARRY.

Vocal

Score,

paper

cover

,,

paper

boards

„

cloth

Vocal

Parts

String

Parts

Full

Score

and Wind

Parts,

MS.

s.

d.

5

o

each

6

7

i

29

THE

TIMES.

The

Finale of 'he first

act, in

which the two

host^

conflict, is

masterly

anc

P

)f

impf

....

The

S«erP;

-f.f

r

act

again

splendidly develo

the

orchestral

Noct

The

sucress of

being

recal

but at

the

i

•it th(

of

that

act

is

JosCtfcim

sc

PHJ

eijytjpduced by

Parry

f the

performance,

-o\%

Without

Judith

with

emph

kS

produ

.ic

success

^RD.

e that Dr.

Hubert

Parry's oratorio

:he most

favourable

conditions and

The musician

who

could

r

oc

character,

and

expression, h

'

That Dr.

Parry

is

a

c

lovers of

music

need no.

he

has

treated

the

chorv

genius.

POST.

work

as

Judith,

so full

of

power,

1

his

last

word.

.VS.

•

of

all the

resources

of the orchestra,

ile particularly

in

the

Moloch

scenes

ich not

infrequently

shows

a

touch

of

true

THE

ATHEN^UM.

No finer

oratorio

music

than this

has

been written

for

many

years.

GUARDIAN.

The

success of

Dr. Hubert

Parry's

new

oratorio

was

of

the

most unequivocal

kind,

the

audience

finding

it

impossible

to

obey the

printed

injunctions concerning

applause

at the

morning

performances,

and

cheering

the

composer

heartily after

both

parts

of

a

work

which

will

not

be long

in being

recognised

as

among

the

highest

achievements

of

English

music.

LONDON

&

NEW

YORK:

NOVELLO,

EWER

AND

CO.



THE

DREAM

OF

JUBAL

A

POEM

WITH

MUSIC

FOR

SOLI,

CHORUS,

ORCHESTRA,

AND

ACCOMPANIED

RECITATION

WRITTEN BY

JOSEPH

BENNETT

THE MUSIC

COMPOSED BY

A.

C.

MACKENZIE.

Octavo,

paper

cover,

2s. 6d.

;

paper

boards, 3s. ;

cloth

gilt, 4s.

Vocal

Parts,

each

is.

;

String Parts, 18s.

6d.

;

Wind Parts

(in the

Press).

Full

Score,

MS.

DAILY TELEGRAPH.

There

was no

mere pretence

of

listening

;

from

first

to last the

piece

held

the

attention

of

its

auditors, and

compelled

their

hearty

applause,

which culminated at

the close

in

an

emphatic and'app^rently unanimous

chorus

of

approval.

•-

>u

K

-

*'*i

DAILY NEWS.

It is

in his accompaniments to the

dialogue that Dr.

Mackenzie

is

at

his

greatest.

Here

all

the resources of

the

orchestra

are

brought into play,

and

free

use

is

made

of

leading

motives, including (in

association

with the

idea of the

Divine

Power) an

extremely

happy

quotation

of

the

phrase

given

in

the

Hallelujah

Chorus

of

The

Messiah,

to

the words

And

He shall

reign

for ever

and ever.

MORNING POST.

Few

composers living could have

written

more

beautiful music

than

that

with

which

Dr.

Mackenzie

accompanies the spoken words. . . . The

contrast

to the

simple

gaiety

of

the.

scene

in

the

fields

is

presented in

the

magnificent

Funeral

March and

Chorus,

which

stands

as

the finest

number in the work

—

deep in

expression and

strikingly

original

in

treatment. . . .

There can be no doubt

that

The Dream

of

Jubal

is

not

only

his

best

work, but it

is

also the best

work of the kind

produced

by

any modern

composer.

DAILY CHRONICLE.

The

choral writing

is

worthy

of

the composer who

penned the

magnificent

series

forming

the

Procession

of the Ark, in the

Rose

of

Sharon,

whilst

the

instrumenta-

tion is

throughout picturesque

and vivid,

as

well as highly

interesting to those who

wish

to go

below

the surface and

critically analyse

Dr.

Mackenzie's

method

of workmanship.

VANITY

FAIR.

For once the

poet has

been allowed

to

take his

place side

by

side

with the

musician,

and

not, as

usual, occupy a merely

subordinate

position. . . . Mr.

Joseph

Bennett

has

produced

a

work

which in

every

way

does

him

infinite credit—

a

work full

of

graceful

imagery,

tender

thoughts, and poetic language.

Throughout, the

orchestration

was

most

charming.

SUNDAY

TIMES.

All Dr.

Mackenzie's strength

and individuality and

wealth

of resource

come

to

the

surface

in

the three

magnificent

concerted

pieces

now

alluded to.

. . .

they

attain,

indeed,

to

as

lofty an

eminence as any

English composer

has yet

reached.

LIVERPOOL

COURIER.

During the

performance

the audience was

spell-bound.

LIVERPOOL DAILY

POST.

It

is an

entirely worthy

and

noble

conception,

quite

original,

and

of a fibre

which

arouses interest

at

the

outset, and holds it

enthralled

until the

last chord

is

heard.

LONDON

&

NEW

YORK:

NOVELLO,

EWER

AND CO.



)Y\. I

TENTH

THOUSAND.

NOVELLO,

EWER

AND

CO.'S

MUSIC

PRIMERS.

Edited by Dr. STAINER.

THREE

HUNDRED

&

NINETY-SIX

TWO-PART EXERCISES

FOR

CHOIRS AND

SCHOOLS

W

BY

JAMES

GREENWOOD

MAY

BE

USED

WITH

ANY

SYSTEM

OF

SOL-FA..

PRICE

ONE SHILLING.

In paper boards,

One Shilling

and

Sixpence.

LONDON

&>

NEW

YORK

NOVELLO,

EWER

AND

CO.



G-7S-



PREFACE.

The

following

Two-part

Exercises

are intended

for

the

use

of

singing-classes

;

the

plan

on

which

they

are

constructed

being,

it

is

thought,

unique.

The Author,

after a

lengthened

experience

in

class-teaching,

believes it

to be

the

plan

best

adapted

to pro-

duce

good,

independent,

readers

of

vocal

music.

A

sight-singer, to

be

thorough,

must

be

able

to

sing with

readiness

in

all keys

and

in

all

sorts

of time ; and in order

to

attain this

readiness

he must

have practice

in

scale and

time exercises,

of

such a

character as

can

be

mastered

by one

whose

familiarity

with

the

lines

and

spaces

has

to

be

gradually

acquired.

Now

the way

in which

scale-exercises

are usually presented to

the

members

of singing-

classes is

so unattractive, that

large numbers

of students soon

grow

tired

of

practising

them

;

while the

plan of

exercising

pupils

in

beating

time

without

any connection with

tune, although

perhaps necessary at

the

very outset, soon

becomes

irksome. But

by

combining

time with tune, and

the

scales

with

such

contra-

puntal devices

as

are

to

be found in

the

following pages, the

interest of

the

pupils

is

sustained, the

greatest

possible amount

of useful

practice is obtained

at

the

smallest cost of tediousness

;

practice and pleasure

go

hand

in

hand,

and progress is

the

result.

In

using this

book teachers

may

adopt any

system

of solmiza-

tion they may

deem

best, and also their

own methods

of explaining

time

and

key-signatures, the

relative

durations

of notes,

&c.

One

direction,

however,

is

necessary.

The

teacher

must

first

teach the

whole

of his

class

to sing

a

scale.

Then the

scale in

time.

Then he

must divide

the

class

into

two

sections.

Then

direct

those

on

his right

hand

to

sing

the scale, and

those on

his left

the

counterpoint.

Then

get those

who

before sang the



'V

PREFACE.

counterpoint to sing

the

scale,

and vice

versa,

and

keep

them

reversing

in

this manner

until each

exercise

has

been

completely

mastered.

The

Author

believes that

no

other plan

can

be

adopted

by

which

the

habit

of

singing

in

time can be so

well

acquired

;

because by

the

plan

recommended each half

of the

class

will

in its

turn

be

doing that

which

will

be well

within its

power,

viz.,

singing a scale, and

thus

giving

support to those

members of

the

class who are practising

the counterpoint.

The

support

thus

afforded

will be

much

more valuable

for

ultimate

purposes than

that

which

can

be obtained

by

the

strumming

of

every note on

a pianoforte

;

as

it

will

be

the support

resulting

from

the harmonic

relationship

suggested

to

the

minds

of

the

pupils,

and not

merely that

of sounds

to

be

imitated.

Bristol, Aug.

28th,

1883.



INDEX.

T-

FAGB

Exercises

in

(J

major

...

I

»>

,

A

minor

...

H

>i

,

F

major

...

17

»i

i

,

D

minor

...

24

>»

,

B

flat

major

27

>>

,

G

minor

...

3

1

>»

,

E

flat major

34

>>

,

c

minor

...

38

«

,

A

flat

major

40

>>

,

F

minor ...

44

>>

,

D

flat

major

48

Exercises

i

n G

major

...

5i

j>

,

E

minor ...

57

>i

,

D

major ...

60

>>

„

B

minor

...

65

>>

,

A

major ... 68

i>

,.

F

sharp

minor

74

)>

„

E major

...

77

)>

,

c

sharp

minor

83

>>

„

B

major ...

8

5

>>

,.

G

sharp

minor

88



Digitized

by

the Internet

Archive

in

2011

with funding

from

University

of

Toronto

http://www.archive.org/details/threehundrednineOOgree



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NOVELLO'S

PRIMERS OF

MUSICAL

BIOGRAPHY

BY

JOSEPH

BENNETT.

Price

One

Shilling

;

Cloth, Gilt,

Two

Shillings each.

NOW

READY.

HECTOR

BERLIOZ

FREDERIC CHOPIN

ROSSINI

CHERUBINI

MEYERBEER

PROSPECTUS.

Some years

have

passed

since

Mr.

Joseph

Bennett

began, in the

Musical

Times,

a

series of

biographical

notices

which

are

still far from

ended.

The

original purpose was a limited one—

namely,

to throw light

upon

the

personality of

famous

musicians by

means

of

extracts selected

and

arranged

from

their

letters and other writings. Hence

the

series had

for first title

The

Great Composers, sketched

by

themselves.

Consequent upon the

remarkable favour with which

the

notices

were

received, it

was determined

to

extend

their scope, and

while

making

prominent

the

Masters'

own

testimony,

to

deal

with each

subject

in

a

complete

biographical

form,

as

far as allowed by

the

limits

necessarily

imposed. The

words

sketched

by themselves were therefore

dropped

from

the

title.

It

was

further resolved

to

make

additions in the

case

of

the

composers

dealt

with

under

the

original

idea,

and

to issue

the

notices

separately

as

Primers

of

Musical

Biography.

The

intention

of

Novello's Primers

of Musical

Biography

is

to

convey, as

clearly

as

the

limits of

an

elementary

work

will

allow,

a

just

idea

of each

composer's personality, and

to

record the

principal

events

of his

life.

Knowledge of what

a

man is

helps

the understanding

of

what he

does.

These little

books

may serve, therefore,

as

a

first

step

towards acquaintance with the genius

and

composition

of

the

masters

to

whom

they

are

devoted.

For

the

copious

extracts

made from

letters, &c, throughout

the

series,

no

apology is

offered.

They are the

best

material upon

which

to

base

an estimate

of

character.

LONDON

&

NEW

YORK

NOVELLO, EWER AND

CO.



Novello,

Ewer

&

Co's

Music

Primers

Edited

by Dr.

STAINER.

PRICE

ONE SHILLING.

THE

SOL-FA

SYSTEM

OF

TEACHING

SINGING

AS

USED

IN

LANCASHIRE

AND

YORKSHIRE

JAMES

GREENWOOD.

AUTHOR'S

PREFACE.

In

bringing

this

little

book to the

notice

of

the

Public,

I

am

complying

with

a

wish that

has

been

expressed

to me

by

many

professional

and other musical

friends,

who

have wit-

nessed

the

good

results

produced by

the

Lancashire

and

Yorkshire

system

of Sol-fa.

Being

convinced

of

its superiority

over

all

other systems,

I

earnestly

recommend

an

investigation

of

its

merits.

LONDON

& NEW

YORK:

NOVELLO,

EWER

&

CO.



LIFE

OF

MOZART

BY

OTTO

JAHN.

Translated

from the

German

by

Pauline

D.

Townsend.

With

five

Portraits,

and Preface by

George

Grove,

D.C.L.

Three

Volumes,

Cloth,

price

£1

us.

6d.

Mr.

Grove,

in

his

brief

and

able preface,

calls

the

publication in an

English

dress

of

Otto

Jahn's

famous

biography

of

Mozart 'an event in our musical

history,'

and

his

statement

cannot

be

considered

an

exaggeration.

. . .

The

English

public

is

to be

congratulated

upon

a

translation

of

his monumental

effort which may

without

exaggeration be

called

excellent.

Miss Townsend

has done her

work

with

skill

and

conscientiousness,

and

we

doubt

whether

a

much more

careful

comparison

with

the

original

than

we

have

thought it

necessary to undertake

would

discover

many,

or any,

serious

blunders.

The

Times.

JOHANN

SEBASTIAN BACH

HIS

WORK

AND

INFLUENCE

ON

THE

MUSIC

OF GERMANY, 1685-1750

r.\

PHILIPP

SPITTA

TRANSLATED

FROM

THE

GERMAN

BY

CLARA BELL AND

J.

A.

FULLER-MAITLAND.

Three

Volumes,

price

£1

25.

Of

the

translation we

can speak

most

favourably.

Not only

is

it,

so

far

as we

have

compared it,

very

faithful

to

the original,

but

it

is

thoroughly

readable. .

. .

Nevertheless, his book

is

a

sterling work

which

ought

to

be on

the shelves

of

every

musician

;

and we congratulate

the

translators

and the

publishers

on

having

successfully completed

the

arduous task of presenting

it in

an English

dress.

The Athenceum.

FREDERICK

CHOPIN

AS A MAN AND

MUSICIAN

BY

FREDERICK

NIECKS.

With

a

Portrait, etched

by

H.

R.

Robertson,

and

Fac-similes

of

the

Composer's

MS.

Two

Volumes,

Cloth,

price

£1

55.

Mr.

Niecks's work

at

once

takes

its

place

among

standard

biographies.

Great

Musicians—the

first

complete

and

wholly

satisfactory

life

of

Chopin

that has

been

written.

Mr. Niecks

may

be

assured

that its

successful

achievements

places

him

in

the

front

rank of

musical

biographers

;

while,

at

the

same

time,

the

production

of

so able

and adequate

a

work

adds

one

more

to

the

laurels

earned

by

the distinguished

firm that

has

already

given

us

in

English

form

Otto

Jahn's

'

Mozart

'

and

Spina's

'

Bach.'

Sunday

Times.

LONDON

AND

NEW

YORK:

NOVELLO,

EWER

AND

CO.



NOVELLO,

EWER

&

CO.'S

MUSIC PRIMERS

EDITED

BY

SIR

JOHN

STAINER.

9-

10.

ii.

12.

13-

14.

15-

16.

17-

18.

19.

20.

21.

22.

23-

24.

25-

26.

27.

28.

29.

The Pianoforte

(Price

2s.)

-

-

- -

E. Pauer.

The

Rudiments

of Music

(Price

is.) W. H.

Cummings.

The

Organ (Price

2s.)

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John

Stainer.

The

Harmonium

(Price

2s.)

-

-

-

King

Hall.

Singing (Price

4s.

;

Paper

boards, 5s.)

-

A.

Randegger.

Speech

in Song

(Singer's

Pronouncing

Primer) (Price

25.)

-

- -

A.

J.

Ellis,

f.r.s.

Musical

Forms

(Price

2s.)

-

- -

*

-

E.

Pauer.

Harmony

(Price

2s.)

Sir

John

Stainer.

Counterpoint

(Price

2s.)

- -

-

Dr. Bridge.

Fugue

(Price

2s.)

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Higgs.

Scientific

Basis

of Music

(Price

is.)

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Stone.

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Training (Price is.) Rev.

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IN

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-

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Greenwood.

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John

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-

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de Swert.

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is.)

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Greenwood.

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is.)

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in Three Parts, is. 6d. each.

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Accompaniment

(Price

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NOVELLO,

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MUSIC

PRIMERS

I

EDITED BY

10

SIR

JOHN

STAINER.

i.

The

Pianoforte

{Price

2s.)

•

-

-

-

E. Pai

2.

The

Rudiments

of Music

{Price

is.) W.

H.

Cummu

3.

The

Organ

(Price

2s.)

J.

Stain-

4.

The

Harmonium

{Price

2s.)

-

- -

King

Hall.

5.

Singing

(Price

4s.

:

Paper boards,

5s.)

-

A.

Randegger.

6.

Speech

in

Song

(Singer's

Pronouncing

Primer)

(Price 2s.)

-

• -

A.

J.

Ellis, f.r.s.

7

Musical

Forms (Price

2s.)

-

-

-

E.

Pauejl

8.

Harmony

{Price 2s.)

J.

Stain

er.

9.

Counterpoint

(Price

25.)

-

-

-

Dr.

Bridgb.

Fugue

(Price

2s.)

-

...

James

Higgs.

11.

Scientific

Basis

of

Music

(Pike

is.)

Dr.

Stone.

12.

Double

Counterpoint

(Price

2s.)

Dr.

Bridge.

13.

Church

Choir

Training

(Price is.)

Rev

J

Troutbeck.

14.

Plain

Song

(Price

2s.)

-

-

Kev.

T. Helmore.

15.

Instrumentation

(Price

2s.)

-

-

- E. Prout.

r6.

The

Elements

of

the Beautiful

in

Music

(Price is.)

....

E. Pauer.

17.

The

Violin

(Price

2s.)

-

-

•

Berthold

Tours.

18.

Tonic

Sol-fa (Price

is.)

- -

- -

J.

Curwen.

ig.

Lancashire

Sol-fa (Price is.)

-

James

Greenwood.

20.

Composition

(Price 2s.)

-

-«

-

-

J.

Stain

er.

21.

Musical

Terms

(Price is.)

-

-

Stainer and

Barrett.

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300 Ejercicios a Dos Voces

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